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(Free Improvisation, Electroacoustic, Another Timbre) [CD] Tom Chant, Angharad Davies, Benedict Drew, John Edwards - Decentred (Improvisations And Realisations Of Works By John Cage & Michael Pisaro) - 2009, FLAC (tracks+.cue), lossless

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Tom Chant, Angharad Davies, Benedict Drew, John Edwards / Decentred (Improvisations And Realisations Of Works By John Cage & Michael Pisaro)
Жанр: Free Improvisation, Electroacoustic, Another Timbre
Носитель: CD
Страна-производитель диска (релиза): UK
Год издания: 2009
Издатель (лейбл): Another Timbre
Номер по каталогу: at18
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:09:08
Источник (релизер): slsk
Наличие сканов в содержимом раздачи:
Треклист:
1 Reader, Listen: Harmony Series No.10 6:32
2 Activation (Improvisation) 10:38
3 Four 6 30:05
4 La Voix Qui Dit: Harmony Series No.8d 4:50
5 Decentring (Improvisation) 13:15
6 Flux: Harmony Series No.8a 3:12

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 26. June 2014, 11:01
Tom Chant, Angharad Davies, Benedict Drew & John Edwards / Decentred
Used drive  : TSSTcorpDVD+-RW SN-208DN   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr1%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "LABEL=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:46.45 |         0    |    30494
        2  |  6:46.45 | 10:45.52 |     30495    |    78921
        3  | 17:32.22 | 30:16.57 |     78922    |   215178
        4  | 47:49.04 |  4:56.59 |    215179    |   237437
        5  | 52:45.63 | 13:09.59 |    237438    |   296671
        6  | 65:55.47 |  3:12.26 |    296672    |   311097
Track  1
     Filename D:\EAC Rips\Tom Chant, Angharad Davies, Benedict Drew & John Edwards - Decentred (2009) - FLAC\01 Reader, listen- Harmony series, no. 10.wav
     Pre-gap length  0:00:02.00
     Peak level 24.6 %
     Extraction speed 2.9 X
     Track quality 100.0 %
     Test CRC BB4437CF
     Copy CRC BB4437CF
     Accurately ripped (confidence 1)  [50166675]  (AR v1)
     Copy OK
Track  2
     Filename D:\EAC Rips\Tom Chant, Angharad Davies, Benedict Drew & John Edwards - Decentred (2009) - FLAC\02 Activation (improvisation).wav
     Pre-gap length  0:00:12.00
     Peak level 99.0 %
     Extraction speed 3.3 X
     Track quality 99.9 %
     Test CRC 76B6D96F
     Copy CRC 76B6D96F
     Accurately ripped (confidence 1)  [810FC645]  (AR v1)
     Copy OK
Track  3
     Filename D:\EAC Rips\Tom Chant, Angharad Davies, Benedict Drew & John Edwards - Decentred (2009) - FLAC\03 Four⁶.wav
     Pre-gap length  0:00:15.00
     Peak level 100.0 %
     Extraction speed 4.8 X
     Track quality 100.0 %
     Test CRC 3A2B7EE4
     Copy CRC 3A2B7EE4
     Accurately ripped (confidence 1)  [202D021E]  (AR v1)
     Copy OK
Track  4
     Filename D:\EAC Rips\Tom Chant, Angharad Davies, Benedict Drew & John Edwards - Decentred (2009) - FLAC\04 La voix qui dit- Harmony series, no. 8d.wav
     Pre-gap length  0:00:12.00
     Peak level 30.5 %
     Extraction speed 4.2 X
     Track quality 99.9 %
     Test CRC 14FAAE52
     Copy CRC 14FAAE52
     Accurately ripped (confidence 1)  [4EB41F67]  (AR v1)
     Copy OK
Track  5
     Filename D:\EAC Rips\Tom Chant, Angharad Davies, Benedict Drew & John Edwards - Decentred (2009) - FLAC\05 Decentring (improvisation).wav
     Pre-gap length  0:00:12.00
     Peak level 100.0 %
     Extraction speed 5.8 X
     Track quality 100.0 %
     Test CRC F85D2D42
     Copy CRC F85D2D42
     Accurately ripped (confidence 1)  [8F62BB6E]  (AR v1)
     Copy OK
Track  6
     Filename D:\EAC Rips\Tom Chant, Angharad Davies, Benedict Drew & John Edwards - Decentred (2009) - FLAC\06 Flux- Harmony series, no. 8a.wav
     Pre-gap length  0:00:12.00
     Peak level 4.2 %
     Extraction speed 5.3 X
     Track quality 100.0 %
     Test CRC 49BBC4F1
     Copy CRC 49BBC4F1
     Accurately ripped (confidence 1)  [A1712F1D]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 96CF905A8815C6D0762AB435618A92B2E036B8EFFABD1E37182116468B26B84B ====

