Жанр: Bop, Cool, Mainstream Jazz Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: image,tracks+.cue Битрейт аудио: lossless Продолжительность: 4:10:19 Ленни Нихаус (род. 11 июня 1929 г.) - американский альтист, саксофонист, аранжировщик и композитор. Один из гигантов, т.н. West Coast Jazz. Талантливый классический музыкант, Ленни тем не менее, еще будучи студентом колледжа, предпочел джазовую карьеру. В начале 50-х он некоторое время работал в оркестре Стэна Кентона, до тех пор пока в 52-м его не призвали в армию. В 1954, вернулся к Кентону и проработал с ним больше 5 лет. В оркестре был не только альт-саксофонистом (великолепное соло в End of a Love Affair из Stan Kenton at the Tropicana (1959), но и аранжировщиком альбомов: The Stage Door Swings (1958), Sophisticated Approach (1961) и Adventures in Standards (1961). В 1959 году Нихаус оставил оркестр Кентона и вернулся в Лос-Анжелес, чтобы сосредоточиться на композиторской работе. Был аранжировщиком The King Sisters, Mel Torme, Dean Martin и Carol Burnett. А с 1962 года сотрудничает с ТВ и кинематографом. Наиболее известна его музыка к фильмам Клинта Иствуда. Был музыкальным директором Bird, известной киноленты о Чарли Паркере. Продолжает писать музыку, а некоторое время назад опять взялся за саксофон, и говорят он в превосходной форме.
Lennie Niehaus (born 11 June 1929) is an American alto saxophonist, arranger, and composer on the West Coast jazz scene. He has played with the Stan Kenton big band, and various other jazz bands on the West Coast of the U.S. Niehaus has arranged and composed for motion pictures, including several produced by Clint Eastwood. Niehaus was born in St. Louis, Missouri, USA. Lennie’s sister was a concert pianist, his father an expert violinist. Pe`re Niehaus, his father, started his son on violin at age seven. Lennie then changed instruments to bassoon. At thirteen, he began alto saxophone and clarinet. About this time he began composing. In 1946, while still studying music at college (what is now CSULA), Lennie started his professional career, along with reedmen Herb Geller, Herbie Steward and Teddy Edwards. He went with the Stan Kenton orchestra for six months. However, he was drafted into the army in 1952. Discharged in 1954, he rejoined Kenton for five years. He left in 1959 because he wanted to be a composer. He went back to Los Angeles to arrange for the King Sisters, Mel Torme', Dean Martin, and Carol Burnett. In 1962 he began orchestrating for film composer Jerry Fielding. Niehaus worked with Fielding on approximately sixty or seventy TV shows and films. Since Fielding’s death, Lennie has been a leading film composer in his own right. He always does his own orchestrating for his pieces. In films Lennie never forgets his jazz roots. The story of the film City Heat was cast in the 1930s, so he wrote jazz of that period using people like altoist Marshal Royal. Bill Perkins came in and played like Lester. He had a jazz violinist who sounded like Stephane Grappelli. Then there was a boogie woogie sequence with three pianists Pete Jolly, Mike Land and producer Clint Eastwood. After many years of not playing his alto saxophone at all, Niehaus returned to performing, reportedly in top form. He still composes for films as well. He was the musical director for the Charlie Parker feature film, Bird. His work includes Spiritual Jazz Suite, four pieces arranged for brass quartet, Three sets of Christmas Jazz suites (4 pieces in each) and a Christmas Jazz Medley arranged for saxophone quartet, a book of classical saxophone duets, A beginning, intermediate, and advanced methods for the understanding of jazz technique, and a book of jazz saxophone duets exemplifying jazz styles.
Lennie Niehaus - Vol.1: The Quintets Страна-производитель диска: США Год издания диска: 2000 Издатель (лейбл): Contemporary/Original Jazz Classics Номер по каталогу: OJCCD-1933-2 (C-3518) Тип рипа: image+.cue Продолжительность: 39:10 Источник (релизер): Mazeppa (hqshare) Наличие сканов в содержимом раздачи: да Треклист: 01. I Remember You (Schertzinger-Mercer) - 2:34 02. Poinciana (Simon-Bernier) - 3:49 03. Whose Blues (Niehaus) - 3:20 04. Prime Rib (Niehaus) - 3:09 05. I Should Care (Stordahl-Weston-Cahn) - 3:14 06. Inside Out (Niehaus) - 2:56 07. I Can't Believe That You're in Love with Me (McHugh-Gaskill) - 3:30 08. You Stepped Out of a Dream (Brown-Kahn) - 2:38 09. I'll Take Romance (Oakland-Hammerstein) - 2:59 10. Happy Times (Niehaus) - 3:28 11. Day by Day (Stordahl-Weston-Cahn) - 3:35 12. Bottoms Up (Niehaus) - 3:11 Состав: Lennie Niehaus - alto saxophone with #1,3,4,6,8,9,11,12: Jack Montrose - tenor saxophone Bob Gordon - baritone saxophone Monty Budwig - bass Shelly Manne - drums Recorded at Contemporary Studios, Los Angeles on July 2 (#4,6,9,12) and July 9 (#1,3,8,11), 1954. #2,5,7,10: Stu Williamson - trumpet, valve trombone Hampton Hawes - piano Red Mitchell - bass Shelly Manne - drums Recorded at Contemporary Studios, Los Angeles on January 20, 1956.
