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(Avant-Garde Jazz, Modern Composition, Nine Winds) [CD] SoNu (Alan Lechusza, Gustavo Aguilar, Nina Eidsheim, Phil Curtis) - Sounds From The Source (music by Wadada Leo Smith, Anthony Braxton, Vinny Golia a.o.) - 2004, FLAC (tracks+.cue), lossless

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SoNu / Sounds From The Source
Жанр: Avant-Garde Jazz, Modern Composition, Nine Winds
Носитель: CD
Страна-производитель диска: US
Год издания: 2004
Издатель (лейбл): 9 Winds Records
Номер по каталогу: NWCD0222
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:50
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. The Lady Of The Dark Sonnets / Mississippi Delta
2. Rebound
3. Composition Nr. 287+98a
4. Players
5. Sound On Sound For Roscoe Mitchell

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 16. January 2014, 20:30
SoNu / Sounds From The Source
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:37.13 |         0    |    29787
        2  |  6:37.13 |  9:10.47 |     29788    |    71084
        3  | 15:47.60 | 13:30.44 |     71085    |   131878
        4  | 29:18.29 | 17:22.28 |    131879    |   210056
        5  | 46:40.57 |  9:09.64 |    210057    |   251295
Track  1
     Filename D:\zzz\01 - The Lady Of The Dark Sonnets , Mississippi Delta.wav
     Pre-gap length  0:00:02.00
     Peak level 93.3 %
     Extraction speed 4.8 X
     Track quality 100.0 %
     Test CRC B24349E7
     Copy CRC B24349E7
     Accurately ripped (confidence 1)  [EF3F9B97]  (AR v2)
     Copy OK
Track  2
     Filename D:\zzz\02 - Rebound.wav
     Pre-gap length  0:00:02.00
     Peak level 96.6 %
     Extraction speed 5.8 X
     Track quality 100.0 %
     Test CRC F36D276F
     Copy CRC F36D276F
     Accurately ripped (confidence 1)  [113B893B]  (AR v2)
     Copy OK
Track  3
     Filename D:\zzz\03 - Composition Nr. 287+98a.wav
     Pre-gap length  0:00:01.00
     Peak level 96.6 %
     Extraction speed 6.9 X
     Track quality 100.0 %
     Test CRC 3C3E6C6F
     Copy CRC 3C3E6C6F
     Accurately ripped (confidence 1)  [E6AB96A7]  (AR v2)
     Copy OK
Track  4
     Filename D:\zzz\04 - Players.wav
     Pre-gap length  0:00:02.00
     Peak level 96.6 %
     Extraction speed 8.0 X
     Track quality 100.0 %
     Test CRC FF004695
     Copy CRC FF004695
     Accurately ripped (confidence 1)  [7448161A]  (AR v2)
     Copy OK
Track  5
     Filename D:\zzz\05 - Sound On Sound For Roscoe Mitchell.wav
     Pre-gap length  0:00:02.00
     Peak level 96.6 %
     Extraction speed 8.6 X
     Track quality 100.0 %
     Test CRC E8747BBE
     Copy CRC E8747BBE
     Accurately ripped (confidence 1)  [4C3D80BE]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 8AEEE5EE531E1B78EF1C1A7F12C64959BAD86421BE7F25E78F9E4D9F099A2A90 ====

Код:

REM GENRE "Avant-Garde Jazz"
REM DATE 2004
REM DISCID 470D1605
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "SoNu"
TITLE "Sounds From The Source"
FILE "01 - The Lady Of The Dark Sonnets , Mississippi Delta.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Lady Of The Dark Sonnets / Mississippi Delta"
    PERFORMER "SoNu"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Rebound"
    PERFORMER "SoNu"
    INDEX 00 06:35:13
FILE "02 - Rebound.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Composition Nr. 287+98a"
    PERFORMER "SoNu"
    INDEX 00 09:09:47
FILE "03 - Composition Nr. 287+98a.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Players"
    PERFORMER "SoNu"
    INDEX 00 13:28:44
FILE "04 - Players.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Sound On Sound For Roscoe Mitchell"
    PERFORMER "SoNu"
    INDEX 00 17:20:28
FILE "05 - Sound On Sound For Roscoe Mitchell.wav" WAVE
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. The Lady Of The Dark Sonnets - Mississippi Delta.wav]
------------------------------------------------------------
This track looks like CDDA with probability 87%
------------------------------------------------------------
Processing file: [02. Rebound.wav]
------------------------------------------------------------
This track looks like CDDA with probability 49%
------------------------------------------------------------
Processing file: [03. Composition Nr. 287+98a.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Players.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [05. Sound On Sound For Roscoe Mitchell.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

