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(Modern Creative, Avant-Garde Jazz, World Music) [CD] Maria Faust - Sacrum Facere (Francesco Bigoni, Ned Ferm, Emanuele Maniscalco, Kristi Muhling, Tobias Wiklund, Mads Hyhne, Daniel Herskedal, Anna Vabarna) - 2014, FLAC (tracks+.cue), lossless

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Maria Faust / Sacrum Facere
(Francesco Bigoni, Ned Ferm, Emanuele Maniscalco, Kristi Muhling, Tobias Wiklund, Mads Hyhne, Daniel Herskedal, Anna Vabarna)
Жанр: Modern Creative, Avant-Garde Jazz, World Music
Носитель: CD
Страна-производитель диска (релиза): Denmark
Год издания: 2014
Издатель (лейбл): Barefoot Records
Номер по каталогу: BFREC034CD
Страна исполнителя (группы): Estonia/Denmark
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:42:09
Источник (релизер): LarryLevan
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Epp (05:55)
2. Tui (06:51)
3. Lydia (07:44)
4. Hiie (08:25)
5. Virve (04:09)
6. Sacrum Facere (05:39)
7. Itk (03:26)

Код:

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Maria Faust Sacrum Facere / Maria Faust Sacrum Facere
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Код:

TITLE "Maria Faust Sacrum Facere"
PERFORMER "Maria Faust Sacrum Facere"
REM GENRE "Jazz"
REM DATE "2014"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 6809E507
REM REPLAYGAIN_ALBUM_GAIN -3.27 dB
REM REPLAYGAIN_ALBUM_PEAK 0.989349
FILE "01 - Maria Faust - Epp.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Epp"
    PERFORMER "Maria Faust"
    ISRC NOHJX1403401
    REM REPLAYGAIN_TRACK_GAIN -3.07 dB
    REM REPLAYGAIN_TRACK_PEAK 0.920532
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Tui"
    PERFORMER "Maria Faust"
    ISRC NOHJX1403402
    REM REPLAYGAIN_TRACK_GAIN -4.09 dB
    REM REPLAYGAIN_TRACK_PEAK 0.989349
    INDEX 00 05:55:56
FILE "02 - Maria Faust - Tui.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Lydia"
    PERFORMER "Maria Faust"
    ISRC NOHJX1403403
    REM REPLAYGAIN_TRACK_GAIN -2.85 dB
    REM REPLAYGAIN_TRACK_PEAK 0.989014
    INDEX 00 06:51:05
FILE "03 - Maria Faust - Lydia.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Hiie"
    PERFORMER "Maria Faust"
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FILE "04 - Maria Faust - Hiie.flac" WAVE
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FILE "05 - Maria Faust - Virve.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
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Доп. информация:

Recorded at The Village Recording, December 2013
Maria Faust Jazz Catastrophe - FLAC (tracks+.cue), 209.6 MB:
http://rutracker.org/forum/viewtopic.php?t=4836333
Kira Skov & Maria Faust - In the Beginning, WEB FLAC, 255.3 MB:
http://rutracker.org/forum/viewtopic.php?t=5435610