Код:
EAC extraction logfile from 3. July 2007, 18:57 for CD Lennie Niehaus / Vol 1: The Quintets Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 12 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder) High Lossless Compression Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename F:\Win-Rar\Lennie Niehaus - Vol. 1 The Quintets (1954 OJC)[APE Full Scans]\Lennie Niehaus - Vol 1 The Quintets.wav.wav Peak level 100.0 % Range quality 100.0 % CRC F331F962 Copy OK No errors occured End of status report
Код:
REM GENRE Jazz REM DATE 1956 REM DISCID A009340C REM COMMENT "ExactAudioCopy v0.95b4" PERFORMER "Lennie Niehaus" TITLE "Vol.1: The Quintets" FILE "Lennie Niehaus - Vol.1- The Quintets.wav" WAVE TRACK 01 AUDIO TITLE "I Remember You" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Poinciana" PERFORMER "Lennie Niehaus" INDEX 00 02:37:37 INDEX 01 02:39:57 TRACK 03 AUDIO TITLE "Whose Blues" PERFORMER "Lennie Niehaus" INDEX 00 06:31:55 INDEX 01 06:33:32 TRACK 04 AUDIO TITLE "Prime Rib" PERFORMER "Lennie Niehaus" INDEX 00 09:55:30 INDEX 01 09:58:10 TRACK 05 AUDIO TITLE "I Should Care" PERFORMER "Lennie Niehaus" INDEX 00 13:08:67 INDEX 01 13:11:27 TRACK 06 AUDIO TITLE "Inside Out" PERFORMER "Lennie Niehaus" INDEX 00 16:27:12 INDEX 01 16:30:07 TRACK 07 AUDIO TITLE "I Can't Believe That You're in Love with Me" PERFORMER "Lennie Niehaus" INDEX 00 19:27:72 INDEX 01 19:29:52 TRACK 08 AUDIO TITLE "You Stepped Out of a Dream" PERFORMER "Lennie Niehaus" INDEX 00 23:00:47 INDEX 01 23:03:45 TRACK 09 AUDIO TITLE "I'll Take Romance" PERFORMER "Lennie Niehaus" INDEX 00 25:43:62 INDEX 01 25:46:62 TRACK 10 AUDIO TITLE "Happy Times" PERFORMER "Lennie Niehaus" INDEX 00 28:47:27 INDEX 01 28:50:17 TRACK 11 AUDIO TITLE "Day by Day" PERFORMER "Lennie Niehaus" INDEX 00 32:19:05 INDEX 01 32:21:60 TRACK 12 AUDIO TITLE "Bottoms Up" PERFORMER "Lennie Niehaus" INDEX 00 36:00:20 INDEX 01 36:02:02
Alto saxophonist Lennie Niehaus is better known as the arranger for Clint Eastwood's films, but he has long been familiar to jazz fans as a respected bandleader, composer, arranger, and soloist. This limited-edition audiophile reissue of his first solo recordings (following stints with Stan Kenton and Shorty Rogers) is a stunner. Included is the first 10" LP he recorded with a three-saxophone front line -- in this case, with Jack Montrose (tenor), and Bob Gordon (baritone) -- and other quintet sessions with musicians including pianist Hampton Hawes, and fellow Kentonite Shelly Manne (who was responsible for Niehaus' record deal with Contemporary's Lester Koenig in the first place). The involvement of Kenton bandmembers familiar with one another lends an ease and excitement to the proceedings. These quintet sessions are West Coast jazz at its finest. Melodic tunes give plenty of air to the lyrical yet complex nature of much of the music coming from that region at the time, with no remnants of the cool jazz period. These 1954 sides stomp with swing, color, and style. Bebop is called upon for tempo and pace, while swing and hard bop are referenced as checkpoints. There is a genuine glee in Niehaus' playing on "I Can't Believe You're in Love with Me," when he trades solos with Stu Williamson, while he paces the slightly faster take on "I Remember You" until slipping into one of those long, melodically sophisticated solos of his, just when you expected another chorus. Listening to this, it's hard to believe West Coast jazz ever got a bad rap. This set sounds as fresh today as it did then.