Код:

REM DATE 2009
REM DISCID 53103306
REM COMMENT "ExactAudioCopy v1.0b3"
FILE "01 Reader, listen- Harmony series, no. 10.wav" WAVE
  TRACK 01 AUDIO
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    INDEX 00 06:34:45
FILE "02 Activation (improvisation).wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    INDEX 00 10:30:52
FILE "03 Four 6.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    INDEX 00 30:04:57
FILE "04 La voix qui dit- Harmony series, no. 8d.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    INDEX 00 04:44:59
FILE "05 Decentring (improvisation).wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    INDEX 00 12:57:59
FILE "06 Flux- Harmony series, no. 8a.wav" WAVE
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Reader, listen- Harmony series, no. 10.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Activation (improvisation).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Four6.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. La voix qui dit- Harmony series, no. 8d.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Decentring (improvisation).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Flux- Harmony series, no. 8a.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

(Michael Pisaro) - 1,4,6
(John Cage) - 3
Track 1 based on 'The Substantive' by William Bronk.
Track 4 based on 'La Voix qui Dit' by Samuel Beckett.
Track 6 based on 'Flux' by Samuel Beckett.
When the Another Timbre label was launched in autumn 2007, proprietor Simon Reynell expressed his desire to release contemporary composition alongside improvised music, with the understandable proviso that it was more expensive to release. To date, the label's releases have been dominated by improvised music. There was a fine release of compositions by Frank Denyer, played on shakuhachi by Yoshikazu Iwamoto. However, a promised album by John Tilbury of pieces by John Cage and Terry Jennings remains unreleased and seems to be dropping off the radar.
All of which makes Decentred a particularly welcome release. On it, four first-rate improvisers turn their attentions to "Four6," a scored work by Cage, and to three pieces by Michael Pisaro from his Harmony Series, interspersed with two improvisations. So the album is exactly the imaginative mix of composition and improvisation initially envisaged for the label.
Each of the Pisaro pieces is a duo for a different pair of players—Angharad Davies on violin and John Edwards on bass, then Tom Chant on bass clarinet and Davies, finally Benedict Drew on electronics and Edwards. The pairings are well chosen to emphasize the contrasts between their instruments' pitches and timbres. The pieces evolve slowly and deliberately, with occasional silences, giving them an air of tranquil beauty.
With a duration of thirty minutes, "Four6" dominates the album, although not at its centre—yes, the album is true to its title. "Four6" is scored for four players who can use "any way of producing sounds." Each player chooses twelve sounds and these are played within a structure of time brackets given in the score. The time brackets and distribution of sounds were determined randomly by Cage. As the actual sounds used are the choice of the players, no two performances of the piece need ever sound the same. Nonetheless, the time brackets organize the sounds, preventing the players getting in each others way or masking each other. The end result is not dissimilar to a free improvisation produced by experienced improvisers.
That point is highlighted here by the inclusion of two excellent improvised pieces in which all four players participate. They are skillfully controlled and focused to the extent that hearing "Activation (improvisation)" in sequence between Pisaro's "Reader, listen" and the Cage piece, it becomes impossible to distinguish scored from unscored music. Maybe one of the intentions of this album was to emphasize that.
As Duke Ellington observed, "There are two types of music: good and bad. I like both." However, the distinction between good and bad does not coincide with the distinction between scored and unscored (or vice versa). Scored and unscored, this album is full of good music. - John Eyles, All About Jazz

Double Bass – John Edwards (1 to 3, 5, 6)
Electronics, Objects – Benedict Drew (2, 3, 5, 6)
Saxophone, Bass Clarinet – Tom Chant (2 to 5)
Violin, Objects – Angharad Davies (1 to 5)

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