https://mariafaust.com/bio/
Maria Faust (b. 1979, Kuressaare) is an Estonian saxophone player and composer living in Copenhagen, Denmark. Faust is best known in the fields of third stream jazz, modern big band music, improvised music, and other alternative genres. She has made remarkable musical waves that have sent her and her bands on trips to concert halls and music festivals around the world.
Maria Faust grew up under the Communist regime in Estonia, where she was classically educated, and yet gladly compares her music school to a “barracks for child soldiers.” At the conservatory there, she didn’t feel that there was room for her, musically. Mozart was supposed to sound like Mozart, and Bach like Bach, which left her yearning for something different. In Tallinn, jazz and improvisational music took hold of her, but in order to develop further, she had to leave the country. With the help of the Danish Cultural Institute, Maria Faust came to the Southern Danish Music Conservatory. Even in her new surroundings, she felt did not t into the world of jazz. “I am a child of communism! I did not swing. I marched! So, I basically just tried to be faithful to myself. It was a choice I made.” A conviction which she holds onto stubbornly, even to this day.
Maria Faust neither plays nor composes in traditional ways, and has no interest in doing so. Her big breakthrough, the very personal album SACRUM FACERE (Latin: human sacrifice), documents this well. It is an album that gets its inspiration from the culture in and around the Russian-Estonian border region, where descendants of deported orthodox Russians still live. Here, she collected work songs, hymns, and lullabies, and merged the material with classical music and free improvisation. The album received universally positive reviews, culminating in two Danish Music Awards in 2014 (“Jazz Composer of the Year” and “Jazz Crossover Release of the Year”).
In early 2016, Maria and the Danish singer and composer Kira Skov travelled to Estonia, where they discovered a region where time seemed to stand still. Breaking new creative ground together in an abandoned Russian Orthodox Church without electricity or water, they recorded their collaborative spiritually oriented masterpiece, IN THE BEGINNING, with a large band and Estonian Choir. The Danish news- paper Berlingske awarded the recording 6/6 stars and called it “a unique work of great sacred beauty … The recordings that Skov and Faust have come home with are simply formidable.” As of November 2017, the release won for 2 Danish Music Awards: Vocal Jazz Release of the Year, and Jazz Composer(s) of the Year. The project also won Danish Critic Association prize and was nominated both to Estonian Music Awards and Carl Prisen 2018.
Boldness is the hallmark of Maria Faust, her music, and her projects with ensembles that explore unusual instrumentations and techniques. She is constantly expanding her sound spectrum, and her new project, MACHINA, consists of an unprecedented mix of traditional musical forms paired with improvisation, jazz, and soundscapes. In a musical language of her own invention, she delivers her original compositional ideas, a chamber music universe without drums, but with horns, two basses, cello, and piano, all in a fascinating interaction with the engi- nes of shing boats sputtering their way through the fog, the creaks of old rusty hulls, the hum of the breeze and the call of the birds out at sea.
MACHINA, like Maria Faust’s earlier releases, starts with what she her- self describes as “memory analysis.” As a tool, she gets inspiration from both personal and collective memories and the subconscious. Maria Faust says that she sees “the water as a symbol of a natural and unpre- dictable force of oppressed feelings like anger and sorrow” and she asks “why should we suppress these emotions, while we emphasize, for example, happiness?”

https://www.allaboutjazz.com/sacrum-facere-maria-faust-barefoot-records-review-by-eyal-hareuveni.php
Estonian, Denmark-based composer and reeds player Maria Faust's latest project, Sacrum Facere, is a song cycle inspired by Estonian folklore and the runo singing from the Setu region, close to the Russian border. Faust composed and arranged the music for brass ensemble, three woodwinds, prepared piano, and Estonian folk harp, the kannel, in a manner that weaves impressively her two passions—contemporary classical composition and free improvisation.
The movements in the cycle were written specifically for an octet, each one featuring different soloist and all highlighting the individual voices of the musicians and their instrumental colors. Faust's compositions do not shy from sounding naive and even sentimental yet none of the compositions focus only on the straight emotional aspec, all emphasize her rich and highly personal musical language as composer and improviser.
On "Epp" she arranges the brass and woodwind instruments as a choir, led by Swedish trumpeter Tobias Wiklund, that charges the innocent theme with meditative colors. "Tui," featuring Norwegian tuba player Daniel Herskedal as soloists, and later "Vivre," featuring American tenor saxophonist Ned Ferm—Faust's partner—as the main soloist, offer more room for dramatic improvisation. Both allowing the ensemble to investigate sounds, dynamics and forms of interplay and emphasizes the unique role of the prepared piano and plucked strings of the kannel as sketching a delicate pulse.
Italian pianist Emanuele Maniscalco is the main soloist in the emotional suite "Lydia," cleverly weaving the loose outlines of this piece, ornamented freely by the brass and woodwind instruments. The profound ascetic and minimalist atmosphere of "Hiie," featuring Danish trombonist Mads Hyhne, and the title piece with Faust as the main soloist on the breathing clarinet and spare singing, brings to mind the spiritual-meditative compositions of fellow Estonian composer Arvo Part, informed too by East European folklore and religious singing. Faust concludes with an arrangement of a traditional piece, "Itk" (daughter's Lament), taken from an anthology of Estonian music and sung by Anna Vabrana (1877-1964), accompanied gently by the ensemble.
An inspiring masterpiece.

Maria Faust: alto saxophone, clarinet, voice;
Francesco Bigoni: clarinet;
Ned Ferm: tenor saxophone, clarinet;
Emanuele Maniscalco: prepared piano;
Kristi Mühling: kannel (zither);
Tobias Wiklund: trumpet;
Mads Hyhne: trombone;
Daniel Herskedal: tuba;
Anna Vabarna: vocals (7).

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