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(Ambient Jazz, Experimental) [CD] Joseph Shabason - Aytche - 2017, FLAC (tracks+.cue), lossless

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Joseph Shabason / Aytche
Жанр: Ambient Jazz, Experimental
Носитель: CD
Год издания: 2017
Издатель (лейбл): Western Vinyl
Номер по каталогу: WV165cd
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 40:45
Источник (релизер): snatcher
Наличие сканов в содержимом раздачи: front
https://josephshabason.bandcamp.com/
Треклист:
01. Looking Forward to Something, Dude (04:01)
02. Aytche (03:48)
03. Neil McCauley (05:15)
04. Smokestack (04:12)
05. Tite Cycle (05:20)
06. Long Swim (04:54)
07. Westmeath (04:56)
08. Chopping Wood (04:01)
09. Belching Smoke (04:14)
Released August 25, 2017

Joseph Shabason - saxophones
Nic Bragg - guitar
JP Carter - trumpet
Bram Gielen - bass
Philippe Melanson - drums

Saxophonist and composer Joseph Shabason's debut Aytche builds a bridge off of the precipice his forbears established, skirting jazz, ambient, and even new age with the same deliberate genre-ambiguity that made their work so interesting.
Aytche is a document of exploration both inward and outward. Every step taken in sound-design mirrors a stride in emotionality, as Shabason employs a variety of effect pedals to coax rich moody textures from his instrument. He explains, "I feel like robbing the sax of the ability to shred by effecting it and turning it into a dense chordal instrument really helps the instrument become something that it's not usually known for." Aytche deals with themes of degenerative illness and assisted suicide with eloquence that instrumental music rarely achieves regarding any subject, much less such difficult ones.
Album highlight "Westmeath" approaches Aytche's subject of inspiration head-on. Here, the album's only verbalization appears in the form of an interview with a man discussing his father's trauma and eventual suicide after surviving the holocaust. Though we only hear a few obscured words and phrases from the interview, the impact is powerful. For Shabason, whose grandparents survived the holocaust, this selection is anything but frivolous.

Joseph Shabason - Aytche 7.6
by Philip Sherburne
JAZZ
The debut album from saxophonist Joseph Shabason, best known for his work with Destroyer, shows a new side of his instrument. He uses electronics to create a kind of ambient jazz.
Reed, metal, and the nature of breath itself conspire to create the saxophone’s distinctive tone—its shriek, its glide, its quicksilver caress. But what if you could mask or morph the instrument’s identity using electronics; how far could you stretch it without losing its essence? The question is at the heart of Joseph Shabason’s approach on his debut album, Aytche. Shabason is best known for his work with Destroyer, where he lends creamy soft-rock soloing to Dan Bejar’s knotty, knowing compositions. Here, however, he tackles a more personal, idiosyncratic sound: a kind of ambient jazz, or maybe pastel noir, inspired by Jon Hassell’s distinctive processed trumpet work and Gigi Masin’s wind-kissed ambient.
Aytche’s nine songs amount to a series of interrelated tone poems in which Shabason’s digitally processed tenor swims amid watery synths, brushed drums, and occasional contributions on bass, trumpet, and guitar. Opener “Looking Forward to Something, Dude” introduces both the album’s mood and its principal theme, one that will be reprised a few tracks later in “Smokestack” and again in the concluding “Belching Smoke”: a soft chorus of saxophones playing a parallel chord progression that ebbs and flows as naturally as breathing. The saxophone is a monophonic instrument, but Shabason’s battery of harmonizers and effects lets him milk rich chords from his horn, refracting sound through circuitry like light through a prism. Even if you’re not well versed in the mechanics of woodwinds, you can tell intuitively that it’s one player, not a chorus of three, by the way his vibrato is perfectly mirrored across the harmonized voices. There’s an unmistakably uncanny quality to the music’s slicked, too-perfect surfaces.
The album proceeds as a series of experiments in expressive veiling. “Aytche” is dominated by syncopated synths that sound almost like a halcyon memory of rave; above them float fluttering streaks of feedback and a muted trumpet solo, courtesy JP Carter. The saxophone is barely perceptible here, and it’s equally subdued in the gorgeous “Neil McCauley,” whose sorrowful keys and neon hues are faintly evocative of the Blade Runner soundtrack. “Tite Cycle,” led by a slow, meditative synthesizer melody, is similar in feel to the title track, with a tri-harmonized sax part woven in like a stoned afterthought. Here and elsewhere, birdsong is audible in the background, lending to the impression that at least part of the album was recorded outdoors. (The recurring motifs—both incidental birdsong and the repeated theme from the opening track—help reinforce the sense of the album as an interconnected suite, rather than a series of standalone pieces.)
Shabason has spoken of wanting to subvert listeners’ expectations of his instrument, to translate his horn into a “dense chordal texture” and avoid the show-offy displays of chops that constituted his training at conservatory. Yet some of the album’s most exciting moments come when the music is tugged in two opposite directions—between sourceless and anonymous ambient sound, on the one hand, and hard-won virtuosity on the other. “Neil McCauley” is essentially a stylish showcase for Bram Gielen’s breathtaking fretless bass playing; JP Carter’s needle-nosed trumpet solo owns “Aytche”; Nic Bragg’s weed-whacker guitar outbursts on “Smokestack” and “Belching Smoke” add grit to an album that tends to drift like dandelion tufts. And Shabason gets his own time to shine on “Long Swim,” the most conventionally jazz-like piece here. Laying down a bed of pure breath, he proceeds to build parallel saxophone parts—one processed using his customary effects, the other a lilting and lyrical solo, unfettered by technology, in which his own melodic instincts take the lead.
Aytche is, for the most part, an easygoing album, but an unsettling undercurrent runs through it as well. The muted thumps and ominous dissonance of “Chopping Wood” play like an ambient riposte to Bitches Brew. And while the drifting keys of “Westmeath” may sound as placid as a rural getaway, snatches of recorded speech hint at darker energies. “My father died in ’76,” murmurs an unidentified man, and though he quickly disappears beneath the surface of the music, stray phrases bubble back up periodically: “The pain was too much for him… last act of individual… days of vengeance…” Shabason has said that the track concerns themes related to Holocaust survivors, degenerative illness, and assisted suicide, but the composer, the grandson of Holocaust survivors himself, doesn’t belabor the point. Whatever personal meaning the music may have for him, he keeps it close, instead leaving the listener to contemplate only the rippled surface of grief—which floats, like the otherworldly sound of his saxophone, above a source that has been rendered all but invisible.

