Cannonball Adderley - Verve Jazz Masters 31 (1994)Жанр: Soul-Jazz, Hard Bop
Дата выпуска: November 8, 1994
Производитель диска, страна: Verve 522 651 - 2
Тип: Compilation
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork, png
Продолжительность: 01:03:43
Источник: Моя коллекция
Риппер: Мой рип
Трэклист:
Cannonball Adderley plays alto saxophone on all tracks, accompanied by:
1. What's New? (Robert Sherwood Haggart - Johnny Burke) 5:01Nat Adderley (t); Junior Mance (p); Sam Jones (b); Jimmy Cobb (d).
Recorded March 4, 1958 at Mercury Sound Studio. New York City
Original LP issue: Cannonball's Sharpshooters (Mercury MG 36135)
2. The Song Is You (Jerome David Kern - Oscar Hammerstein II) 4:16Nat Adderley (t); Jimmy Cleveland (tb); Jerome Richardson (ts); Cecil Payne (bs); John Williams (p); Paul Chambers (b); Kenny Clarke (d).
Recorded July 21, 1955 at Capitol Studios, New York City
Original LP issue: Julian "Cannonball" Adderley (EmArcy 36043)
3. I'm Glad There Is You (Jimmy Dorsey - Paul Madeira) 2:32Nat Adderley (c); Ernie Royal (t); Bobby Byrne, Jimmy Cleveland (tb): Jerome Richardson (ts, fl); Danny Bank (bs); Junior Mance (p); Keter Belts (b); Charlie "Specs" Wright (d).
Recorded June 18, 1956 at Mercury Sound Studio, New York City
Original LP issue: In the Land of Hi - Fi (EmArcy 36077)
4. You'd Be So Nice to Come Home To (Cole Albert Porter) 3:39Personnel, exeept J. J. Johnson replaces Cleveland, and original issue same as track 2
Recorded July 29, 1955 at Capitol Studios, New York City
5. Cynthia's in Love (Billy Gish - Earl White - Jack Owens) 3:07Personnel, recording date and location, and original issue same as track 2
6. The Masquerade Is Over (Herb Magidson - AllieWrubel) 3:10Unknown orchestra; Richard Hayman (arr, cond).
Recorded October 28, 1955 at Mercury Sound Studio, New York City
Original LP issue: Julian "Cannonball" Adderley and Strings (EmArcy 36063)
7. Limehouse Blues (Philip Braham - Douglas Furber) 4:40John Coltrane (ts); Wynton Kelly (p); Paul Chambers {b}; Jimmy Cobb (d).
Recorded February 3. 1959 at Universal Recording studio B. Chicago
Original LP issue: Cannonball Adderley Quintet in Chicago (Mercury SR 20449)
8. Lover Man (Jimmy Davis - Roger "Ram" Ramirez - Jimmy Sherman) 3:55Nat Adderley (t); Junior Mance (p); Sam Jones (b); Jimmy Cobb (d).
Recorded February 7. 1957 at Capitol Studios. New York City
Original LP issue: Cannonhall En Route (Mercury SR 60616)
9. Stars Fell on Alabama (Frank S. Perkins - Mitchell Parish) 6:15Personnel, except Coltrane out, recording date and location, and original issue same as track 7
10. Street of Dreams (Victor Young - Sam Lewis) 2:13Personnel and original issue same as track 6
Recorded October 27, 1955 at Mercury Sound Studio. New York City
11. Spring Is Here (Richard Rodgers - Lorenz Hart) 3:45Nat Adderley (t); Junior Mance (p); Sam Jones (b); Jimmy Cobb (d).
Recorded February 11. 1957 at Mercury Sound Studio, New York City
Original LP issue: Sophisticated Swing (EmArcy MG 36110)
12. The Way You Look Tonight (Jerome David Kern - Dorothy Fields) 4:25Personnel and original issue same as track 8
Recorded February 8, 1957 at Capitol Studios, New York City
13. Falling in Love with Love (Richard Rodgers - Lorenz Hart) 2:31Personnel, recording date and location, and original issue same as track 10
14. Little Girl Blue (Richard Rodgers - Lorenz Hart) 2:40Personnel and original issue same as track 3
Recorded June 8, 1956 at Mercury Sound Studio. New York City
15. I Got It Bad (and That Ain't Good) 2:36(Edward Kennedy "Duke" Ellington - Paul Francis Webster)
Emmett Berry (t); Leo Kruczek, Gene Orloff (v); Dave Schwartz (vla): George Ricci (cello); Bill Evans (p); Barry Galbraith (g); Milt Hinton (b); Jimmy Cobb (d); Bill Russo (arr, cond).
