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(Avant-Garde Jazz, Free Improvisation, Leo Records) [CD] Fourth Page (Charlie Beresford, Carolyn Hume, Peter Marsh, Paul May) - Blind Horizons - 2011, FLAC (tracks+.cue), lossless

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Fourth Page / Blind Horizons
Жанр: Avant-Garde Jazz, Free Improvisation, Leo Records
Носитель: CD
Страна-производитель диска (релиза): UK
Год издания: 2011
Издатель (лейбл): Leo Records
Номер по каталогу: CD LR 619
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:58:13
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Summon You To Me 12:13
2. Blind Horizons 9:11
3. Cut Deep 10:34
4. Times Like These 5:00
5. Melancholy Orbits 9:59
6. Buried Limb 6:47
7. On The Waking Edge 4:25

Код:

Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 7. March 2015, 19:18
Fourth Page / Blind Horizons
Used drive  : PIONEER DVD-RW  DVR-221L   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 12:13.70 |         0    |    55044
        2  | 12:13.70 |  9:11.12 |     55045    |    96381
        3  | 21:25.07 | 10:34.41 |     96382    |   143972
        4  | 31:59.48 |  5:00.58 |    143973    |   166530
        5  | 37:00.31 |  9:59.38 |    166531    |   211493
        6  | 46:59.69 |  6:47.30 |    211494    |   242048
        7  | 53:47.24 |  4:25.50 |    242049    |   261973
Track  1
     Filename D:\zzz\01 - Summon You To Me.wav
     Pre-gap length  0:00:02.00
     Peak level 98.2 %
     Extraction speed 5.0 X
     Track quality 100.0 %
     Test CRC 8FEE048E
     Copy CRC 8FEE048E
     Accurately ripped (confidence 2)  [CAA766EC]  (AR v2)
     Copy OK
Track  2
     Filename D:\zzz\02 - Blind Horizons.wav
     Peak level 98.2 %
     Extraction speed 6.0 X
     Track quality 100.0 %
     Test CRC BB4B125C
     Copy CRC BB4B125C
     Accurately ripped (confidence 2)  [BE0119A5]  (AR v2)
     Copy OK
Track  3
     Filename D:\zzz\03 - Cut Deep.wav
     Peak level 96.8 %
     Extraction speed 6.9 X
     Track quality 100.0 %
     Test CRC F4E7D6B0
     Copy CRC F4E7D6B0
     Accurately ripped (confidence 2)  [03B104E2]  (AR v2)
     Copy OK
Track  4
     Filename D:\zzz\04 - Times Like These.wav
     Peak level 96.9 %
     Extraction speed 6.0 X
     Track quality 99.9 %
     Test CRC 57EBFD01
     Copy CRC 57EBFD01
     Accurately ripped (confidence 2)  [12AB27BB]  (AR v2)
     Copy OK
Track  5
     Filename D:\zzz\05 - Melancholy Orbits.wav
     Peak level 95.4 %
     Extraction speed 7.9 X
     Track quality 100.0 %
     Test CRC EE2CF80D
     Copy CRC EE2CF80D
     Accurately ripped (confidence 2)  [3B6531C1]  (AR v2)
     Copy OK
Track  6
     Filename D:\zzz\06 - Buried Limb.wav
     Peak level 60.6 %
     Extraction speed 8.3 X
     Track quality 100.0 %
     Test CRC 6D3B824F
     Copy CRC 6D3B824F
     Accurately ripped (confidence 2)  [E16BEB22]  (AR v2)
     Copy OK
Track  7
     Filename D:\zzz\07 - On The Waking Edge.wav
     Peak level 98.2 %
     Extraction speed 8.3 X
     Track quality 100.0 %
     Test CRC 58FB4E09
     Copy CRC 58FB4E09
     Accurately ripped (confidence 2)  [66467542]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum AD683A1867F63DC5E1C4BCD0BAE050203720F8B0440268CAAF6B238669934F4F ====

Код:

REM GENRE "Free Improvisation"
REM DATE 2011
REM DISCID 550DA407
REM COMMENT "ExactAudioCopy v1.0b4"
PERFORMER "Fourth Page"
TITLE "Blind Horizons"
FILE "01 - Summon You To Me.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Summon You To Me"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00
FILE "02 - Blind Horizons.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Blind Horizons"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00
FILE "03 - Cut Deep.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Cut Deep"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00
FILE "04 - Times Like These.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Times Like These"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00
FILE "05 - Melancholy Orbits.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Melancholy Orbits"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00
FILE "06 - Buried Limb.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Buried Limb"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00
FILE "07 - On The Waking Edge.wav" WAVE
  TRACK 07 AUDIO
    TITLE "On The Waking Edge"
    PERFORMER "Fourth Page"
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Summon You To Me.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Blind Horizons.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Cut Deep.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Times Like These.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [05. Melancholy Orbits.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Buried Limb.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. On The Waking Edge.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

All compositions by Charlie Beresford, Carolyn Hume, Peter Marsh and Paul May
Recorded at St. James's Church, Weybridge, Surrey
Recorded: 25th July 2011
Recorded and mixed: Charlie Beresford
Mastered: Ben Turner at Finesplice
Produced: Fourth Page and Leo Feigin
Sleeve images: Charlie Beresford
Thanks to Alan Crumpler for the use of microphones
Blind Horizons is the second album of 2011 from Fourth Page, the rapid follow-up to its debut, Along the Weak Rope, released on Forwind in May. Fourth Page consists of vocalist and guitarist Charlie Beresford, pianist Carolyn Hume, bassist Peter Marshall and drummer Paul May. There are long-standing links between Hume, May and Marsh. May has been the pianist's drummer of choice for several years now, notably on their impressive series of duo albums on Leo dating back as far as 2000. May and Marsh have collaborated frequently as the rhythm section of several groupings, notably in the improvising trio Elvers (Forwind, 2011). Prior to Fourth Page, Beresford seems to have had no previous connections to the other three, but had released albums of his own down-tempo, atmospheric songs.
The remarkable—maybe unique—thing about Fourth Page is that together they freely improvise and evolve songs complete with lyrics, vocals and skeletal melodies. While an ensemble such as The Magic ID has effectively combined improvisation with song forms, it has, most often, employed existing song melodies and lyrics rather than improvising its own. Therein lies the difference; Fourth Page takes improvised music to exciting places it hasn't really been before.
The quartet's crucial element is Beresford's voice, and that point is made eloquently on the album's twelve-minute opener, "Summon you to me." For its first half, it is an improvised piece consisting of sparse atmospheric phrases from bowed guitar, piano, bass and drums punctuated by plenty of space. The four are accomplished improvisers, so their phrases combine together effectively into an engaging and enthralling improvisation which could have happily continued for the full length of the track. But, after five-and-a-half minutes, Beresford's voice enters and the focus of the piece shifts dramatically. The music continues much as before but now it seems to accompany the voice; the effect is like one of those optical illusions in which the same thing is seen instantaneously in a different way—here, the entry of the vocals alters the way the music is heard.
Beresford's voice is an expressive melodic instrument ideally suited to conveying his lyrics, which seem chosen as much for their sound as for conveying a narrative. In some ways, Fourth Page could be considered a continuation of the long and honorable history of jazz accompaniment to poetry which dates back to the Beats and beyond. However, Beresford sings instead of reciting, and the emotion of what he sings is at least as important as any literal meaning.
There is no obvious premeditated form to the music, but Hume, Marsh and May are adept at reacting to Beresford's guitar, vocals and phrasing, adding subtle interjections that emphasize and heighten their dramatic effect. Time and again across the seven tracks, the foursome engages in spontaneous creation, the end results seeming like a minor miracle. Across the whole album, the music retains a consistent sound and mood, a delicate impressionism that is highly distinctive and makes compelling listening. Stunning. - John Eyles, AAJ

Charlie Beresford: vocals, acoustic guitar, khaen
Carolyn Hume: piano
Peter Marsh: bass
Paul May: percussion

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