Код:

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XLD extraction logfile from 2017-08-30 18:16:26 -0400
Joseph Shabason / Aytche
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Код:

TITLE "Aytche"
PERFORMER "Joseph Shabason"
REM GENRE "Jazz"
REM DATE "2017"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 79098C09
REM REPLAYGAIN_ALBUM_GAIN -8.49 dB
REM REPLAYGAIN_ALBUM_PEAK 0.981812
FILE "01 Looking Forward to Something, Dude.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Looking Forward to Something, Dude"
    ISRC US78L1716501
    REM REPLAYGAIN_TRACK_GAIN -7.99 dB
    REM REPLAYGAIN_TRACK_PEAK 0.976654
    INDEX 01 00:00:00
FILE "02 Aytche.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Aytche"
    ISRC US78L1716502
    REM REPLAYGAIN_TRACK_GAIN -7.00 dB
    REM REPLAYGAIN_TRACK_PEAK 0.977936
    INDEX 01 00:00:00
FILE "03 Neil McCauley.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Neil McCauley"
    ISRC US78L1716503
    REM REPLAYGAIN_TRACK_GAIN -5.07 dB
    REM REPLAYGAIN_TRACK_PEAK 0.976501
    INDEX 01 00:00:00
FILE "04 Smokestack.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Smokestack"
    ISRC US78L1716504
    REM REPLAYGAIN_TRACK_GAIN -9.45 dB
    REM REPLAYGAIN_TRACK_PEAK 0.978058
    INDEX 01 00:00:00
FILE "05 Tite Cycle.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Tite Cycle"
    ISRC US78L1716505
    REM REPLAYGAIN_TRACK_GAIN -5.36 dB
    REM REPLAYGAIN_TRACK_PEAK 0.976166
    INDEX 01 00:00:00
FILE "06 Long Swim.flac" WAVE
  TRACK 06 AUDIO
    TITLE "Long Swim"
    ISRC US78L1716506
    REM REPLAYGAIN_TRACK_GAIN -6.11 dB
    REM REPLAYGAIN_TRACK_PEAK 0.980591
    INDEX 01 00:00:00
FILE "07 Westmeath.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Westmeath"
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FILE "08 Chopping Wood.flac" WAVE
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    INDEX 01 00:00:00
FILE "09 Belching Smoke.flac" WAVE
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    TITLE "Belching Smoke"
    ISRC US78L1716509
    REM REPLAYGAIN_TRACK_GAIN -9.08 dB
    REM REPLAYGAIN_TRACK_PEAK 0.981812
    INDEX 01 00:00:00

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