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(Free Jazz) Last Exit (Laswell, Brotzmann, Sharrock, Jackson) - Last Exit - 1986, FLAC (tracks+.cue), lossless

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Last Exit (Laswell, Brotzmann, Sharrock, Jackson) - Last Exit
Жанр: Free Jazz
Год выпуска диска: 1986
Производитель диска: US
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 38:44
Трэклист:
1 Discharge (3:23)
2 Backwater (5:27)
3 Catch As Catch Can (2:10)
4 Red Light (7:54)
5 Enemy Within (3:47)
6 Crackin (7:46)
7 Pig Freedom (3:59)
8 Voice Of A Skin Hanger (1:43)
9 Zulu Butter (2:21)
Ronald Shannon Jackson - drums,
Sonny Sharrock - guitar,
Peter Brötzmann - tenor sax,
Bill Laswell - bass
Доп. информация:

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 15. May 2009, 17:46
Last Exit / Last Exit
Used drive  : ATAPI   DVD A  DH20A4P   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : d:\Programme\Exact Audio Copy\Flac\flac.exe
Additional command line options : -5 -T "Artist=%a" -T "Title=%t" -T "Album=%g" -T "Date=%y" -T "Tracknumber=%n" -T "Genre=%m" %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:24.70 |         0    |    15369
        2  |  3:24.70 |  5:27.25 |     15370    |    39919
        3  |  8:52.20 |  2:12.42 |     39920    |    49861
        4  | 11:04.62 |  7:57.13 |     49862    |    85649
        5  | 19:02.00 |  3:47.67 |     85650    |   102741
        6  | 22:49.67 |  7:46.08 |    102742    |   137699
        7  | 30:36.00 |  4:01.42 |    137700    |   155816
        8  | 34:37.42 |  1:44.70 |    155817    |   163686
        9  | 36:22.37 |  2:21.13 |    163687    |   174274
Track  1
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\01. Discharge.wav
     Pre-gap length  0:00:02.00
     Peak level 93.9 %
     Track quality 100.0 %
     Test CRC D9D432CA
     Copy CRC D9D432CA
     Cannot be verified as accurate (confidence 1)  [32DE3A5E], AccurateRip returned [C3E56C74]
     Copy OK
Track  2
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\02. Backwater.wav
     Pre-gap length  0:00:01.63
     Peak level 93.9 %
     Track quality 100.0 %
     Test CRC 7676B120
     Copy CRC 7676B120
     Cannot be verified as accurate (confidence 1)  [DD4CFC6B], AccurateRip returned [10BC9980]
     Copy OK
Track  3
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\03. Catch As Catch Can.wav
     Peak level 95.0 %
     Track quality 100.0 %
     Test CRC 46FAA633
     Copy CRC 46FAA633
     Cannot be verified as accurate (confidence 1)  [223B7D5F], AccurateRip returned [F910192C]
     Copy OK
Track  4
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\04. Red Light.wav
     Pre-gap length  0:00:01.40
     Peak level 93.6 %
     Track quality 99.9 %
     Test CRC 9C41C8A8
     Copy CRC 9C41C8A8
     Cannot be verified as accurate (confidence 1)  [36175E0B], AccurateRip returned [4D52C9AB]
     Copy OK
Track  5
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\05. Enemy Within.wav
     Pre-gap length  0:00:02.28
     Peak level 93.5 %
     Track quality 100.0 %
     Test CRC 3EAFE9CF
     Copy CRC 3EAFE9CF
     Cannot be verified as accurate (confidence 1)  [E3F24564], AccurateRip returned [B657D6E8]
     Copy OK
Track  6
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\06. Crackin.wav
     Pre-gap length  0:00:00.50
     Peak level 94.9 %
     Track quality 100.0 %
     Test CRC 09BFA07B
     Copy CRC 09BFA07B
     Cannot be verified as accurate (confidence 1)  [8154CA63], AccurateRip returned [B9FB4489]
     Copy OK
Track  7
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\07. Pig Freedom.wav
     Copy aborted
Track  8
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\08. Voice Of A Skin Hanger.wav
     Pre-gap length  0:00:01.70
     Peak level 93.6 %
     Track quality 99.8 %
     Test CRC 923998BA
     Copy CRC 923998BA
     Cannot be verified as accurate (confidence 1)  [593AF5A5], AccurateRip returned [64FAE51E]
     Copy OK
Track  9
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\09. Zulu Butter.wav
     Pre-gap length  0:00:01.12
     Peak level 93.9 %
     Track quality 100.0 %
     Test CRC 2415C279
     Copy CRC 2415C279
     Cannot be verified as accurate (confidence 1)  [71AAB21D], AccurateRip returned [F3500E16]
     Copy OK
 8 track(s) could not be verified as accurate
 1 track(s) canceled
No tracks could be verified as accurate
There were errors
End of status report
------------------------------------------------------------
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 15. May 2009, 18:15
Last Exit / Last Exit
Used drive  : ATAPI   DVD A  DH20A4P   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : d:\Programme\Exact Audio Copy\Flac\flac.exe
Additional command line options : -5 -T "Artist=%a" -T "Title=%t" -T "Album=%g" -T "Date=%y" -T "Tracknumber=%n" -T "Genre=%m" %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:24.70 |         0    |    15369
        2  |  3:24.70 |  5:27.25 |     15370    |    39919
        3  |  8:52.20 |  2:12.42 |     39920    |    49861
        4  | 11:04.62 |  7:57.13 |     49862    |    85649
        5  | 19:02.00 |  3:47.67 |     85650    |   102741
        6  | 22:49.67 |  7:46.08 |    102742    |   137699
        7  | 30:36.00 |  4:01.42 |    137700    |   155816
        8  | 34:37.42 |  1:44.70 |    155817    |   163686
        9  | 36:22.37 |  2:21.13 |    163687    |   174274
Track  7
     Filename C:\Dokumente und Einstellungen\Roland Mehlsteibl\Eigene Dateien\Uploads\Last Exit (1986) Last Exit\07. Pig Freedom.wav
     Peak level 93.4 %
     Track quality 100.0 %
     Test CRC 167EFB2D
     Copy CRC 167EFB2D
     Cannot be verified as accurate (confidence 1)  [712A51B1], AccurateRip returned [455B5D9F]
     Copy OK
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report

