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(Avant-Garde Jazz) Made to Break (Ken Vandermark, Christof Kurzmann, Devin Hoff, Tim Daisy) - Provoke - 2013, FLAC (tracks+.cue), lossless

Список форумов » ДЖАЗОВАЯ и БЛЮЗОВАЯ МУЗЫКА » Зарубежный джаз » Avant-Garde Jazz, Free Improvisation (lossless)

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Гость

made to break provoke

Жанр: Avant-Garde Jazz
Страна-производитель диска: Portugal
Год издания: 2013
Издатель (лейбл): Clean Feed
Номер по каталогу: CF273
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:54
Источник (релизер): спасибо 6060842
Наличие сканов в содержимом раздачи: front
Треклист:
1. Further (For John Cage)
2. Presentation (For Buckminster Fuller)
3. Of The Facts (For Marshall McLuhan)

Код:

X Lossless Decoder version 20130407 (143.0)
XLD extraction logfile from 2013-05-03 20:00:09 +0400
Made To Break / Provoke
Used drive : HL-DT-ST DVDRW  GX30N (revision RP09)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 20
Gap status              : Analyzed, Appended
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:00 | 23:34:41 |         0    |   106090
        2  | 23:34:41 | 20:07:16 |    106091    |   196631
        3  | 43:41:57 | 19:12:38 |    196632    |   283069
AccurateRip Summary
    Disc not found in AccurateRip DB.
All Tracks
    Album gain               : -4.57 dB
    Peak                     : 0.942963
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 01
    Filename : /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [FLAC]/01 - Further (For John Cage).flac
               /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [MP3 320]/01 - Further (For John Cage).mp3
               /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [MP3 V0]/01 - Further (For John Cage).mp3
    Pre-gap length : 00:02:00
    Track gain               : -3.80 dB
    Peak                     : 0.942963
    CRC32 hash (test run)    : BB392CF9
    CRC32 hash               : BB392CF9
    CRC32 hash (skip zero)   : 0EDA0F9C
    AccurateRip v1 signature : 461B98DF
    AccurateRip v2 signature : 94A54206
        ->Track not present in AccurateRip database.
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 02
    Filename : /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [FLAC]/02 - presentation (for Buckminster Fuller).flac
               /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [MP3 320]/02 - presentation (for Buckminster Fuller).mp3
               /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [MP3 V0]/02 - presentation (for Buckminster Fuller).mp3
    Track gain               : -5.11 dB
    Peak                     : 0.942963
    CRC32 hash (test run)    : CFAB1E2E
    CRC32 hash               : CFAB1E2E
    CRC32 hash (skip zero)   : BD8EDF6D
    AccurateRip v1 signature : 5BB17B02
    AccurateRip v2 signature : F826D6F2
        ->Track not present in AccurateRip database.
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 03
    Filename : /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [FLAC]/03 - of the facts. (for Marshall McLuhan).flac
               /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [MP3 320]/03 - of the facts. (for Marshall McLuhan).mp3
               /Users/anch/Music/FLAC/Made To Break - 2013 - Provoke [MP3 V0]/03 - of the facts. (for Marshall McLuhan).mp3
    Track gain               : -4.67 dB
    Peak                     : 0.942963
    CRC32 hash (test run)    : F21A00E9
    CRC32 hash               : F21A00E9
    CRC32 hash (skip zero)   : 7A5276F5
    AccurateRip v1 signature : 0EAF950F
    AccurateRip v2 signature : C82FD59B
        ->Track not present in AccurateRip database.
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
No errors occurred
End of status report

Код:

TITLE "Provoke"
PERFORMER "Made To Break"
CATALOG 5609063002737
REM GENRE "Free Jazz"
REM DATE "2013"
REM DISCID 1B0EBE03
REM REPLAYGAIN_ALBUM_GAIN -4.57 dB
REM REPLAYGAIN_ALBUM_PEAK 0.942963
FILE "01 - Further (For John Cage).flac" WAVE
  TRACK 01 AUDIO
    TITLE "Further (For John Cage)"
    PERFORMER "Made To Break"
    SONGWRITER "Ken Vandermark"
    ISRC PTNF11309009
    REM REPLAYGAIN_TRACK_GAIN -3.80 dB
    REM REPLAYGAIN_TRACK_PEAK 0.942963
    INDEX 01 00:00:00
FILE "02 - presentation (for Buckminster Fuller).flac" WAVE
  TRACK 02 AUDIO
    TITLE "presentation (for Buckminster Fuller)"
    PERFORMER "Made To Break"
    SONGWRITER "Ken Vandermark"
    ISRC PTNF11309010
    REM REPLAYGAIN_TRACK_GAIN -5.11 dB
    REM REPLAYGAIN_TRACK_PEAK 0.942963
    INDEX 01 00:00:00
FILE "03 - of the facts. (for Marshall McLuhan).flac" WAVE
  TRACK 03 AUDIO
    TITLE "of the facts. (for Marshall McLuhan)"
    PERFORMER "Made To Break"
    SONGWRITER "Ken Vandermark"
    ISRC PTNF11309011
    REM REPLAYGAIN_TRACK_GAIN -4.67 dB
    REM REPLAYGAIN_TRACK_PEAK 0.942963
    INDEX 01 00:00:00

The released of the cd “Provoke” is the result of a three day series of concerts, by a Ken Vandermark’s new project, during the commemoration, in Lisbon, of the 10th anniversary of the label Clean Feed. This is it: Made to Break, a quartet shared with electronicist Christoff Kurzmann, electric bassist Devin Hoff and drummer Tim Daisy. “New”, here, means literally a different approach from the many others tried and accomplished by the Chicagoan saxophonist and clarinetist, even if there’s connections with some aspects of the explorations signed by FME, Frame Quartet and Spaceways Inc.
There’s one main principle followed, and this is named “modular organization”. It consists in the tactical combination of distinct defined modules in always changing compositions, or “comp-improvisations” to be exact, because the purpose is to apply an alternative writing for improvisers. «I’m trying to move further outside of “jazz resources and aesthetics” and to utilize different sources of rhythmic/melodic ideas inspired from other genres of music I’m interested in (funk, rock, European free improvisation and the New York School of composition – Cage, Feldman, Wolff, Brown) in order to find new ways to organize compositional material», says Vandermark.
Some modules are groovy oriented, others get more abstract and disjointed, and others still have an ambient feeling, interconnecting as if a puzzle is being formed. The criteria: «Modular organization allows me to reshape the structure of the music from its components at each performance, and in addition it allows the musicians to improvise sub-structures based on these components because all the members of the band can immediately hear how someone else is referring to the composed elements or is reinventing them. It’s a fluid basis of cause and effect between composition and improvisation, but one that can invert this “hierarchy” so that the spontaneous music creates a force that affects the pre-determined elements.»
Comparing “Provoke” to “Lacerba”, you may recognize the thematic supports, but the way they’re sequenced and interpreted varies. «The paths between the written components are never permanent, and this creates a situation where the improvising is almost forced to invent new ways of responding to the composed sections», explains Ken Vandermark. In consequence, what we have is two versions of a never ending process in which «the shift in trajectories have an impact in the improvisation».
Why this kind of strategies, considering that in a jazz context the composer is already writing music for improvisers? Because times changed: «What I am trying to do is ask questions about what this process means now, not based on forms or aesthetics that were in many cases developed before I was born. And the answers I’m finding to these questions are leading me further away from jazz conventions for composition, and toward structures that create more risk and spontaneity, more responsibility, for the improviser. »
So, here are two aspects of a more flexible “jazz” in the beginning of the 21st century, with a higher level of openness, certainly, but going even further. «What we’re really talking about is developing a new set of languages for improvisers. In some cases things are more open, but sometimes things are more confrontational, more deconstructed, more antagonistic, more restricted – all in an effort to expand the possibilities for composition and improvisation», concludes Ken Vandermark.
In other words: if you miss this very surprising and committed CD, you’ll miss a part of the future in construction…

ken vandermark - reeds / christof kurzmann - electronics / devin hoff - bass / tim daisy - drums

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