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(Avant-Garde Jazz, Modern Composition, Intakt) [WEB] Fred Frith & Arte Quartett - The Big Picture - 2008, FLAC (tracks), lossless

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Fred Frith & Arte Quartett / The Big Picture
Жанр: Avant-Garde Jazz, Modern Composition, Intakt
Носитель: WEB
Страна-производитель диска (релиза): Switzerland
Год издания: 2008
Издатель (лейбл): Intakt Records
Номер по каталогу: Intakt CD 156
Страна исполнителя (группы): International
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 01:03:21
Источник (релизер): WEB
Наличие сканов в содержимом раздачи:
Треклист:
The Big Picture
1 Part 1: 2:04
2 Part 2: 2:49
3 Part 3: 2:40
4 Part 4: 2:06
5 Part 5: 2:25
6 Part 6: 1:39

Freedom In Fragments
7 Introduction: The Power Of Prayer 1:50
8 Some Assembly Required 1:45
9 Hopscotch For John Zorn 4:52
10 Confess 0:15
11 Song And Dance 4:20
12 Void Where Prohibited 2:31
13 Rosali's Song 6:10
14 Red Rag 3:58
15 Significant Restrictions Apply 1:50
16 Boyan's Problem 4:07
17 Kick It 3:48
18 Nostalgia 2:01
19 Batteries Not Included 1:44
20 T. Square Park Lark For Frank Zappa 8:32
21 The Power Of Prayer: Coda 1:43

Код:

[img]https://static.t-ru.org/smiles/ges_no.gif[/img]

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. The Big Picture Part 1.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. The Big Picture Part 2.wav]
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Processing file: [03. The Big Picture Part 3.wav]
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Processing file: [04. The Big Picture Part 4.wav]
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Processing file: [05. The Big Picture Part 5.wav]
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Processing file: [06. The Big Picture Part 6.wav]
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Processing file: [07. Introduction- The Power of Prayer.wav]
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Processing file: [08. Some Assembly Required (soloist B. Hofstetter).wav]
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Processing file: [09. Hopscotch (for John Zorn).wav]
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Processing file: [10. Confess.wav]
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Processing file: [11. Song and Dance.wav]
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Processing file: [12. Void Where Prohibited (soloist S. Armbruster).wav]
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Processing file: [13. Rosali's Song.wav]
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Processing file: [14. Red Rag.wav]
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Processing file: [15. Significant RestrictionsApply (soloist A.Formenti).wav]
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Processing file: [16. Boyan's Problem.wav]
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Processing file: [17. Kick It.wav]
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Processing file: [18. Nostalgia.wav]
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This track looks like CDDA with probability 100%
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Processing file: [19. Batteries Not Included (soloist B. Kappeler).wav]
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Processing file: [20. T.Square Park Lark (for Frank Zappa).wav]
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Processing file: [21. The Power of Prayer- Coda.wav]
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Доп. информация:

In this case, "The Big Picture" is something profoundly other than a contemporary cliche. If "Still Urban" is about the outward manifestation of an inner calm ruffled by periodic disturbance, then "The Big Picture" is about balance sometimes only precariously struck. Weber's piano playing, for all of its galvanising qualities, still has about it the impression of a player striving too hard for effect. The deftness of her touch on part two shows she's capable of a lot more, whilst on the sixth and final part her perhaps studiedly stilted contribution gives the music a depth it wouldn't otherwise possess.
The saxophone quartet again shows itself eminently suited to Frith's music, although the brief timings of these six tracks allow for no expansion. This can be frustrating, as it is on part four, where the music offers an intimation of something greater and more tantalising, before it breaks with no great continuity to become something else also fleeting.
The same goes for "Freedom In Fragments" as a body of work, but at least the suite's title as good as makes this known beforehand. Again the quartet shows real aptitude for Frith's writing, but the brevity of each piece doesn't allow for much in the way of a lasting impression to register. This is not however to suggest that worthwhile music only emerges with time, but here something like part three—"Hopsotch (For John Zorn)"—hangs incongruously in the midst of the music that surrounds it and the notion of programming is severely undermined. Against the unassuming logic and enigmatic austerity of the rest of the music discussed here, the lasting impression is that of a sketchy work which in this reading is far from fully realised. - Nic Jones, All About Jazz

Alto Saxophone – Sascha Armbruster
Baritone Saxophone, Alto Saxophone – Beat Kappeler
Drums – Lucas Niggli (1 to 6)
Electric Guitar, Composed By – Fred Frith
Piano – Katharina Weber (1 to 6)
Soprano Saxophone – Beat Hofstetter
Tenor Saxophone – Andrea Formenti
Recorded in January 2008 at the studios of Swiss Radio DRS2, Zürich
Mastered in June 2008 at Headless Buddha Mastering Labs, Oakland

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