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(Free Improvisation, Electroacoustic, Leo Records) [CD] Lapslap - Itch - 2008, FLAC (tracks+.cue), lossless

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Гость

Lapslap / Itch
Жанр: Free Improvisation, Electroacoustic, Leo Records
Носитель: CD
Страна-производитель диска (релиза): UK
Год издания: 2008
Издатель (лейбл): Leo Records
Номер по каталогу: CD LR 516
Страна исполнителя (группы): International
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:51:44
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Not Cheddar But 4:42
2. Spoons 4:13
3. Sloppy Lips 4:31
4. Nailed 3:37
5. Honk 4:05
6. Hungry 8:34
7. Schweigen 3:31
8. Scratchy 5:59
9. Motor Mouth 5:31
10. Rhapsody In Light Yellow 6:21

Код:

Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 2. March 2015, 20:03
Lapslap / Itch
Used drive  : ASUS    CRW-5232AS   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:41.74 |         0    |    21148
        2  |  4:41.74 |  4:17.62 |     21149    |    40485
        3  |  8:59.61 |  4:36.06 |     40486    |    61191
        4  | 13:35.67 |  3:41.69 |     61192    |    77835
        5  | 17:17.61 |  4:10.22 |     77836    |    96607
        6  | 21:28.08 |  8:38.55 |     96608    |   135512
        7  | 30:06.63 |  3:31.00 |    135513    |   151337
        8  | 33:37.63 |  6:09.05 |    151338    |   179017
        9  | 39:46.68 |  5:35.66 |    179018    |   204208
       10  | 45:22.59 |  6:21.16 |    204209    |   232799
Track  1
     Filename D:\zzz\01 - Not Cheddar But.wav
     Pre-gap length  0:00:02.00
     Peak level 88.3 %
     Extraction speed 3.6 X
     Track quality 100.0 %
     Test CRC 330F3471
     Copy CRC 330F3471
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename D:\zzz\02 - Spoons.wav
     Peak level 90.7 %
     Extraction speed 4.0 X
     Track quality 100.0 %
     Test CRC FD54AC31
     Copy CRC FD54AC31
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename D:\zzz\03 - Sloppy Lips.wav
     Pre-gap length  0:00:05.00
     Peak level 97.4 %
     Extraction speed 4.0 X
     Track quality 99.9 %
     Test CRC 63AED4DD
     Copy CRC 63AED4DD
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename D:\zzz\04 - Nailed.wav
     Pre-gap length  0:00:05.00
     Peak level 98.7 %
     Extraction speed 4.6 X
     Track quality 100.0 %
     Test CRC 619821D1
     Copy CRC 619821D1
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename D:\zzz\05 - Honk.wav
     Pre-gap length  0:00:05.00
     Peak level 94.5 %
     Extraction speed 4.4 X
     Track quality 99.9 %
     Test CRC 44D2B3D5
     Copy CRC 44D2B3D5
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename D:\zzz\06 - Hungry.wav
     Pre-gap length  0:00:05.00
     Peak level 97.9 %
     Extraction speed 5.7 X
     Track quality 100.0 %
     Test CRC 8BDE440D
     Copy CRC 8BDE440D
     Track not present in AccurateRip database
     Copy OK
Track  7
     Filename D:\zzz\07 - Schweigen.wav
     Pre-gap length  0:00:05.00
     Peak level 98.3 %
     Extraction speed 5.6 X
     Track quality 100.0 %
     Test CRC E7EDF7C9
     Copy CRC E7EDF7C9
     Track not present in AccurateRip database
     Copy OK
Track  8
     Filename D:\zzz\08 - Scratchy.wav
     Peak level 93.6 %
     Extraction speed 6.3 X
     Track quality 100.0 %
     Test CRC 741841B1
     Copy CRC 741841B1
     Track not present in AccurateRip database
     Copy OK
Track  9
     Filename D:\zzz\09 - Motor Mouth.wav
     Pre-gap length  0:00:10.00
     Peak level 89.0 %
     Extraction speed 6.5 X
     Track quality 100.0 %
     Test CRC AFDA4414
     Copy CRC AFDA4414
     Track not present in AccurateRip database
     Copy OK
Track 10
     Filename D:\zzz\10 - Rhapsody In Light Yellow.wav
     Pre-gap length  0:00:05.00
     Peak level 89.2 %
     Extraction speed 6.9 X
     Track quality 100.0 %
     Test CRC 891A62FA
     Copy CRC 891A62FA
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum A57923C21110E268E180633F7E131492A911B207F71245EDBCD22D405E7D3BA1 ====

Код:

REM GENRE "Electroacoustic Improvisation"
REM DATE 2008
REM DISCID 830C200A
REM COMMENT "ExactAudioCopy v1.0b4"
PERFORMER "Lapslap"
TITLE "Itch"
FILE "01 - Not Cheddar But.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Not Cheddar But"
    PERFORMER "Lapslap"
    INDEX 01 00:00:00
FILE "02 - Spoons.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Spoons"
    PERFORMER "Lapslap"
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Sloppy Lips"
    PERFORMER "Lapslap"
    INDEX 00 04:12:62
FILE "03 - Sloppy Lips.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Nailed"
    PERFORMER "Lapslap"
    INDEX 00 04:31:06
FILE "04 - Nailed.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Honk"
    PERFORMER "Lapslap"
    INDEX 00 03:36:69
FILE "05 - Honk.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Hungry"
    PERFORMER "Lapslap"
    INDEX 00 04:05:22
FILE "06 - Hungry.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Schweigen"
    PERFORMER "Lapslap"
    INDEX 00 08:33:55
FILE "07 - Schweigen.wav" WAVE
    INDEX 01 00:00:00
FILE "08 - Scratchy.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Scratchy"
    PERFORMER "Lapslap"
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Motor Mouth"
    PERFORMER "Lapslap"
    INDEX 00 05:59:05
FILE "09 - Motor Mouth.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Rhapsody In Light Yellow"
    PERFORMER "Lapslap"
    INDEX 00 05:30:66
FILE "10 - Rhapsody In Light Yellow.wav" WAVE
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Not Cheddar But.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Spoons.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Sloppy Lips.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Nailed.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Honk.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Hungry.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Schweigen.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. Scratchy.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09. Motor Mouth.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10. Rhapsody In Light Yellow.wav]
------------------------------------------------------------
This track looks like CDDA with probability 94%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

Music by Michael Edwards, Karin Schistek, Martin Parker
Recorded 7-9 September 2007, Reid Concert Hall, Edinburgh
The recordings were made in surround and mixed into stereo by Michael Edwards and Martin Parker
Mixed and mastered by Michael Edwards and Martin Parker
Design by Lora Denis
Lapslap photography by Anna Chapman
Produced by Lapslap & Leo Feigin
It is not a surprise for an improvising group to integrate computers and instruments in its music; since the turn of the millennium, that has almost become the norm. Neither is it unusual for a group's music to combine elements of contemporary composition, free jazz and improv. In both respects, Lapslap ticks all the boxes; what is remarkable about this threesome is the verve and imagination with which they manage it. Based in Edinburgh, Lapslap consists of the English-born Michael Edwards on tenor saxophone, computer and midi wind controller, Martin Parker on French horn and computer, and Austrian-born Karin Schistek on piano. The group "grew out of a desire to make well-formed music in real-time using computers and instruments."
The albums Itch and Scratch were both recorded at the Reid Concert Hall, Edinburgh, from 7th to 9th September 2007. Itch was released in autumn 2008, followed by Scratch in spring 2009. There are many similarities between the two, including their complementary titles, and monochrome visual style; they are best considered as two different parts of a double album. As if to reinforce the link, Itch contains a track entitled "Scratchy," while Scratch contains a track entitled "Itchy." (Hmmm, "Itchy" and "Scratchy." Maybe these guys are fans of The Simpsons?)
Lapslap's first release is a showcase of the breadth and range of their music, particularly their use of electronics. None of the ten pieces is long and only one—"Spoons"—features all three instruments together without computers; it reveals the trio to be a creative improvising environment in which no instrument dominates but where there are ever-shifting collaborations between the players, creating a kaleidoscopic effect. The piece features effective metallic percussive effects that are not obviously attributable to any of the credited instruments—maybe these are the spoons of the title? This piece may leave you wanting to hear the trio improvising together for longer than its four minutes. The sound of the Reid Hall is richly resonant and is captured in great detail by the recording.
The other pieces all feature computers; three feature tenor sax plus piano plus computer; the rest feature a lone instrument plus one computer or more. Edwards and Parker both have a history in computer manipulation of instruments, as evidenced by Parker's use of "reactive sound environment" on "Not Cheddar But." As ever when computers are deployed in this way, their use raises more questions than it answers; to fully understand what one is hearing, a full (and doubtless quite lengthy) explanation of their role would be useful. Based on the aural evidence of "Not Cheddar But," the computer seems to create a background drone which is not obviously "reactive" but certainly contributes to the piece's laid back ambience. Here as elsewhere, Edwards on tenor saxophone impresses with a rich tone plus keen melodic instincts on a slowly unfolding solo. The only track that belies this impression of the saxophonist is "Honk," which largely showcases Schistek's fractured piano punctuated by occasional loud contrasting blasts (honks, indeed) from Edwards.
Just as surprising is "Hungry," on which the use of two computers subsumes the solo piano into an industrial blast of metallic percussive noise and glitches. The piano gamely fights its way to the surface to recapture the limelight with an appropriately percussive display of block chording offset by finer detailed soloing. - John Eyles, AAJ

Michael Edwards: tenor sax (1,2,5,7,9), computer (3,6,8,10), MIDI wind controller (3), table with keys (6)
Karin Schistek: piano (1,2,4,5,6,8,9,10)
Martin Parker: reactive sound environment (1), french horn (2,3), computer (4,5,6,7,9,10)

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