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(Avant-Garde Jazz, Modern Composition, Structured Improvisation) [CD] Tyshawn Sorey - Pillars - 2018, FLAC (tracks+.cue), lossless

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Tyshawn Sorey / Pillars
Жанр: Avant-Garde Jazz, Modern Composition, Structured Improvisation
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2018
Издатель (лейбл): Firehouse 12 Records
Номер по каталогу: FH12-01-02-028
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:17:15/01:15:02/01:18:02
Источник (релизер): gwohl
Наличие сканов в содержимом раздачи: front
Треклист:
CD 1
01. Pillars I 01:17:15
CD 2
01. Pillars II 01:15:02
CD 3
01. Pillars III 01:18:02
Released October 12, 2018
Recorded by Greg DiCrosta on July 30 and 31, 2017
Edited, Mixed & Mastered by Nick Lloyd
Produced by Tyshawn Sorey
Co-produced by Nick Lloyd

Stephen Haynes: trumpet, flugelhorn, cornet, alto horn, small percussion
Ben Gerstein: trombone, melodica
Todd Neufeld: electric and acoustic guitar
Joe Morris: electric guitar, double bass
Carl Testa: double bass, electronics
Mark Helias: double bass
Zach Rowden: double bass
Tyshawn Sorey: conductor, drum set, dungchen, percussion, trombone

Tyshawn Sorey - Pillars (Firehouse 12, 2018) *****
Friday, October 12, 2018
By Lee Rice Epstein
Tyshawn Sorey returned to Firehouse 12 Records for his latest, Pillars, which seems an appropriate reunion given the scale. Sorey’s debut, that/not, was a “this is who I am” artistic statement that still resonates. For Pillars, Sorey assembled a mighty octet, with Stephen Haynes on trumpet, flugelhorn, cornet, alto horn, and small percussion; Ben Gerstein on trombone and melodica; Todd Neufeld and Joe Morris on guitar; and Morris, Carl Testa, Mark Helias, and Zach Rowden all on double bass. Sorey adds drum set, percussion, trombone, and dungchen, a horn used predominantly by Tibetan Buddhists (though the sound is markedly different, I was reminded of the Jewish shofar, the blowing of which is both sacred and symbolic). The music displays all the hallmarks of Sorey’s composing, but in a highly focused, distilled format, which might appear counter to the size of the group. Nevertheless, there’s something clarifying about Sorey’s art that really clicks on a recording of this length.
Of course, Sorey himself is just one element of this album’s brilliance. The entire group delivers some incredible playing. Haynes, reunited with Morris, who played on the masterful Pomegranate, pairs expertly with Gerstein, who has recorded with Sorey for over a decade. The two primary horn players perform several stunning push-pull-push improvisations. These burning passages are balanced by long stretches of where one or all members of the supporting bass quartet—Morris, Testa, Helias, and Rowden—take center stage. Take the first several minutes of “Pillars II,” with its darting, aching bass lines bouncing rapidly off each other, almost Xenakis-like. And just to capture another key moment, late in “Pillars III” is a sparse, abstract Neufeld solo that harkens back to some of the excellent albums he and Sorey have recorded.
In the liner notes to his guitar trio album Koan, Sorey talked about the different ways we perceive time and sound. I was reminded, as I often am, of Masahiko Togashi, whose album Speed and Space names the other two axes upon which one could chart Sorey’s four-dimensional work. Like Sorey, Togashi also seemed to perform in multiple dimensions at once, using silence as a powerful compositional element. His late ‘70s albums, like Voice From Yonder and Story of Wind Behind Left were a couple of albums brought to mind by this octet’s excellent performance. There’s also an unmistakable connection with Bill Dixon—through label, design, and scope, Pillars is a recognizable cousin to Tapestries for Small Orchestra, but I was also reminded of Dixon’s Considerations 1 and 2. Like Dixon, Sorey’s work always feels incredibly personal, whether he is the one playing at that moment or not. And here that’s partly due to his conducting, which has grown into a wholly unique expression of Sorey’s ideas. You can hear this on Matt Mitchell’s A Pouting Grimace, and especially towards the end of “Pillars I” and the middle of “Pillars II” come sections defined more by overall movement that seem defined by Sorey’s conduction.
Okay, yes, the album is massive, thick and heady, with ideas atomically colliding. But it’s also music to simply listen to, which is one aspect of Pillars that shouldn’t be ignored. You can dive headlong or simply dip in and out of the album, let the music filter in from wherever it’s playing, leave the room and come back at a wildly new section. Much like Max Richter’s similarly beautiful Sleep, perhaps you’ll never listen to the whole album straight through. But it’s not enough just to know it’s there when you need it, you have to start by letting it in.

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 16. October 2018, 0:45
Tyshawn Sorey / Pillars
Used drive  : HL-DT-STBDDVDRW GBC-H20L   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 77:14.28 |         0    |   347577
Track  1
     Filename Z:\home\gwohl\rips\New Folder\01 Pillars I.wav
     Pre-gap length  0:00:02.00
     Peak level 97.7 %
     Extraction speed 8.1 X
     Track quality 100.0 %
     Test CRC E4915599
     Copy CRC E4915599
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 5D3F9AF076B473E8F9EB12AEEA096460A985C18D1C0F9F0C97016A8E7322BE89 ====
------------------------------------------------------------
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 16. October 2018, 1:29
Tyshawn Sorey / Pillars
Used drive  : HL-DT-STBDDVDRW GBC-H20L   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 75:01.25 |         0    |   337599
Track  1
     Filename Z:\home\gwohl\rips\New Folder\02 Pillars II.wav
     Pre-gap length  0:00:02.00
     Peak level 95.2 %
     Extraction speed 8.1 X
     Track quality 100.0 %
     Test CRC AB38F0D0
     Copy CRC AB38F0D0
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 64289A17765AAA7C3ADEB5BD1E44C925253A0B461C345D644D37FAB2C7764AA2 ====
------------------------------------------------------------
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 16. October 2018, 2:36
Tyshawn Sorey / Pillars
Used drive  : HL-DT-STBDDVDRW GBC-H20L   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 78:03.05 |         0    |   351229
Track  1
     Filename Z:\home\gwohl\rips\New Folder\03 Pillars III.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 8.1 X
     Track quality 100.0 %
     Test CRC 8FA51065
     Copy CRC 8FA51065
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum E923039561A216954A2C13238196C64D712006C2F9E08540278A73FB2854A7D0 ====

Код:

REM GENRE Avantgarde
REM DATE 2018
REM DISCID 02121A01
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Tyshawn Sorey"
TITLE "Pillars"
REM COMPOSER "Sorey, Tyshawn"
FILE "01 Pillars I.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Pillars I"
    PERFORMER "Tyshawn Sorey"
    REM COMPOSER "Sorey, Tyshawn"
    INDEX 01 00:00:00

Код:

REM GENRE Avantgarde
REM DATE 2018
REM DISCID 02119501
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Tyshawn Sorey"
TITLE "Pillars"
REM COMPOSER "Sorey, Tyshawn"
FILE "02 Pillars II.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Pillars II"
    PERFORMER "Tyshawn Sorey"
    REM COMPOSER "Sorey, Tyshawn"
    INDEX 01 00:00:00

Код:

REM GENRE Avantgarde
REM DATE 2018
REM DISCID 02124B01
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Tyshawn Sorey"
TITLE "Pillars"
REM COMPOSER "Sorey, Tyshawn"
FILE "03 Pillars III.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Pillars III"
    PERFORMER "Tyshawn Sorey"
    REM COMPOSER "Sorey, Tyshawn"
    INDEX 01 00:00:00

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