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(Avant-Garde Jazz, Free Improvisation, Les Disques Victo) [WEB] Mark Dresser, Fred Frith, Ikue Mori - Later... - 2000, FLAC (tracks), lossless

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Mark Dresser, Fred Frith, Ikue Mori / Later...
Жанр: Avant-Garde Jazz, Free Improvisation, Les Disques Victo
Носитель: WEB
Страна-производитель диска (релиза): Canada
Год издания: 2000
Издатель (лейбл): Les Disques Victo
Номер по каталогу: VICTO cd 070
Страна исполнителя (группы): International
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:41:41
Источник (релизер): WEB
Наличие сканов в содержимом раздачи:
Треклист:
1 Pocket 1:29
2 Hello, I Must Be Going 6:26
3 Downtown, Top Corner 4:53
4 Points Follow 4:05
5 We Build 5:32
6 Bottle 5:10
7 Describe It Either 4:24
8 The Soul Hovers 8:34
9 Code 0:45

Код:

[img]https://static.t-ru.org/smiles/ges_no.gif[/img]

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Pocket.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
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Processing file: [02. Hello, I Must Be Going.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Downtown, Top Corner.wav]
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This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Points Follow.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. We Build.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Bottle.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Describe It Either.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. The Soul Hovers.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. Code.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
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Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

This could also have been called Night of the Angel Killers. First of all there's Dresser, a bassist who plays the instrument like a drum and a guitar simultaneously. Next, Fred Frith who brought his entire bag of tricks to this gig in 1994: there's his electric guitar, but his guitar-on-the-table, his piano, an organ, and his violin. Finally, the most interesting part of this trio is Ikue Mori and her drum machines. While there are nine titles here, or selections, this is one long show where noodling, amusement, audience taunting, and true group improvisation take place. There is at least 15 minutes where everybody is trying to feel each other out in this trio. They aren't so worried about making coherent sonic statements as they are in investigating what the other two have to offer during the set. About 25 minutes in the heat gets turned up before it turns into a free for all that melts molten steel. Stuff is flying around so fast and furious, particularly from Mori and Dresser it turns out it was a good thing that Frith brought his arsenal just to be able to participate. Mori has so many sounds for a person who plays drum machines. She underscores Dresser's bowing with an atmospheric texture so pliable, it allows him to create a polyrhythmic response before Frith starts sawing away on the violin to move it up another notch! By the time we are into the last ten minutes or so, everything begins to come back toward some semblance of sonic reality, but only so far. Mori and Frith now are stretching concepts of time and space, as Dresser is content to pad his way through to the end, which is just what he should do. Movement is no longer delineated by rhythm, but by empty space and the few items left to fill it. The set whispers to a close just before one final bang from all three and the listener (as I suppose the audience was also) left wondering just what it was they just witnessed with their ears and minds. Later... is a completely joyous outside effort from a trio of fires from inner worlds. - Thom Jurek, AMG

Contrabass - Mark Dresser
Guitar, Violin, Piano, Organ - Fred Frith
Electronic Percussion - Ikue Mori

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