The Lennie Niehaus Octet! - Vol.2: Zounds! #777Страна-производитель диска: США Год издания диска: 1997 Издатель (лейбл): Contemporary/Original Jazz Classics Номер по каталогу: OJCCD-1892-2 (C-3540) Тип рипа: image+.cue Продолжительность: 41:17 Источник (релизер): Mazeppa (hqshare) Наличие сканов в содержимом раздачи: да Треклист: 01. The Sermon (Hawes) - 5:16 02. How About You (Lane-Freed) - 2:31 03. Figure 8 (Niehaus) - 3:38 04. Patti-Cake (Niehaus) - 2:40 05. With the Wind and the Rain in Your Hair (Edwards-Lawrence) - 4:03 06. The Way You Look Tonight (Kern-Fields) - 3:35 07. Have You Met Miss Jones? (Rodgers-Hart) - 2:44 08. Four (Davis) - 4:02 09. Night Life (Niehaus) - 2:41 10. The Night We Called It a Day (Dennis-Adair) - 3:59 11. Blues for Susie (Niehaus) - 3:38 12. Seaside (Niehaus) - 2:30 Состав: Lennie Niehaus - alto saxophone with #2-4,6,7,9,10,12: Jack Montrose - tenor saxophone Bob Gordon - baritone saxophone Stu Williamson - trumpet Bob Enevoldsen - valve trombone Lou Levy - piano Monty Budwig - bass Shelly Manne - drums Recorded at Capitol, Hollywood on August 23, 1954. #1,5,8,11: Bill Perkins - tenor saxophone Pepper Adams - baritone saxophone Vincent De Rosa - French horn Frank Rosolino - trombone James McAllister - tuba Red Mitchell - bass Mel Lewis - drums Recorded at Contemporary Studios, Los Angeles on December 10, 1956.
Код:
EAC extraction logfile from 13. July 2007, 19:53 for CD Lennie Niehaus / Zounds! Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 12 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder) High Lossless Compression Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename F:\Win-Rar\Lennie Niehaus - Zounds (1956 OJC)[APE Full Scans]\Lennie Niehaus - Zounds!.wav.wav Peak level 100.0 % Range quality 100.0 % CRC 0EFBC5A6 Copy OK No errors occured End of status report
Код:
REM GENRE Jazz REM DATE 1956 REM DISCID A809B10C REM COMMENT "ExactAudioCopy v0.95b4" PERFORMER "Lennie Niehaus" TITLE "Vol.2: Zounds!" FILE "Lennie Niehaus - Vol.2- Zounds.wav" WAVE TRACK 01 AUDIO TITLE "The Sermon" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "How About You" PERFORMER "Lennie Niehaus" INDEX 00 05:15:12 INDEX 01 05:16:12 TRACK 03 AUDIO TITLE "Figure 8" PERFORMER "Lennie Niehaus" INDEX 00 07:45:67 INDEX 01 07:47:50 TRACK 04 AUDIO TITLE "Patti-Cake" PERFORMER "Lennie Niehaus" INDEX 00 11:24:22 INDEX 01 11:26:27 TRACK 05 AUDIO TITLE "With the Wind and the Rain in Your Hair" PERFORMER "Lennie Niehaus" INDEX 00 14:04:40 INDEX 01 14:06:42 TRACK 06 AUDIO TITLE "The Way You Look Tonight" PERFORMER "Lennie Niehaus" INDEX 00 18:08:30 INDEX 01 18:10:25 TRACK 07 AUDIO TITLE "Have You Met Miss Jones?" PERFORMER "Lennie Niehaus" INDEX 00 21:44:22 INDEX 01 21:45:42 TRACK 08 AUDIO TITLE "Four" PERFORMER "Lennie Niehaus" INDEX 00 24:28:62 INDEX 01 24:30:15 TRACK 09 AUDIO TITLE "Night Life" PERFORMER "Lennie Niehaus" INDEX 00 28:31:45 INDEX 01 28:33:12 TRACK 10 AUDIO TITLE "The Night We Called It a Day" PERFORMER "Lennie Niehaus" INDEX 00 31:12:45 INDEX 01 31:14:27 TRACK 11 AUDIO TITLE "Blues for Susie" PERFORMER "Lennie Niehaus" INDEX 00 35:12:42 INDEX 01 35:13:52 TRACK 12 AUDIO TITLE "Seaside" PERFORMER "Lennie Niehaus" INDEX 00 38:49:42 INDEX 01 38:51:62
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This formerly rare Contemporary set was reissued on a 1997 OJC CD. Lennie Niehaus, best known for his scores for Clint Eastwood films in the 1980s and '90s, was an excellent cool-toned bop altoist back in the '50s who spent time working with Stan Kenton. For this album, he is heard on two different occasions providing arrangements and alto solos for octets. With such fine players as either Jack Montrose or Bill Perkins on tenor, Bob Gordon or Pepper Adams on baritone, and other top West Coast jazz musicians, Niehaus primarily performs cool jazz. The inventive charts (which on the later date utilize a French horn and a tuba) and the superior, concise solos make this a set well worth acquiring by fans of the West Coast jazz sound of the '50s.