Recorded August 20. 1958 at Mercury Sound Studio. New York City
Original LP issue: Jump for Joy (Mercury SR 60616)
16. Straight, No Chaser (Thelonious Sphere Monk) 8:23Personnel, recording date and location, and original issue same as track 1
Мои раздачи на треккере - jazz / fusion / progCannonball Adderley was a happy man in an angry time. His success was largely based on that fact and so were his limitations. Called "the new Bird" because of his remarkable facility on the alto saxophone, he never plumbed the dark depths of sorrow the way his predecessor did: he was Ella Fitzgerald to Charlie Parker's Billie Holiday. Nor did he express the anger and rage of the times in the way his colleague, John Coltrane, did in the Miles Davis Sextet. For that, and for maintaining a multi-racial band, he was deemed by some, in a term not then in use, politically incorrect.
To use another term not then in use, Cannonball was a one-man outreach program. He was involved in the Reverend Jesse Jackson's Operation Breadbasket, and Jackson spoke at his funeral. The alto saxophonist made an LP titled A Child's Introduction to Jazz. And he spoke amusingly and informatively to audiences, even hosting a television talk show in 1972 in Los Angeles.
Cannonball was born Julian Edwin Adderley on September 15, 1928, in Tampa, Florida. His nickname was a corruption of Cannibal, given him in his youth because of his gargantuan appetite. At age twenty he was hired as the band director at Dillard High School in Fort Lauderdale; he worked there before and after an Army stint, where he also led bands. In the summer of 1955, a few months after Parker's death, he came to New York, intending to enroll at New York University and get a master's degree in education. His brother Nat, who plays cornet and trumpet, had just finished a job with Lionel Hampton, and the brothers planned to spend the summer with an aunt in the Bronx and check out the big city before driving back to Florida.
Nat takes up the story:
We called up Buster Cooper [a trombonist who later joined Ellington}, and he sent us down to the Bohemia to hear Oscar Pettiford and the band. We were just sitting there listening to Oscar and Kenny Clarke and Horace Silver. We had our horns — we knew better than to leave them in the car in New York. Jerome Richardson was supposed to be playing, but he had a record date and was late. Charlie Rouse came in, and Oscar asked him to sit in until Jerome got there. Charlie said he didn't have a horn, so Oscar said, "Well, there's a guy over there with a saxophone; borrow his." Charlie had met Cannonball in Florida and knew that he could play. So Cannonball came up, and Oscar had the intention of playing "I'll Remember April" very fast and getting rid of him, embarrassing him so he'd let Charlie use his horn. But Cannonball had been playing that tune, so he jumped in and rode it, and all of their mouths dropped open, and that's what happened.
We drove back down there a couple of nights later, and people were all lined up. The club owner came over and said, "Where you been?" That night, Kenny Clarke said, "I got a record date, and I want both of you." That was the end of the master's degree..Soon after, Quincy Jones and Clark Terry introduced the Adderleys to manager John Levy, who got them a deal with Mercury subsidiaries: EmArcy for Cannon and Wing for Nat. The brothers formed a working band with pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Some of their work appears on this CD.
The Adderleys formed a partnership but, in their naivete, neglected to take out withholding taxes. So the brothers went to work as sidemen, paying back the government over the next two years, making more than they had as leaders. Cannonball played for a few weeks with Dizzy Gillespie, but finally the alto saxophonist decided to go with Miles Davis, who paid better, Nat says. The group was a quintet until Coltrane returned from his stint with Thelonious Monk to form the great sextet that made Miles's masterpiece, Kind of Blue.
By late 1959 the brothers reformed their group; this was the period of Cannonball's greatest popularity. But Cannonball's affable desire to let his audience in on what he was doing was looked down on by some musicians, who thought that even acknowledging listeners was showbiz Uncle Tomming. And Cannonball had the effrontery to at different times hire two European pianists, Victor Feldman and Joe Zawinul.
"We had some difficulty with the Muslims about Victor Feldman," Nat Adderley remembers.
