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(Avant-Garde Jazz, Free Jazz) Paul Bley - The Paul Bley Quartet (w/ John Surman, Bill Frisell, Paul Motian) - 1987 (ECM 1365), FLAC (tracks+.cue), lossless

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Paul Bley - The Paul Bley Quartet
Жанр: Avant-Garde Jazz, Free Jazz
Страна-производитель диска: Германия
Год издания: 1988
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 1365 (835250-2)
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 53:08
Источник (релизер): chriss71AT (what)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Interplay (P.Bley) - 20:22
02. Heat (Surman) - 8:19
03. After Dark (Frisell) - 11:56
04. One in Four (Motian) - 9:33
05. Triste (P.Bley) - 2:58
Состав:
Paul Bley - piano
John Surman - soprano saxophone, bass clarinet
Bill Frisell - guitar
Paul Motian - drums
Recorded at Rainbow Studio, Oslo in November 1987.

Код:

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 18. January 2012, 12:25
Paul Bley, John Surman, Bill Frisell, Paul Motian / The Paul Bley Quartet
Used drive  : HL-DT-STDVD+-RW GSA-T21N   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Audio\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 | 20:22.13 |        32    |    91694
        2  | 20:22.45 |  8:18.40 |     91695    |   129084
        3  | 28:41.10 | 11:55.40 |    129085    |   182749
        4  | 40:36.50 |  9:33.15 |    182750    |   225739
        5  | 50:09.65 |  2:58.12 |    225740    |   239101
Track  1
     Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\01 - Interplay.wav
     Pre-gap length  0:00:02.32
     Peak level 86.5 %
     Extraction speed 3.8 X
     Track quality 100.0 %
     Test CRC CB58E537
     Copy CRC CB58E537
     Cannot be verified as accurate (confidence 8)  [6F56821E], AccurateRip returned [BD3AB89E]
     Copy OK
Track  2
     Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\02 - Heat.wav
     Pre-gap length  0:00:04.50
     Peak level 59.3 %
     Extraction speed 4.7 X
     Track quality 100.0 %
     Test CRC 37A3112F
     Copy CRC 37A3112F
     Cannot be verified as accurate (confidence 8)  [B438D9E9], AccurateRip returned [31210D29]
     Copy OK
Track  3
     Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\03 - After Dark.wav
     Pre-gap length  0:00:06.40
     Peak level 87.0 %
     Extraction speed 5.3 X
     Track quality 100.0 %
     Test CRC 4B42005E
     Copy CRC 4B42005E
     Cannot be verified as accurate (confidence 8)  [90FD1D37], AccurateRip returned [7CA998E7]
     Copy OK
Track  4
     Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\04 - One In Four.wav
     Pre-gap length  0:00:02.38
     Peak level 87.0 %
     Extraction speed 5.7 X
     Track quality 100.0 %
     Test CRC 7E007F79
     Copy CRC 7E007F79
     Cannot be verified as accurate (confidence 8)  [49AAB9B3], AccurateRip returned [E0F2DD43]
     Copy OK
Track  5
     Filename C:\Torrents\Paul Bley, John Surman, Bill Frisell, Paul Motian - The Paul Bley Quartet (1987) [FLAC] {ECM 1365}\05 - Triste.wav
     Pre-gap length  0:00:05.20
     Peak level 48.9 %
     Extraction speed 4.9 X
     Track quality 100.0 %
     Test CRC 098737DF
     Copy CRC 098737DF
     Cannot be verified as accurate (confidence 8)  [C83DD57D], AccurateRip returned [3A57049D]
     Copy OK
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report
==== Log checksum 3D3E943C2835A08F0C1CEB11E34A4C63C643955BA839BC5761AB5B944F996B8B ====

Код:

REM GENRE Jazz
REM DATE 1987
REM DISCID 2E0C7405
REM COMMENT "ExactAudioCopy v1.0b1"
CATALOG 0042283525023
PERFORMER "Paul Bley, John Surman, Bill Frisell, Paul Motian"
TITLE "The Paul Bley Quartet"
FILE "01 - Interplay.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Interplay"
    PERFORMER "Paul Bley, John Surman, Bill Frisell, Paul Motian"
    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Heat"
    PERFORMER "Paul Bley, John Surman, Bill Frisell, Paul Motian"
    INDEX 00 20:17:38
FILE "02 - Heat.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "After Dark"
    PERFORMER "Paul Bley, John Surman, Bill Frisell, Paul Motian"
    INDEX 00 08:12:00
FILE "03 - After Dark.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "One In Four"
    PERFORMER "Paul Bley, John Surman, Bill Frisell, Paul Motian"
    INDEX 00 11:53:02
FILE "04 - One In Four.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Triste"
    PERFORMER "Paul Bley, John Surman, Bill Frisell, Paul Motian"
    INDEX 00 09:27:70
FILE "05 - Triste.wav" WAVE
    INDEX 01 00:00:00

Код:

[CUETools log; Date: 06.03.2013 3:15:41; Version: 2.1.4]
Pregap length 00:00:32.
[CTDB TOCID: Da8YIQOV.EnK_MiV8rO2A4AGNfk-] disk not present in database.
[AccurateRip ID: 000d4034-003af99d-2e0c7405] found.
Track   [  CRC   |   V2   ] Status
 01     [6f56821e|b2f69b8a] (00+00/13) No match
 02     [b438d9e9|7baac2e2] (00+00/13) No match
 03     [90fd1d37|625f1abb] (00+00/13) No match
 04     [49aab9b3|ff805adb] (00+00/13) No match
 05     [c83dd57d|c03214f5] (00+00/15) No match
Offsetted by 1328:
 01     [bd3ab89e] (10/13) Accurately ripped
 02     [31210d29] (10/13) Accurately ripped
 03     [7ca998e7] (10/13) Accurately ripped
 04     [e0f2dd43] (10/13) Accurately ripped
 05     [3a57049d] (10/15) Accurately ripped
Offsetted by 664:
 01     [16489d5e] (00/13) No match
 02     [72acf389] (00/13) No match
 03     [06d35b0f] (00/13) No match
 04     [954ecb7b] (00/13) No match
 05     [014a6d0d] (02/15) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   87,0 [74DA80A9] [64B66CA4]
 01   86,5 [CB58E537] [C3CEAF22]   CRC32
 02   59,3 [37A3112F] [FDB89220]   CRC32
 03   87,0 [4B42005E] [8949BBE7]   CRC32
 04   87,0 [7E007F79] [8827352B]   CRC32
 05   48,9 [098737DF] [9C53C147]   CRC32

This 1987 date teams the iconoclastic pianist with guitarist Bill Frisell, drummer Paul Motian, and British saxophonist John Surman. While it's easy to argue that, with Manfred Eicher's icy, crystalline production, this was a stock date for both the artists and the label, that argument would be flat wrong. Bley was looking for a new lyricism in his own playing and in his compositions. He was coming from a different place than the large harmonies offered by augmented and suspended chords and writing for piano trios. The other band members -- two other extremely lyrical improvisers in Surman and Frisell (who prized understatement as the veritable doorway to lyricism) and a drummer who was better known for his dancing through rhythms than playing them in Motian -- were the perfect foils. For the opening solos of "Interplay," Bley traipses around Frisell with a sparse elegance as the guitarist single notes his way into the heart of the piece's silence before Surman draws the entire band out of it with Bley painting the backdrops in the exit. Or there's Surman's "One in Four," written for Bley, in which the pianist moves ahead, stating large middle- and low-register chords as a melody, settling it in D minor and waiting for the band to fill in the pieces before expanding the textural palette to include his own sense of rhythm and a folk song melody in his solo. Breathtaking. The only dud is Frisell's skronk piece, "After Dark," which would have been fine for Naked City, but feels completely out of place here.

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