Lennie Niehaus - Vol.3: The Octet #2 #777Страна-производитель диска: США Год издания диска: 1991 Издатель (лейбл): Contemporary/Original Jazz Classics Номер по каталогу: OJCCD-1767-2 (C-3503) Тип рипа: image+.cue Продолжительность: 39:28 Источник (релизер): Mazeppa (hqshare) Наличие сканов в содержимом раздачи: да Треклист: 01. Blue Room (Rodgers-Hart) - 3:27 02. You and the Night and the Music (Schwartz-Dietz) - 2:32 03. Bunko (Niehaus) - 3:26 04. Love Is Here to Stay (Gershwin-Gershwin) - 3:15 05. They Say It's Wonderful (Berlin) - 3:10 06. Rick's Tricks (Niehaus) - 4:06 07. Rose Room (Williams-Hickman) - 4:06 08. Cooling It (Niehaus) - 2:51 09. Yes, Yes, Honey (Shannon-Patterson) - 2:50 10. Debbie (Niehaus) - 3:35 11. Nice Work If You Can Get It (Gershwin-Gershwin) - 2:53 12. Circling the Blues (Niehaus) - 3:17 Состав: Lennie Niehaus - alto saxophone Bill Holman - tenor saxophone Jimmy Giuffre - baritone saxophone Stu Williamson - trumpet Bob Enevoldsen - valve trombone Pete Jolly - piano Monty Budwig - bass Shelly Manne - drums Recorded in Hollywood on January 11 & 26, and February 15, 1955.
Код:
EAC extraction logfile from 19. July 2007, 10:31 for CD Lennie Niehaus / Vol. 3 - The Octet #2 Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 12 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder) High Lossless Compression Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename F:\Win-Rar\Lennie Niehaus - The Octet 2 (1955 OJC)[APE Full Scans]\Lennie Niehaus - Vol. 3 - The Octet #2.wav.wav Peak level 79.7 % Range quality 100.0 % CRC C2E1739A Copy OK No errors occured End of status report
Код:
REM GENRE Jazz REM DATE 1955 REM DISCID 9609480C REM COMMENT "ExactAudioCopy v0.95b4" PERFORMER "Lennie Niehaus" TITLE "Vol.3: The Octet #2" FILE "Lennie Niehaus - Vol.3- The Octet #2.wav" WAVE TRACK 01 AUDIO TITLE "Blue Room" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "You and the Night and the Music" PERFORMER "Lennie Niehaus" INDEX 00 03:24:70 INDEX 01 03:27:72 TRACK 03 AUDIO TITLE "Bunko" PERFORMER "Lennie Niehaus" INDEX 00 05:57:65 INDEX 01 06:00:35 TRACK 04 AUDIO TITLE "Love Is Here to Stay" PERFORMER "Lennie Niehaus" INDEX 00 09:24:45 INDEX 01 09:27:30 TRACK 05 AUDIO TITLE "They Say It's Wonderful" PERFORMER "Lennie Niehaus" INDEX 00 12:40:22 INDEX 01 12:43:02 TRACK 06 AUDIO TITLE "Rick's Tricks" PERFORMER "Lennie Niehaus" INDEX 00 15:51:02 INDEX 01 15:53:72 TRACK 07 AUDIO TITLE "Rose Room" PERFORMER "Lennie Niehaus" INDEX 00 19:57:55 INDEX 01 20:00:10 TRACK 08 AUDIO TITLE "Cooling It" PERFORMER "Lennie Niehaus" INDEX 00 24:03:50 INDEX 01 24:06:37 TRACK 09 AUDIO TITLE "Yes, Yes, Honey" PERFORMER "Lennie Niehaus" INDEX 00 26:55:12 INDEX 01 26:58:32 TRACK 10 AUDIO TITLE "Debbie" PERFORMER "Lennie Niehaus" INDEX 00 29:46:42 INDEX 01 29:49:25 TRACK 11 AUDIO TITLE "Nice Work If You Can Get It" PERFORMER "Lennie Niehaus" INDEX 00 33:22:42 INDEX 01 33:25:20 TRACK 12 AUDIO TITLE "Circling the Blues" PERFORMER "Lennie Niehaus" INDEX 00 36:15:65 INDEX 01 36:18:72
For this CD reissue, Lennie Niehaus contributed five originals (including "Rick's Tricks" and "Circling the Blues") plus creative reworkings of six veteran standards and an obscurity called "Yes, Yes, Honey." The lineup of musicians is virtually a who's who of West Coast jazz (altoist Niehaus, tenor saxophonist Bill Holman, baritonist Jimmy Giuffre, trumpeter Stu Williamson, valve trombonist Bob Enevoldsen, pianist Pete Jolly, bassist Monty Budwig and drummer Shelly Manne), and the charts are both swinging and filled with some subtle surprises and occasional unusual tone colors. Well worth checking out, as are Niehaus' other valuable Contemporary sessions of the 1950s.
