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(Mainstream Jazz, Post-Bop) [CD] Eric Alexander - Second Impression - 2016, FLAC (tracks+.cue), lossless

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Eric Alexander - Second Impression
Жанр: Mainstream Jazz, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2016
Издатель (лейбл): HighNote Records
Номер по каталогу: HCD 7296
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 54:48
Источник (релизер): thegleek (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Second Impression (Alexander) - 6:20
02. So Many Stars (Mendes-Bergman-Bergman) - 5:43
03. Blues for Mo (Alexander) - 5:18
04. Jennie's Dance (Farnsworth) - 5:54
05. Secret Love (Fain-Webster) - 7:31
06. T-Bone Steak (Smith) - 6:06
07. Frenzy (Alexander) - 6:01
08. Everything Happens to Me (Adair-Dennis) - 6:34
09. Full House (Montgomery) - 5:21
Состав:
Eric Alexander - tenor saxophone
Harold Mabern - piano, Fender Rhodes (#4,5,9)
Bob Cranshaw - bass
Joe Farnsworth - drums
Recorded at Trading 8s Recording Studio, Paramus, NJ on March 14, 2016.

Код:

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 25. October 2016, 17:56
Eric Alexander / Second Impression
Used drive  : ATAPI   iHAS124   B   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -e -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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    ---------------------------------------------------------
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        8  | 42:53.49 |  6:34.23 |    193024    |   222596
        9  | 49:27.72 |  5:21.13 |    222597    |   246684
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     Copy CRC 67B916D3
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Track  3
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     Copy CRC 104EB900
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     Copy OK
Track  4
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     Copy CRC 56A2E8B1
     Accurately ripped (confidence 1)  [D5267E67]  (AR v2)
     Copy OK
Track  5
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     Copy CRC 64571D3D
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Track  6
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     Accurately ripped (confidence 1)  [CC1011E4]  (AR v2)
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Track  7
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     Copy CRC 9E8E5B2B
     Accurately ripped (confidence 1)  [3BF5C65E]  (AR v2)
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Track  8
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     Copy CRC 1F03724F
     Accurately ripped (confidence 1)  [C2153D06]  (AR v2)
     Copy OK
Track  9
     Filename Q:\EAC Rips\09 - Full House.wav
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     Copy CRC 4D1581E7
     Accurately ripped (confidence 1)  [E57C20A6]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
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Код:

REM GENRE Jazz
REM DATE 2016
REM DISCID 850CD909
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Eric Alexander"
TITLE "Second Impression"
FILE "01 - Second Impression.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Second Impression"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629601
    INDEX 01 00:00:00
FILE "02 - So Many Stars.wav" WAVE
  TRACK 02 AUDIO
    TITLE "So Many Stars"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629602
    INDEX 01 00:00:00
FILE "03 - Blues for Mo.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Blues for Mo"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629603
    INDEX 01 00:00:00
FILE "04 - Jennie's Dance.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Jennie's Dance"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629604
    INDEX 01 00:00:00
FILE "05 - Secret Love.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Secret Love"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629605
    INDEX 01 00:00:00
FILE "06 - T-Bone Steak.wav" WAVE
  TRACK 06 AUDIO
    TITLE "T-Bone Steak"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629606
    INDEX 01 00:00:00
FILE "07 - Frenzy.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Frenzy"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629607
    INDEX 01 00:00:00
FILE "08 - Everything Happens to Me.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Everything Happens to Me"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629608
    INDEX 01 00:00:00
FILE "09 - Full House.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Full House"
    PERFORMER "Eric Alexander"
    ISRC USHNR1629609
    INDEX 01 00:00:00

Код:

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Not only has tenor saxophonist Eric Alexander recorded more than thirty-five albums as a leader since arriving in New York City some twenty years ago, he has appeared on almost as many others as a sideman. He's such an earnest blue-collar worker that one almost expects him to carry his saxophone in a lunch pail instead of the standard instrument case. Any Second Impression would mirror the first: Alexander is a tireless craftsman who loves to play and, more to the point, always shows up ready to play. Nothing seems to impede him, even the severe back pain he was suffering as this latest recording was being made.
As the premise behind Second Impression was bold spontaneity, Alexander gathered around him a trio of longtime friends and colleagues whose musical antennae reside on the same wavelength, thus assuring that whatever path he might choose would be firm and secure. Pianist Harold Mabern and drummer Joe Farnsworth have been mainstays on a number of Alexander's previous albums, while bassist Bob Cranshaw, the rhythm section's relative "newcomer" at age eighty-three, had worked alongside Mabern since their days in Chicago in the '50s and brought a wealth of experience to the task at hand. Needless to say, Alexander had no second thoughts about Cranshaw's inclusion on the team.
Once the group was intact and ready, tunes were chosen and arrangements worked out in the studio. Mabern suggested Jimmy Smith's juicy "T-Bone Steak" and Wes Montgomery's boppish "Full House" to complement three originals by Alexander, Sergio Mendez' seductive "So Many Stars" and the standards "Secret Love" and Matt Dennis / Tom Adair's ode to despair, "Everything Happens to Me" (to these ears, the session's apex). Farnsworth contributed the funky "Jennie's Dance," on which Mabern plays Fender Rhodes and Cranshaw electric bass, as they do on "Secret Love" and "Full House." Alexander wrote the title song, which raises the album's curtain, as well as the upbeat "Blues for Mo" and even snappier "Frenzy."
While Mabern, Cranshaw and Farnsworth play their roles with enthusiasm and assurance, and Mabern is an especially engaging and perceptive soloist, it's clear that they are essentially along for the ride, lending Alexander a broad canvas on which to paint his sharp and radiant sound-portraits. Alexander, for his part, is invariably eloquent and persuasive, reinforcing his stature as one of the jazz world's most astute and accomplished tenor saxophonists. And that's far more than a Second Impression.

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