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(Free Jazz, Avant-Garde Jazz) Borah Bergman - Upside Down Visions - 1985, FLAC (tracks+.cue) lossless

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Borah Bergman - Upside Down Visions

Жанр: Free Jazz, Avant-Garde Jazz
Страна-производитель диска: Italy
Год издания диска: 1985
Издатель (лейбл): Soul Note Records
Номер по каталогу: SN 121 080-2
Страна: Italy
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 42:53
Источник (релизер): собственный рип с оригинального диска.
Наличие сканов в содержимом раздачи: да
Треклист:
01. Upside Down Visions
02. Uncharted Rivers Flow Forever
03. Spirit Song - (dedicated to the memory of Arrigo Polillo)
04. Poignant Dream
05. Prelude to an Apex - (for the left hand only)
06. Ballad of a Child Alone

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 9. December 2010, 9:24
Borah Bergman / Upside Down Visions
Used drive  : TSSTcorpCDDVDW SH-S222A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\tool\Audio\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 12:53.27 |         0    |    58001
        2  | 12:53.27 |  7:58.45 |     58002    |    93896
        3  | 20:51.72 |  2:31.55 |     93897    |   105276
        4  | 23:23.52 |  9:12.63 |    105277    |   146739
        5  | 32:36.40 |  5:50.15 |    146740    |   173004
        6  | 38:26.55 |  4:29.54 |    173005    |   193233
Track  1
     Filename C:\! RUTRACKER\ru up\Borah Bergman - Upside Down Visions\01 - Upside Down Visions.wav
     Pre-gap length  0:00:02.00
     Peak level 90.5 %
     Track quality 99.9 %
     Test CRC 21FEB46B
     Copy CRC 21FEB46B
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename C:\! RUTRACKER\ru up\Borah Bergman - Upside Down Visions\02 - Uncharted Rivers Flow Forever.wav
     Peak level 88.3 %
     Track quality 100.0 %
     Test CRC 37BAC8D5
     Copy CRC 37BAC8D5
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename C:\! RUTRACKER\ru up\Borah Bergman - Upside Down Visions\03 - Spirit Song.wav
     Peak level 72.3 %
     Track quality 99.9 %
     Test CRC F72C0AA3
     Copy CRC F72C0AA3
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename C:\! RUTRACKER\ru up\Borah Bergman - Upside Down Visions\04 - Poignant Dream.wav
     Peak level 91.6 %
     Track quality 100.0 %
     Test CRC ACDB6368
     Copy CRC ACDB6368
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename C:\! RUTRACKER\ru up\Borah Bergman - Upside Down Visions\05 - Prelude to An Apex.wav
     Peak level 94.1 %
     Track quality 100.0 %
     Test CRC 6E7F5226
     Copy CRC 6E7F5226
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename C:\! RUTRACKER\ru up\Borah Bergman - Upside Down Visions\06 - Ballad Of A Child Alone.wav
     Peak level 87.1 %
     Track quality 100.0 %
     Test CRC 2BC70ED8
     Copy CRC 2BC70ED8
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report

Код:

REM GENRE Avant-Garde
REM DATE 1984
REM DISCID 4E0A1006
REM COMMENT "ExactAudioCopy v0.99pb5"
CATALOG 0000000000000
PERFORMER "Borah Bergman"
TITLE "Upside Down Visions"
FILE "01 - Upside Down Visions.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Upside Down Visions"
    PERFORMER "Borah Bergman"
    INDEX 01 00:00:00
FILE "02 - Uncharted Rivers Flow Forever.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Uncharted Rivers Flow Forever"
    PERFORMER "Borah Bergman"
    INDEX 01 00:00:00
FILE "03 - Spirit Song.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Spirit Song"
    PERFORMER "Borah Bergman"
    INDEX 01 00:00:00
FILE "04 - Poignant Dream.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Poignant Dream"
    PERFORMER "Borah Bergman"
    INDEX 01 00:00:00
FILE "05 - Prelude to An Apex.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Prelude to An Apex"
    PERFORMER "Borah Bergman"
    INDEX 01 00:00:00
FILE "06 - Ballad Of A Child Alone.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Ballad Of A Child Alone"
    PERFORMER "Borah Bergman"
    INDEX 01 00:00:00

Доп. информация: Recorded July 24/25 and October 2/3, 1984 at Barigozzi Studio, Milan, Italy.
Includes liner notes by Joachim E. Berendt.

Early in his career, it was typical for jazz critics to compare the extraordinary free jazz pianist Borah Bergman to Cecil Taylor. Lately, however, critics now regularly point out the folly in such comparisons, perpetuating the very same juxtaposition, instead of listening to Bergman abstracted from such concerns. Though Bergman himself claims Tristano, Monk, and Powell as influences, he rates comparison with nobody, so singular is his ability as an improvising pianist. Bergman has perhaps the most comprehensive technique of any jazz musician on any instrument. His facility is nonpareil with both hands. Bergman can improvise spontaneous free counterpoint at unfathomable speeds and with remarkable precision. His utterly personal style is due in no small part to his own technical innovations; no pianist in the history of jazz has ever developed more speed and agility in his left hand. Additionally, Bergman has refined a technique of playing with crossed hands that augments his fluency to an even greater degree. Bergman's greatest attributes are, however, the staggering quality and quantity of his ideas, and the ineffable intensity with which he executes those ideas. Bergman is of a kind with the very greatest jazz musicians in terms of originality and inspiration. The only reason now to weigh him against Cecil Taylor is to place the two artists on the same level of creative accomplishment.
Bergman played clarinet as a child, but didn't begin on piano until in his twenties. Bergman determined right away that he wanted to develop an individual voice. As he told the writer Francis Davis, "I knew there was no point in sounding almost as good as Bud Powell." The right-handed Bergman worked for years in strengthening his left hand. For a time, he practiced playing left-handed almost exclusively. Eventually -- as a pianist, at least -- he became ambidextrous. Bergman began recording late as well. His first four albums were solo efforts; the first, Discovery, was released in 1975 on the Chiaroscuro label. Three more would follow, including 1983's A New Frontier and 1985's Upside Down Visions, both on Soul Note. In 1992, the pianist began a series of successful duo collaborations. The first was Inversions on the Muworks label, with the young free-bop altoist Thomas Chapin. Following that came a pair of Soul Note albums that cemented Bergman's reputation, 1993's The Human Factor with drummer Andrew Cyrille and 1994's The Fire Tale with soprano saxophonist Evan Parker. The latter album was especially powerful, matching as it did two of the most formidable improvisers in jazz. His albums from this period include a duo/trio recording with saxophonist Roscoe Mitchell and vocalist Thomas Buckner, a trio with saxophonists Peter Brötzmann and Thomas Borgmann, and another trio with Brötzmann and Cyrille. As the '90s drew to a close, Bergman's recorded output continued to rise substantially, as did his profile as one of the music's major contributors. That didn't diminish as the 21st century opened, with Bergman staying active, releasing several live sets and 2003's Meditations for Piano and 2009's Luminescence, both on Tzadik Records.

Borah Bergman is a volatile free jazz pianist who also plays with a fractured lyricism whenever he turns thoughtful (which is often--see "Poignant Dream"). Keeping the listener spinning even more, Bergman is ambidextrous, so his left hand can be just as busy as the right throughout these relentless improvisations. None other than John Zorn recorded Bergman in a deliberately slower cantorial mode on MEDITATIONS for Zorn's own Tzadik label. And while that album is an good place to start for the uninitiated, this fresh 1985 solo piano outing on the Italian Soulnote label is also highly recommended.

Borah Bergman - piano

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