Lennie Niehaus - Vol.4: The Quintets & Strings #777Страна-производитель диска: США Год издания диска: 1995 Издатель (лейбл): Contemporary/Original Jazz Classics Номер по каталогу: OJCCD-1858-2 (C-3510) Тип рипа: image+.cue Продолжительность: 41:34 Источник (релизер): Mazeppa (hqshare) Наличие сканов в содержимом раздачи: да Треклист: 01. All the Things You Are (Hammerstein-Kern) - 3:49 02. My Heart Stood Still (Rodgers-Hart) - 3:20 03. Easy Living (Robin-Rainger) - 3:03 04. If I Should Lose You (Robin-Rainger) - 3:21 05. More Than the Blues (Niehaus) - 4:36 06. Full House (Niehaus) - 2:43 07. Rondo (Niehaus) - 3:51 08. Star Eyes (Raye-DePaul) - 3:08 09. Lens (Niehaus) - 3:38 10. Cross Walk (Niehaus) - 2:52 11. Troubled Waters (Johnston-Coslow) - 3:41 12. Just One of Those Things (Porter) - 3:32 Состав: Lennie Niehaus - alto saxophone with #1,3,7: Christopher Kuzell, Thomas Hall, Barbara Simons - violas Charlotte Harrison - cello Monty Budwig - bass Shelly Manne - drums Recorded in Los Angeles on March 16, 1955. #4,6,8,10,11: Bill Perkins - tenor saxophone Bob Gordon - baritone saxophone Christopher Kuzell, Thomas Hall, Barbara Simons - violas Charlotte Harrison - cello Monty Budwig - bass Shelly Manne - drums Recorded in Los Angeles on March 30, 1955. #2,5,9,12: Stu Williamson - trumpet, valve trombone Hampton Hawes - piano Monty Budwig - bass Shelly Manne - drums Recorded in Los Angeles on April 25, 1955.
Код:
EAC extraction logfile from 27. July 2007, 15:49 for CD Lennie Niehaus / The Quintetes & Strings Vol. 04 Contemporary C 33510 Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 12 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder) High Lossless Compression Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename F:\Win-Rar\Lennie Niehaus - Vol. 4 Quintets & Strings (1955 OJC)[APE Full Scans]\Lennie Niehaus - The Quintetes & Strings Vol. 04 Contemporary C 33510.wav.wav Peak level 100.0 % Range quality 100.0 % CRC 65DE5DCB Copy OK No errors occured End of status report
Код:
REM GENRE Jazz REM DATE 1955 REM DISCID A409C20C REM COMMENT "ExactAudioCopy v0.95b4" PERFORMER "Lennie Niehaus" TITLE "Vol.4: The Quintets & Strings" FILE "Lennie Niehaus - Vol.4- The Quintets & Strings.wav" WAVE TRACK 01 AUDIO TITLE "All the Things You Are" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "My Heart Stood Still" PERFORMER "Lennie Niehaus" INDEX 00 03:45:20 INDEX 01 03:49:02 TRACK 03 AUDIO TITLE "Easy Living" PERFORMER "Lennie Niehaus" INDEX 00 07:05:55 INDEX 01 07:09:37 TRACK 04 AUDIO TITLE "If I Should Lose You" PERFORMER "Lennie Niehaus" INDEX 00 10:09:32 INDEX 01 10:13:17 TRACK 05 AUDIO TITLE "More Than the Blues" PERFORMER "Lennie Niehaus" INDEX 00 13:30:02 INDEX 01 13:34:17 TRACK 06 AUDIO TITLE "Full House" PERFORMER "Lennie Niehaus" INDEX 00 18:07:55 INDEX 01 18:11:02 TRACK 07 AUDIO TITLE "Rondo" PERFORMER "Lennie Niehaus" INDEX 00 20:50:02 INDEX 01 20:54:07 TRACK 08 AUDIO TITLE "Star Eyes" PERFORMER "Lennie Niehaus" INDEX 00 24:41:27 INDEX 01 24:45:57 TRACK 09 AUDIO TITLE "Lens" PERFORMER "Lennie Niehaus" INDEX 00 27:48:40 INDEX 01 27:53:67 TRACK 10 AUDIO TITLE "Cross Walk" PERFORMER "Lennie Niehaus" INDEX 00 31:28:27 INDEX 01 31:32:02 TRACK 11 AUDIO TITLE "Troubled Waters" PERFORMER "Lennie Niehaus" INDEX 00 34:20:57 INDEX 01 34:24:25 TRACK 12 AUDIO TITLE "Just One of Those Things" PERFORMER "Lennie Niehaus" INDEX 00 38:02:05 INDEX 01 38:05:72
This CD reissue brings back one of Lennie Niehaus' finest recordings of the 1950s. His alto is featured throughout the dozen selections and the varied settings (Niehaus is backed by a string quartet, a standard rhythm section, and sometimes two other saxophonists in addition to performing four numbers with a standard quintet) give him an opportunity to show off his writing abilities. Niehaus varies tempos a lot (the strings are often heard on faster material), there is solo space for the tenor of Bill Perkins, baritonist Bob Gordon, and Stu Williamson on trumpet and valve trombone, and the leader's boppish alto is heard at the peak of his playing powers. Bop collectors can consider this disc to be essential.
