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Steve Swell & Chris Kelsey / Observations
Жанр: Contemporary Jazz
Страна-производитель диска: USA
Год издания диска: 1996
Издатель (лейбл): CIMP
Номер по каталогу: CIMP#108
Страна: USA
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:06:02
Источник (релизер): свой диск
Наличие сканов в содержимом раздачи: да
Треклист:
1 The History Of Jazz Is Replete With Anamolies 8:59
2 Charlie Parker Did Not Want To Be Worshipped Like A God 12:22
3 The Last Note Has Yet To Be Spoken 6:51
4 Sedition Builds Tradition 9:15
5 Bill Clinton Digs Stan Getz 8:26
6 The Best Things In Jazz Are Free 9:03
7 Cage Was Occasionally Wrong 7:31
8 An Afterthought 3:34
Состав
Steve Swell (Trombone)
Chris Kelsey (Soprano sax)
Код:
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 11. February 2011, 15:42
Steve Swell & Chris Kelsey / Observations
Used drive  : HL-DT-STDVDRAM GH22NS40   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:01.00 |  8:58.58 |        75    |    40482
        2  |  8:59.58 | 12:22.27 |     40483    |    96159
        3  | 21:22.10 |  6:51.23 |     96160    |   127007
        4  | 28:13.33 |  9:14.74 |    127008    |   168631
        5  | 37:28.32 |  8:26.27 |    168632    |   206608
        6  | 45:54.59 |  9:03.29 |    206609    |   247362
        7  | 54:58.13 |  7:30.72 |    247363    |   281184
        8  | 62:29.10 |  3:34.17 |    281185    |   297251
Track  1
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\01 - The History of Jazz is Replete with Anamolies.wav
     Pre-gap length  0:00:03.00
     Peak level 90.4 %
     Track quality 100.0 %
     Test CRC F9FE8279
     Copy CRC F9FE8279
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\02 - Charlie Parker Did Not Want To Be Woshipped Like a God.wav
     Pre-gap length  0:00:02.80
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC DE8B8364
     Copy CRC DE8B8364
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\03 - The Last Note Has Yet to Be Spoken.wav
     Pre-gap length  0:00:02.80
     Peak level 67.5 %
     Track quality 100.0 %
     Test CRC 482C976A
     Copy CRC 482C976A
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\04 - Sedition Builds Tradition.wav
     Pre-gap length  0:00:02.80
     Peak level 63.7 %
     Track quality 100.0 %
     Test CRC F06559C6
     Copy CRC F06559C6
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\05 - Bill Clinton Digs Stan Getz.wav
     Pre-gap length  0:00:02.80
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC E3FD16AB
     Copy CRC E3FD16AB
     Track not present in AccurateRip database
     Copy OK
Track  6
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\06 - The Best Things in Jazz Are Free.wav
     Pre-gap length  0:00:02.80
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC A8CE6773
     Copy CRC A8CE6773
     Track not present in AccurateRip database
     Copy OK
Track  7
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\07 - cage Was Occasionally Wrong.wav
     Pre-gap length  0:00:02.80
     Peak level 65.9 %
     Track quality 99.9 %
     Test CRC 354FF215
     Copy CRC 354FF215
     Track not present in AccurateRip database
     Copy OK
Track  8
     Filename F:\DATA\Music\Jazz\03_Trombone\Steve Swell\(1996) Steve Swell & Chris Kelsey - Observations {CIMP}\08 - An Afterthought.wav
     Pre-gap length  0:00:02.80
     Peak level 94.6 %
     Track quality 99.9 %
     Test CRC 9FC9EB97
     Copy CRC 9FC9EB97
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
Код:
REM GENRE Jazz
REM DATE 1996
REM DISCID 640F7A08
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Steve Swell & Chris Kelsey"
TITLE "Observations"
FILE "01 - The History of Jazz is Replete with Anamolies.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The History of Jazz is Replete with Anamolies"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    PREGAP 00:01:00
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Charlie Parker Did Not Want To Be Woshipped Like a God"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 08:55:73
FILE "02 - Charlie Parker Did Not Want To Be Woshipped Like a God.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "The Last Note Has Yet to Be Spoken"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 12:19:42
FILE "03 - The Last Note Has Yet to Be Spoken.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Sedition Builds Tradition"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 06:48:38
FILE "04 - Sedition Builds Tradition.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Bill Clinton Digs Stan Getz"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 09:12:14
FILE "05 - Bill Clinton Digs Stan Getz.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "The Best Things in Jazz Are Free"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 08:23:42
FILE "06 - The Best Things in Jazz Are Free.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "cage Was Occasionally Wrong"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 09:00:44
FILE "07 - cage Was Occasionally Wrong.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "An Afterthought"
    PERFORMER "Steve Swell & Chris Kelsey"
    FLAGS DCP
    INDEX 00 07:28:12
FILE "08 - An Afterthought.wav" WAVE
    INDEX 01 00:00:00
Код:
Catalog Number: CIMP 108
Recorded at The Spirit Room, Rossie, NY, February 16 & 17, 1996.
Spirit Room Series Vol. 7
Cover art: Observers
Credits:
Artwork By - Kara D. Rusch
Recording - Marc D. Rusch
Hospitality - Susan Rusch
Producer - Robert D. Rusch
Typography - Hillary J. Ryan
Electronic Prepress Services - Kathy Myrick
Steve Swell and Chris Kelsey have been working as a duo since mid-1994. Working as a unit has, for the most part, consisted of hours upon hours upon more hours of weekly rehearsing and woodshedding broken by the very occasional public performance. Occasional is euphemistic. The fact is, this duo had performed publicly only once prior to this recording.
The hours together have brought an intuitive interplay and the isolation has allowed a purity of artistic purpose. The result is music which is surprising, inventively narrative and wonderful fun.
The fact that this remarkable duo has only had one public performance and that this is their debut session recording as a duo, and as leaders, perhaps says as much about the priorities of the creative improvising music scene as does any Lincoln Center affirmation.
On this session the performances are issued in the order they were recorded and, except for two false starts on "The Best Things in Jazz Are Free" and an incomplete take on "An Afterthought," all the performances were done in one take except for "Bill Clinton Digs Stan Getz" and "Cage Was Occasionally Wrong," each of which had two takes; the second of both appears here.
So here you have the results of two artists who have developed their artistry privately, uncompromisingly, and for their own satisfaction. Artistic priority, inventive freshness, harmony, and dischord; the achievements are many, the rewards are great. It makes one wonder how much other great music goes unheard.
Robert D. Rusch
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