In the mid-'80s, Bill Laswell had a great idea. Why not combine rock's raging rhythms and volume with free improvisation's unfettered creativity and ferocity? To this end, he made three inspired choices to fill out his band. Drummer Ronald Shannon Jackson was a veteran of Ornette Coleman's Prime Time ensemble as well as a past member of Cecil Taylor's volcanic mid-'70s bands. Sonny Sharrock had burst onto the scene in the late '60s with Pharoah Sanders, Don Cherry, and others, establishing a unique approach to free electric guitar playing, only to retreat from the scene before being lured out of retirement by Laswell. The wild card was German saxophone behemoth Peter Brötzmann, known for his classic, shatteringly intense album Machine Gun from 1968 as well as multitudes of subsequent recordings where a premium was placed on visceral, gut-wrenching interplay among musicians. Mix these elements together and Laswell (with his own funky, dub-heavy electric bass anchoring the proceedings) had an incendiary formula, one that perhaps couldn't hold together long but, while it did, it produced some amazingly powerful music. Never was this more in evidence than on this first, self-titled release, one of the very finest albums of the '80s. Entirely improvised, Last Exit nonetheless based most of its pieces on blues forms, even if highly abstracted. This bedrock allowed the musicians, particularly Brötzmann and Sharrock (whose early death in 1994 would cancel any possibility, however tenuous at that point, of the group's continuation) to freely explore the outer boundaries of their instruments, sublimely soaring over the down to earth and dirty rhythm team of Laswell and Jackson. This tension, strongly shown on the first four tracks here, reached almost unbearable degrees; its release when they would slide back into a groove leaves the listener utterly drained. Subsequent albums (notably Koln) would come close to attaining this level of intensity and creativity, but Last Exit ranks as a pinnacle both in Laswell's career and in the rock/free improv genre it spawned. A classic release, one that should be in the collection of anyone interested in either contemporary free improvisation or the more creative branches of rock.

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