(Wadada Leo Smith) - 1
(SoNu/Vinny Golia) - 2
(Anthony Braxton) - 3
(George Lewis) - 4
(SoNu/Arash Haile) - 5
Liner notes: George E. Lewis
Produced by soNusound
Recorded and engineered by Wayne Peet at Newzone Studio in Los Angeles
The new Nine Winds release by soNu presents the eclectic band as a cultural database that, through group improvisation and subtle compositional cues, manages to incorporate serialism, post-serialism, Mexican folkloric music, non-Western classical music, Norwegian folk song, Native American music, rock, future electronics, and hip hop into its musings. Nina Sun Eidsheim sings and interjects electronics; Phil Curtis also contributes electronics. Alan Lechusza plays woodwinds, and Gustavo Aguilar handles percussion. All four compose and have extensive resumes in and out of academia and free jazz.
The recording opens with the first of three covers of AACM members’ compositions, Wadada Leo Smith’s “The Lady of the Dark Sonnets/Mississippi Delta.” Curtis sends electro bolts squealing through the studio, soon joined by Lechusza on bass sax. The thick earthy tone contrasts nicely with the shifty synth smears. Eidsheim sings the tricky melody operatically, Curtis’s shimmery environment around her. Aguilar adds soft clatterings. Nine Winds CEO Vinny Golia joins the ensemble for “Rebound.” Lechusza plays Native American flute with Aguilar’s subtle wind chimes. Eidshem improvises processed vocals over metallic electric rumblings, and Aguilar’s loose drum set stampedes with the dark synthesizer tones. After Lechusza’s vivid trips on wood flute, Golia sweeps through on C-flute.
Anthony Braxton’s Composition Nr.287+98a sends Lechusza flying on alto, slowing for the composed duet with Eidshem. Curtis handles the aviation from his keyboard, Aguilar dropping lag time beats. Eidshem treats her vocals with Curtis’ sci-fi sounds throbbing.
Industrial sounds and held tone vocals announce George Lewis’ “Players.” Throughout the piece, players speak to one another, announcing the next segment (“Gustavo, play me,” “Nina, sing something nice” “Ensemble, please join me in a very very loud and furious improvisation”). Lechusza goes long on clarinet as someone effectively riffs on toy piano. Aguilar and Lechusza play a brief duet, before processed vocals and sampled noise take over. The bass sax holds a tone while quick synth spray hits a serene kalimba. Lechusza returns to clarinet, this time solo. “Sound On Sound for Roscoe Mitchell” could be a remix dance hit for Nine Winds. Arash Haile’s hip hop-inspired vocal finds a niche in the band’s ability to face the funk, and deconstruct the funk. Curtis continues flooding the track with roiling sound; Eidshem improvises and occasionally returns to “Swing Low Sweet Chariot.” Lechusza brings back the rhythm on bass sax, with Aguilar following.
With each member of the quartet bringing a wealth of aural information, SoNu have realized a multi-culti vision rich in texture and imagination.

Alan Lechusza: piccolo, c-flute, alto flute, cedar flutes, chinese flutes, thai flutes, oboe, shani, Eb, Bb and A clarinets, contra-alto clarinet, alto, tenor and baritone saxophones, tape recorder and vocals
Gustavo Aguilar: drumset, bells, water jar, cans, mbira, toy piano, gongs, crotales, concert bass drum, roto-toms, concert toms, tympani, Roland SPD-20, metals, wood blocks, whistles, bicycle horns, harmonica, tape recorder and vocals
Nina Eidsheim: vocals, tape recorder and electronics
Phil Curtis: electronics, sampled guitar, vocals
Guest artists
Vinny Golia: subcontrabass flute, c flute, tubax and sopranino saxophone
Arash Haile: vocals

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