Lennie Niehaus - Vol.5: The Sextet #777Страна-производитель диска: США Год издания диска: 2001 Издатель (лейбл): Contemporary/Original Jazz Classics Номер по каталогу: OJCCD-1944-2 (C-3524) Тип рипа: image+.cue Продолжительность: 44:18 Источник (релизер): Mazeppa (hqshare) Наличие сканов в содержимом раздачи: да Треклист: 01. Thou Swell (Rodgers-Hart) - 4:52 02. I Wished on the Moon (Rainger-Parker) - 4:18 03. Knee Deep (Niehaus) - 4:05 04. Fond Memories (Niehaus) - 4:22 05. Take It from Me (Niehaus) - 4:49 06. Belle of the Ball (Anderson) - 2:53 07. As Long as I Live (Arlen-Koehler) - 4:37 08. Ill Wind (You're Blowing Me No Good) (Arlen-Koehler) - 4:11 09. Three of a Kind (Niehaus) - 3:29 10. Elbow Room (Niehaus) - 6:42 Состав: Lennie Niehaus - alto saxophone Bill Perkins - tenor saxophone, flute Jimmy Giuffre - baritone saxophone Stu Williamson - trumpet, valve trombone Buddy Clark - bass Shelly Manne - drums Recorded at Contemporary Studios, Los Angeles on January 9, 11 and 12, 1956.
Код:
EAC extraction logfile from 2. August 2007, 8:19 for CD Lennie Niehaus / Volume 5, The Sextet Used drive : LITE-ON CD-ROM LTN-527T Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 12 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder) High Lossless Compression Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename F:\Win-Rar\Lennie Niehaus - Vol. 5 The Sextet (1956 OJC)[APE Full Scans]\Lennie Niehaus - Volume 5, The Sextet.wav.wav Peak level 100.0 % Range quality 100.0 % CRC C224F4DA Copy OK No errors occured End of status report
Код:
REM GENRE Jazz REM DATE 1956 REM DISCID 760A650A REM COMMENT "ExactAudioCopy v0.95b4" PERFORMER "Lennie Niehaus" TITLE "Vol.5: The Sextet" FILE "Lennie Niehaus - Vol.5- The Sextet.wav" WAVE TRACK 01 AUDIO TITLE "Thou Swell" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "I Wished on the Moon" PERFORMER "Lennie Niehaus" INDEX 00 04:49:30 INDEX 01 04:52:45 TRACK 03 AUDIO TITLE "Knee Deep" PERFORMER "Lennie Niehaus" INDEX 00 09:07:30 INDEX 01 09:10:62 TRACK 04 AUDIO TITLE "Fond Memories" PERFORMER "Lennie Niehaus" INDEX 00 13:11:40 INDEX 01 13:16:10 TRACK 05 AUDIO TITLE "Take It from Me" PERFORMER "Lennie Niehaus" INDEX 00 17:35:27 INDEX 01 17:38:60 TRACK 06 AUDIO TITLE "Belle of the Ball" PERFORMER "Lennie Niehaus" INDEX 00 22:25:15 INDEX 01 22:27:60 TRACK 07 AUDIO TITLE "As Long as I Live" PERFORMER "Lennie Niehaus" INDEX 00 25:17:65 INDEX 01 25:21:10 TRACK 08 AUDIO TITLE "Ill Wind (You're Blowing Me No Good)" PERFORMER "Lennie Niehaus" INDEX 00 29:55:37 INDEX 01 29:59:02 TRACK 09 AUDIO TITLE "Three of a Kind" PERFORMER "Lennie Niehaus" INDEX 00 34:06:32 INDEX 01 34:10:02 TRACK 10 AUDIO TITLE "Elbow Room" PERFORMER "Lennie Niehaus" INDEX 00 37:35:62 INDEX 01 37:39:27
It was a sad day for cool jazz when Lennie Niehaus made film music -- not jazz -- his primary focus. From a jazz standpoint, the Los Angeles resident had so much going for him. Niehaus had an attractive tone along the lines of Lee Konitz and early Bud Shank, and he was a talented arranger to boot. Produced by Lester Koenig in L.A. in 1956, Lennie Niehaus, Vol. 5: The Sextet is quite representative of Niehaus' Contemporary output of the 1950s. This album, which Fantasy reissued on CD on its Original Jazz Classics imprint in 2001, finds Niehaus leading a sextet that boasts Bill Perkins on tenor sax and flute, Jimmy Giuffre on baritone sax, Stu Williamson on trumpet and valve trombone, Buddy Clark on upright bass, and Shelly Manne on drums -- in other words, the cream of the southern California crop. The performances are swinging, but in a subtle, understated way that often recalls Miles Davis' seminal Birth of the Cool sessions of 1949-1950. Whether Niehaus is embracing original material or standards, this album doesn't get in your face. But saying that these performances aren't aggressive isn't saying that they aren't inspired or that they don't swing -- Niehaus, like many other members of jazz's cool school, realized that you don't have to be forceful to be expressive. Unfortunately, a lot of New York jazz critics didn't realize that, which is why cool jazz received so much bad press from the Manhattan jazz police -- to them, East Coast hard bop was superior because it was more intense. But, truth be told, cool jazz and hard bop are equally valid parts of the house that Charlie Parker built -- and Niehaus has no problem showing listeners the richness of cool jazz on this excellent album.