[They] called him a blonde, blue-eyed devil. Cannonball wrote back a magnificent letter that I wish I had a copy of. Cannon said something to the effect of, "If you find me a black piano player who plays as well, composes as well, shows up on time, [and] will follow the tenets of what we believe being a band player is, then I might possibly consider maybe making an effort to consider hiring [him] — otherwise, you run your little religion and I'll run my little band."
* * *
The recordings collected here were made just prior to and during Cannonball's tenure with Davis, who paid him the unusual honor of appearing as a sideman on Cannon's Somethin' Else album for Blue Note. Two of these tracks, Limehouse Blues and Stars Fell on Alabama, actually feature the Davis group of the time, recording without the leader during a Chicago engagement. Coltrane does not play on the latter, which is a ballad. Lover Man, another torch song, is a fearless choice for Cannonball, being perhaps Charlie Parker's most notorious performance on record. He also enters Parker territory on the three selections with strings: Falling in Love with Love; Street of Dreams, immortalized by the great singer Lee Wiley; and The Masquerade Is Over, which Cannon later recorded with Nancy Wilson on an LP that revitalized her career.
Julian Adderley died of a stroke in Gary, Indiana on August 8, 1975. Nat Adderley should have the last word: "Cannonball is now revered by young musicologists as the epitome of what could have been. I wish when I was standing next to him all of those years that I had paid closer attention to what he played. I knew he was a great player, but I thought of him as my brother. Now I wish I'd listened closer."
Joe Goldberg - author of Jazz Masters of the Fifties (Da Capo Press).
April 1994
01 - What's New .flac
02 - The Song Is You.flac
03 - I'm Glad There Is You.flac
04 - You'd Be So Nice to Come Home To.flac
05 - Cynthia's in Love.flac
06 - The Masquerade Is Over.flac
07 - Limehouse Blues.flac
08 - Lover Man.flac
09 - Stars Fell on Alabama.flac
10 - Street of Dreams.flac
11 - Spring Is Here.flac
12 - The Way You Look Tonight.flac
13 - Falling in Love with Love.flac
14 - Little Girl Blue.flac
15 - I Got It Bad (and That Ain't Good).flac
16 - Straight, No Chaser.flac
Artwork
Cannonball Adderley - Verve Jazz Masters 31.log
Cannonball Adderley - Verve Jazz Masters 31.m3u
tau.gif
Verve Jazz Masters 31_Noncompliant.cue
Verve Jazz Masters 31_Single Wav.cue
Artwork\Back.png
Artwork\Booklet 1.png
Artwork\Booklet 2.png
Artwork\Booklet 3.png
Artwork\Booklet 4.png
Artwork\Disc.png
Artwork\Tray.png
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 13. November 2008, 21:30
Cannonball Adderly / Verve Jazz Masters 31
Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:03.45 | 0 | 22769
2 | 5:03.45 | 4:18.58 | 22770 | 42177
3 | 9:22.28 | 2:35.35 | 42178 | 53837
4 | 11:57.63 | 3:42.05 | 53838 | 70492
5 | 15:39.68 | 3:10.05 | 70493 | 84747
6 | 18:49.73 | 3:13.32 | 84748 | 99254
7 | 22:03.30 | 4:42.38 | 99255 | 120442
8 | 26:45.68 | 3:57.57 | 120443 | 138274
9 | 30:43.50 | 6:17.50 | 138275 | 166599
10 | 37:01.25 | 2:15.73 | 166600 | 176797
11 | 39:17.23 | 3:48.10 | 176798 | 193907
12 | 43:05.33 | 4:27.52 | 193908 | 213984
13 | 47:33.10 | 2:33.60 | 213985 | 225519
14 | 50:06.70 | 2:42.35 | 225520 | 237704
15 | 52:49.30 | 2:38.45 | 237705 | 249599
16 | 55:28.00 | 8:23.08 | 249600 | 287332
Track 1
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\01 - What's New .wav
Pre-gap length 0:00:02.00
Peak level 76.6 %
Track quality 100.0 %
Test CRC A39DA332
Copy CRC A39DA332
Accurately ripped (confidence 2) [634C849C]
Copy OK
Track 2
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\02 - The Song Is You.wav
Pre-gap length 0:00:02.80
Peak level 54.0 %
Track quality 100.0 %
Test CRC DAD46AFD
Copy CRC DAD46AFD
