(Avant-Garde, Free Improvisation) Thomas Chapin Trio plus Brass (Mario Pavone, Michael Sarin) (w. Frank London, Curtis Fowlkes, Peter McEachern etc) - Insomnia {Knitting Factory Works KFWCD-132, USA} - 1992, FLAC (tracks), lossless

Thomas Chapin Trio Plus Brass
Insomnia
by George Lane, gmn.com
Insomnia, by the Thomas Chapin Trio Plus Brass, recorded live in 1992 (excellent sound) is, simply put, a magnificent recording.
Chapin, who tragically succumbed to leukemia in 1998 at the age of 40, was best known for his work with his extraordinary trio (Mario Pavone, bass; Michael Sarin, drums). The addition of two trumpets, two trombones and tuba adds an incredible dimension. An outstanding composer, Chapin utilized the brass beautifully. African trumpet choirs – Ellingtonian brass shouts – New Orleans back line figures – R&B horn sections – all come to mind at various points, blending together seamlessly in Chapin’s own unique vision of music, often over a tuba/bass ostinato vamp that is simply overwhelming in its relentlessly swinging pulse.
There are occasional solos by the brass – an excellent trombone solo (unclear whether it’s Curtis Fowlkes or Peter McEachern) on Pantheon, fine turns by trumpeters Al Bryant and Frank London on Insomnia, and even a hot tuba solo by the remarkable Marcus Rojas – but it’s the ensemble work that really rocks here.
And it all reaches its peak on the staggering Golgotham, a blues-based groove piece that packs more classic jazz energy and unadulterated hard swing into its 18+ minutes than any 50 other 1990’s recordings combined. It includes a classic alto solo – wailing, gutty and passionately explosive. A great soloist, Thomas had that rare ability to play “inside” and “outside” with total ease and conviction, moving fluidly from one to the other without contrivance or artificiality – AND totally in the context of the music.
For those of us spoiled by the incredible jazz of the 60’s, this CD with be a revelation. The music of those years contained an unparalleled mix of virtuosity, innovation, creativity, passion, urgency and swing/pulse that many feel was purely of its time and beyond the reach of a younger generation of musicians. This recording shatters that notion, proving that all of those qualities that have made jazz the magnificent art form it is, are still attainable if embraced by the proper spirit.
And Thomas Chapin had and is that spirit.

Review
by Scott Yanow
Thomas Chapin, who had fairly distinctive tones on alto and flute, is a versatile improviser capable of playing anything from swing to free jazz. His regular trio (with bassist Mario Pavone and drummer Michael Sarin) is joined by a brass quintet (two trumpets, two trombones and the tuba of Marcus Rojas) for a set of adventurous and unpredictable but generally very logical improvisations, often building off of simple ideas. Well worth a few close listens.