Lennie Niehaus - Vol.5: The Sextet #777Страна-производитель диска: США Год издания диска: 2006 Издатель (лейбл): Contemporary/Victor Entertainment Номер по каталогу: VICJ-41700 Тип рипа: tracks+.cue Продолжительность: 44:05 Источник (релизер): ruskaval Наличие сканов в содержимом раздачи: да Треклист: 01. Thou Swell (Rodgers-Hart) - 4:50 02. I Wished on the Moon (Rainger-Parker) - 4:17 03. Knee Deep (Niehaus) - 4:03 04. Fond Memories (Niehaus) - 4:21 05. Take It from Me (Niehaus) - 4:48 06. Belle of the Ball (Anderson) - 2:52 07. As Long as I Live (Arlen-Koehler) - 4:36 08. Ill Wind (You're Blowing Me No Good) (Arlen-Koehler) - 4:09 09. Three of a Kind (Niehaus) - 3:28 10. Elbow Room (Niehaus) - 6:41 Состав: Lennie Niehaus - alto saxophone Bill Perkins - tenor saxophone, flute Jimmy Giuffre - baritone saxophone Stu Williamson - trumpet, valve trombone Buddy Clark - bass Shelly Manne - drums Recorded at Contemporary Studios, Los Angeles on January 9, 11 and 12, 1956.
Код:
Exact Audio Copy V1.1 from 23. June 2015 EAC extraction logfile from 26. December 2016, 18:38 Lennie Niehaus / Volume 5: The Sextet Used drive : TSSTcorpCDDVDW SE-208DB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\FLAC Frontend\tools\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:50.33 | 0 | 21782 2 | 4:50.33 | 4:16.60 | 21783 | 41042 3 | 9:07.18 | 4:02.65 | 41043 | 59257 4 | 13:10.08 | 4:21.22 | 59258 | 78854 5 | 17:31.30 | 4:47.45 | 78855 | 100424 6 | 22:19.00 | 2:52.13 | 100425 | 113337 7 | 25:11.13 | 4:36.22 | 113338 | 134059 8 | 29:47.35 | 4:08.60 | 134060 | 152719 9 | 33:56.20 | 3:27.73 | 152720 | 168317 10 | 37:24.18 | 6:41.32 | 168318 | 198424 Track 1 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\01 - Thou Swell.wav Pre-gap length 0:00:02.00 Peak level 97.2 % Extraction speed 3.0 X Track quality 100.0 % Test CRC BC0D9995 Copy CRC BC0D9995 Accurately ripped (confidence 1) [0E86B637] (AR v2) Copy OK Track 2 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\02 - I Wished On The Moon.wav Peak level 95.9 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 34185A1A Copy CRC 34185A1A Accurately ripped (confidence 1) [09DB6456] (AR v2) Copy OK Track 3 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\03 - Knee Deep.wav Peak level 98.0 % Extraction speed 3.5 X Track quality 100.0 % Test CRC C783093E Copy CRC C783093E Accurately ripped (confidence 1) [C968544F] (AR v2) Copy OK Track 4 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\04 - Fond Memories.wav Peak level 95.3 % Extraction speed 3.1 X Track quality 99.9 % Test CRC 93C93BB9 Copy CRC 93C93BB9 Accurately ripped (confidence 1) [5D62D5C1] (AR v2) Copy OK Track 5 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\05 - Take It From Me.wav Peak level 95.3 % Extraction speed 4.0 X Track quality 100.0 % Test CRC 9D605AFA Copy CRC 9D605AFA Accurately ripped (confidence 1) [65A1506D] (AR v2) Copy OK Track 6 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\06 - Belle Of The Ball.wav Peak level 95.3 % Extraction speed 3.9 X Track quality 100.0 % Test CRC 3794F166 Copy CRC 3794F166 Accurately ripped (confidence 1) [DAA68892] (AR v2) Copy OK Track 7 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\07 - As Long As I Live.wav Peak level 96.0 % Extraction speed 4.3 X Track quality 100.0 % Test CRC 05128E96 Copy CRC 05128E96 Accurately ripped (confidence 1) [AF2D1D66] (AR v2) Copy OK Track 8 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\08 - Ill Wind.wav Peak level 95.3 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 9A3FDDE4 Copy CRC 9A3FDDE4 Accurately ripped (confidence 1) [591E918C] (AR v2) Copy OK Track 9 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\09 - Three Of A Kind.wav Peak level 97.8 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 681302E0 Copy CRC 681302E0 Accurately ripped (confidence 1) [8D7E5834] (AR v2) Copy OK Track 10 Filename D:\_EAC\Lennie Niehaus - Volume 5 - The Sextet (1956) [FLAC] {Contemporary-Victor Japan VICJ-41700 20bit K2}\10 - Elbow Room.wav Peak level 98.0 % Extraction speed 5.1 X Track quality 100.0 % Test CRC 805DBE79 Copy CRC 805DBE79 Accurately ripped (confidence 1) [C80F3F8C] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 506BD83B274C7ED9CCC9324F624F8A55203067594C29CA52B0F8BD9BF63646B8 ====
Код:
REM GENRE Jazz REM DATE 1956 REM DISCID 830A550A REM COMMENT "ExactAudioCopy v1.1" PERFORMER "Lennie Niehaus" TITLE "Vol.5: The Sextet" FILE "01 - Thou Swell.wav" WAVE TRACK 01 AUDIO TITLE "Thou Swell" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "02 - I Wished on the Moon.wav" WAVE TRACK 02 AUDIO TITLE "I Wished on the Moon" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "03 - Knee Deep.wav" WAVE TRACK 03 AUDIO TITLE "Knee Deep" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "04 - Fond Memories.wav" WAVE TRACK 04 AUDIO TITLE "Fond Memories" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "05 - Take It from Me.wav" WAVE TRACK 05 AUDIO TITLE "Take It from Me" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "06 - Belle of the Ball.wav" WAVE TRACK 06 AUDIO TITLE "Belle of the Ball" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "07 - As Long as I Live.wav" WAVE TRACK 07 AUDIO TITLE "As Long as I Live" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "08 - Ill Wind.wav" WAVE TRACK 08 AUDIO TITLE "Ill Wind" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "09 - Three of a Kind.wav" WAVE TRACK 09 AUDIO TITLE "Three of a Kind" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00 FILE "10 - Elbow Room.wav" WAVE TRACK 10 AUDIO TITLE "Elbow Room" PERFORMER "Lennie Niehaus" INDEX 01 00:00:00
It was a sad day for cool jazz when Lennie Niehaus made film music -- not jazz -- his primary focus. From a jazz standpoint, the Los Angeles resident had so much going for him. Niehaus had an attractive tone along the lines of Lee Konitz and early Bud Shank, and he was a talented arranger to boot. Produced by Lester Koenig in L.A. in 1956, Lennie Niehaus, Vol. 5: The Sextet is quite representative of Niehaus' Contemporary output of the 1950s. This album, which Fantasy reissued on CD on its Original Jazz Classics imprint in 2001, finds Niehaus leading a sextet that boasts Bill Perkins on tenor sax and flute, Jimmy Giuffre on baritone sax, Stu Williamson on trumpet and valve trombone, Buddy Clark on upright bass, and Shelly Manne on drums -- in other words, the cream of the southern California crop. The performances are swinging, but in a subtle, understated way that often recalls Miles Davis' seminal Birth of the Cool sessions of 1949-1950. Whether Niehaus is embracing original material or standards, this album doesn't get in your face. But saying that these performances aren't aggressive isn't saying that they aren't inspired or that they don't swing -- Niehaus, like many other members of jazz's cool school, realized that you don't have to be forceful to be expressive. Unfortunately, a lot of New York jazz critics didn't realize that, which is why cool jazz received so much bad press from the Manhattan jazz police -- to them, East Coast hard bop was superior because it was more intense. But, truth be told, cool jazz and hard bop are equally valid parts of the house that Charlie Parker built -- and Niehaus has no problem showing listeners the richness of cool jazz on this excellent album.
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