Accurately ripped (confidence 2) [1EB9BAD6]
Copy OK
Track 3
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\03 - I'm Glad There Is You.wav
Pre-gap length 0:00:02.80
Peak level 92.5 %
Track quality 100.0 %
Test CRC A6B93955
Copy CRC A6B93955
Accurately ripped (confidence 2) [51322CDE]
Copy OK
Track 4
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\04 - You'd Be So Nice to Come Home To.wav
Pre-gap length 0:00:02.80
Peak level 60.5 %
Track quality 100.0 %
Test CRC 5F4743CC
Copy CRC 5F4743CC
Accurately ripped (confidence 2) [FC02022D]
Copy OK
Track 5
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\05 - Cynthia's in Love.wav
Pre-gap length 0:00:02.80
Peak level 56.6 %
Track quality 100.0 %
Test CRC FDCF2CD3
Copy CRC FDCF2CD3
Accurately ripped (confidence 2) [9213D804]
Copy OK
Track 6
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\06 - The Masquerade Is Over.wav
Pre-gap length 0:00:02.80
Peak level 88.0 %
Track quality 100.0 %
Test CRC 6F154942
Copy CRC 6F154942
Accurately ripped (confidence 2) [DFE00DF2]
Copy OK
Track 7
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\07 - Limehouse Blues.wav
Pre-gap length 0:00:02.78
Peak level 86.7 %
Track quality 100.0 %
Test CRC 5C51BA9F
Copy CRC 5C51BA9F
Accurately ripped (confidence 2) [4AF94C5B]
Copy OK
Track 8
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\08 - Lover Man.wav
Pre-gap length 0:00:02.80
Peak level 78.8 %
Track quality 99.9 %
Test CRC 965175BF
Copy CRC 965175BF
Accurately ripped (confidence 2) [E5A930F4]
Copy OK
Track 9
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\09 - Stars Fell on Alabama.wav
Pre-gap length 0:00:02.80
Peak level 89.2 %
Track quality 100.0 %
Test CRC 2E39993B
Copy CRC 2E39993B
Accurately ripped (confidence 2) [E497BE4C]
Copy OK
Track 10
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\10 - Street of Dreams.wav
Pre-gap length 0:00:02.80
Peak level 75.9 %
Track quality 100.0 %
Test CRC 585FD193
Copy CRC 585FD193
Accurately ripped (confidence 2) [5F126936]
Copy OK
Track 11
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\11 - Spring Is Here.wav
Pre-gap length 0:00:02.80
Peak level 86.1 %
Track quality 99.9 %
Test CRC 1E5C141A
Copy CRC 1E5C141A
Accurately ripped (confidence 2) [44B520DC]
Copy OK
Track 12
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\12 - The Way You Look Tonight.wav
Pre-gap length 0:00:02.80
Peak level 88.5 %
Track quality 100.0 %
Test CRC 5CBB9EB2
Copy CRC 5CBB9EB2
Accurately ripped (confidence 2) [E8C8663C]
Copy OK
Track 13
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\13 - Falling in Love with Love.wav
Pre-gap length 0:00:02.80
Peak level 100.0 %
Track quality 100.0 %
Test CRC 0C17C7EB
Copy CRC 0C17C7EB
Accurately ripped (confidence 2) [E0824EC7]
Copy OK
Track 14
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\14 - Little Girl Blue.wav
Pre-gap length 0:00:02.42
Peak level 86.3 %
Track quality 100.0 %
Test CRC 7973AFF4
Copy CRC 7973AFF4
Accurately ripped (confidence 2) [3A5D777A]
Copy OK
Track 15
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\15 - I Got It Bad (and That Ain't Good).wav
Pre-gap length 0:00:02.78
Peak level 83.3 %
Track quality 100.0 %
Test CRC B1BE6B3D
Copy CRC B1BE6B3D
Accurately ripped (confidence 2) [0458261A]
Copy OK
Track 16
Filename D:\music\rip\Cannonball Adderly - Verve Jazz Masters 31 (1994)\16 - Straight, No Chaser.wav
Pre-gap length 0:00:02.80
Peak level 84.2 %
Track quality 100.0 %
Test CRC C2EC0333
Copy CRC C2EC0333
Track not present in AccurateRip database
Copy OK
15 track(s) accurately ripped
1 track(s) not present in the AccurateRip database
Some tracks could not be verified as accurate
No errors occurred
End of status report
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш
Если нет сидов или раздача находится в архиве, попросите в топике или в ПМ, и я вернусь
