Регистрация · · Забыли пароль?

(Post-Bop) Michael Attias - Renku in Coimbra - 2009, FLAC (image+.cue), lossless

Список форумов » ДЖАЗОВАЯ и БЛЮЗОВАЯ МУЗЫКА » Зарубежный джаз » Bop (lossless)

Статистика раздачи

Размер: 271.12 МБ | | Скачали: 1

Сидеров: 0 [0 байт/сек] Личеров: 0 [0 байт/сек]

Пред. тема | След. тема

Автор

Сообщение

Гость

Michael Attias - Renku in Coimbra

Жанр: Post-Bop
Год выпуска диска: 2009
Производитель диска: Portugal (Clean Feed CF162)
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 46:34
Источник: Собственный рип с оригинального диска
Michaël Attias: alto, baritone sax
John Hébert: bass
Satoshi Takeishi: drums
Russ Lossing: piano (4)
1. Creep
2. Thingin'
3. Do & the Birds
4. Fenix Culprit
5. Wels
6. Sorry
7. Universal Constant
8. Creep (reprise)
Recorded at Salao Brazil, Colmbra, by Joao Ferraz on June 7, 2008.

The three-night residency of the Michaël Attias Quintet in the 2008 edition of the Coimbra's Jazz ao Centro festival was documented on a live album, Twines of Colesion, to be released in early 2010; and now we have this one, recorded in one afternoon at the same Club in Coimbra where the concerts took place, this time behind closed doors. The session featured the core trio without Tony Malaby's saxophones and Russ Lossing's piano (not quite: Lossing is present on one track of "Renku in Coimbra"). A "wondrous parenthesis in time", says Attias about the opportunity, and that's quite true: this is beautiful music with a strong improvisatory feeling and lots of space for each musician to show their respective and special skills, either individually or in collective interaction. And "collective" is the key word to describe what is in this record: hearing the music you'll understand why Attias chose the name for what has been since 2003 his primary working band - a renku is collaborative form of traditional Japanese poetry, in which the participating poets build a long poem out of each other's words. Over the last six years, this trio has achieved a group sound that draws from a wealth of experience of working together in numerous projects, as well as under the leadership of such mucians as Paul Motian, Andrew Hill, and Anthony Braxton. On this, their second album, Renku plays the music of Lee Konitz, Jimmy Lyons, Hébert and Attias. ~ Clean Feed

Within the realms of his Renku trio, the reed specialist Michaël Attias deliberately glides towards a contemplative space. His partners in sensitivity are bassist John Hébert and drummer Satoshi Takeishi. In this setting, Attias deliberately confines himself to the alto saxophone, although his sonic results are anything but self-shackled. Often, when Attias is playing around the city he'll be soloing more aggressively or crafting sharply jabbing themes as part of a thrusting frontline. Most of the pieces here inhabit a peaceful zone, allowing maximum potential for individual elaboration. There's a hovering, circulatory motion, with these three playing at the traditionally lyrical end of their range.
Renku is a form of Japanese poetry that usually involves real-time collaboration. These sessions were recorded in Coimbra, Portugal, when his quintet was playing a three-nighter at the 2008 Jazz ao Centro Clube Festival. Although Attias is the leader, he only provides two compositions, with Hébert bringing three, the songbook completed by a tune apiece from Jimmy Lyons and Lee Konitz. The latter's "Thingin'" has Attias capering lightly, Takeishi's brushes glancing lightly around his skins and cymbals, Hébert's bass creeping underfoot.
Abstraction reigns on "Do & The Birds," with Takeishi pottering around his field of gongs and woodblocks. Attias enters over a thrumming bass line, delicately flamingo-legging through their terrain. "Fenix Culprit" makes a hectic dash, Attias squirming out his lines, letting them wriggle seductively past the ears. This track features guest Russ Lossing on piano.
All of the compositions keep their duration down concisely, fomenting direct communicativeness. "Sorry" (the Lyons tune) features outstandingly dexterous bass and drum solos towards its conclusion and all three players are both wiry and supple on "Universal Constant." When Hébert's opening "Creep" is reprised at the disc's close, it recalls an Art Ensemble Of Chicago feeling of mournful yearning. ~ Martin Longley, AAJ

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 18. February 2010, 19:23
Michael Attias / Renku in Coimbra
Used drive  : hp      DVD-RAM GH40L   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -6" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.28 |  7:14.27 |        28    |    32604
        2  |  7:14.55 |  6:23.40 |     32605    |    61369
        3  | 13:38.20 |  6:01.25 |     61370    |    88469
        4  | 19:39.45 |  2:52.70 |     88470    |   101439
        5  | 22:32.40 |  5:59.08 |    101440    |   128372
        6  | 28:31.48 |  5:59.09 |    128373    |   155306
        7  | 34:30.57 |  6:57.26 |    155307    |   186607
        8  | 41:28.08 |  5:05.42 |    186608    |   209524
Range status and errors
Selected range
     Filename C:\Users\Igor\Music\eac\Michael Attias - Renku in Coimbra.wav
     Peak level 100.0 %
     Range quality 100.0 %
     Test CRC C92C75F1
     Copy CRC C92C75F1
     Copy OK
No errors occurred
AccurateRip summary
Track  1  not present in database
Track  2  not present in database
Track  3  not present in database
Track  4  not present in database
Track  5  not present in database
Track  6  not present in database
Track  7  not present in database
Track  8  not present in database
None of the tracks are present in the AccurateRip database
End of status report

Правила, инструкции, FAQ!!!

Торрент

Скачать торрент

[ Размер 11.44 КБ / Просмотров 5 ]

Статус

Проверен

Размер

271.12 МБ

Приватный:

Нет (DHT включён)

.torrent скачан

Как залить торрент? | Как скачать Torrent? | Ошибка в торренте? Качайте магнет

Страница 1 из 1

Список форумов » ДЖАЗОВАЯ и БЛЮЗОВАЯ МУЗЫКА » Зарубежный джаз » Bop (lossless)

Сейчас эту тему просматривают: нет зарегистрированных пользователей и гости: 1

Вы не можете начинать темы
Вы не можете отвечать на сообщения
Вы не можете редактировать свои сообщения
Вы не можете удалять свои сообщения
Вы не можете добавлять вложения

Перейти:

Ресурс не предоставляет электронные версии произведений, а занимается лишь коллекционированием и каталогизацией ссылок, присылаемых и публикуемых на форуме нашими читателями. Если вы являетесь правообладателем какого-либо представленного материала и не желаете чтобы ссылка на него находилась в нашем каталоге, свяжитесь с нами и мы незамедлительно удалим её. Файлы для обмена на трекере предоставлены пользователями сайта, и администрация не несёт ответственности за их содержание. Просьба не заливать файлы, защищенные авторскими правами, а также файлы нелегального содержания!

Пользовательское соглашение | Для правообладателей | Реклама на сайте