(Art rock, Avant-garde) Scott Walker - Tilt - 1995, APE (image+.cue), lossless

The cover features Walker's hand, photographed and manipulated by David Scheinmann.

The songs on the album have a decidedly bleak, forlorn and funereal mood; the lyrics are replete with arcane allusions and recondite wordplay and ellipses. Like Walker's previous effort, Climate of Hunter (1984), Tilt combines elements of industrial music with European avant-garde and experimental influences. The unusual literary, musical and performance qualities of Walker's songwriting and singing are reminiscent of the lieder, chanson and "art song" traditions — forms which long predate the era of recorded popular music and electronic media.

The compositions emphasize abstract atmospherics over structure, with minimalist, slightly discordant "sound blocks" and trance-like repetition rendered through carefully nuanced instrumentation and sparsely deployed sonic effects. Walker's mournful (some might say, lugubrious) voice resonates in a cavernous echo, taking on a haunted, distant, desolate quality, which one reviewer characterized as "Samuel Beckett at La Scala".

The opening track, "Farmer in the City", is subtitled "Remembering Pasolini". Most of lyrics are lifted directly from Norman Macafee's English translation of Pier Paolo Pasolini's poem, "Una tanti dialoghi" ("One of Many Dialogues"), with Walker's own surreal embellishments interspersed.

The poem was one that Pasolini had written in 1969 for his friend and protégé, the scruffy young nonprofessional actor, Ninetto Davoli. Throughout the song, Walker's chant of "Do I hear 21, 21, 21...? I'll give you 21, 21, 21...", which is not in Pasolini's original poem, may be a reference to Davoli's age when he was drafted into (and subsequently deserted from) the Italian army.

The lyrics of "The Cockfighter" include "excerpts relocated from the trial of Queen Caroline and the trial of Adolf Eichmann". "Bolivia '95" is apparently a song about South American refugees.

All the songs on the album were composed between 1991 and 1992, except "Manhattan" (1987) and "Rosary" (1993).

In addition to a core lineup of musicians playing rock instruments, the recording also features classical contributions from the Strings of Sinfonia of London and the Methodist Central Hall Pipe Organ, which were arranged and conducted by Brian Gascoigne. Tilt is also notable for being a now-rare instance of a contemporary musical recording which was actually recorded live in the studio without the enhancement of any electronic sample-based synthesis or guide tracks.[citation needed]

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 15. сентября 2008, 12:08

Scott Walker / Tilt

Дисковод: LITE-ON DVDRW LH-20A1S Adapter: 2 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

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CRC копии 21B90CA5
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