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#777Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)
Жанр: Hard Bop, Bop
Дата записи: Dec 26, 1944-Sep 13, 1946
Дата выпуска: Jul 10, 2001
Производитель диска, номер, страна: EPM, 15601, Jazz Archives 181, France
Тип: Compilation
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 62:00
Источник: коллекция Л Рендера
Риппер: Мой рип
Трэклист:
1. My Gal Is Gone (Page ) - 3:14
2. You'd Be Frantic Too (Page ) - 3:14
3. Gee Baby, Ain't I Good to You (Razaf, Redman ) - 2:40
4. The Lady in Bed (Feather ) - 2:58
5. It Ain't Like That (Page ) - 3:01
6. Test Pilot (Garner, Smith, Thompson ) - 3:28
7. Taps Miller (Basie, Clayton, Russell ) - 5:10
8. High Tide (Green, Rutherford ) - 5:43
9. How High the Moon (Hamilton, Lewis ) - 2:50
10. I Surrender Dear (Barris, Clifford ) - 2:18
11. 'Round About Midnight (Hanighen, Monk, Williams ) - 2:53
12. Yardbird Suite (Parker ) - 2:40
13. Ornithology (Harris, Parker ) - 2:58
14. A Night in Tunisia (Gillespie, Paparelli ) - 3:05
15. Dodo's Bounce (Marmarosa ) - 2:40
16. Dodo's Lament (Marmarosa ) - 2:51
17. Slam's Mishap (Thompson ) - 2:30
18. Shuffle That Riff (Thompson ) - 2:32
19. Smooth Sailing (Thompson ) - 2:40
20. Commercial Eyes (Thompson ) - 2:36
Состав:
(1-2) Hot Lips Page (tp, vo), Lucky Thompson (ts solo), Lem Johnson (ts), Ace Harris (p), John Simmons (b),
Big Sid Catlett (dm). New York City, O8/03/1944.
(3-5) Hot Lips Page (tp, vo), Vic Dickenson (tb), Lucky Thompson (ts), Hank Jones (p), Sam Allen (g),
Carl «Flat Top» Wilson (b), Jesse Price (dm). NYC, 30/11/1944.
(6) Lucky Thompson (ts) & Stuff Smith (vln, vo), Bobby Pratt (tb), Erroll Garner (p), George Wettling (dm). NYC, 26/12/1944.
Count Basie & His Orchestra :
(7) Harry Edison, Al Killian, Ed Lewis, Joe Newman (tp), Ted Donnelly, Eli Robinson, Louis Taylor, Dicky Wells (tb), Earl Warren, Jimmy Powell (as), Buddy Tate (ts, 1 st solo), Lucky Thompson (ts),
Rudy Rutherford (bs, cl), Count Basie (p), Freddie Green (g), Rodney Richardson (b), Joe Marshall (dm). NYC, 11/01/1945.
(8) Same, but Buck Clayton, Karl George (tp), J. J. Johnson (tb), Shadow Wilson (dm) replace Newman, Taylor and Marshall; Taps Miler (vo). NYC, 14/05/1945.
(9-10) Dodo Marmarosa Quartet: Lucky Thompson (ts), Dodo Marmarosa (p), Ray Brown (b), Jackie Mills (dm).
Los Angeles, 11/01/1946.
(11) Tempo Jazzmen : Dizzy Gillespie (tp), Lucky Thompson (ts), Al Haig (p), Ray Brown (b), Stan Levey (dm),
Milt Jackson (vib). Glendale, CA. 06/02/1946.
(12-14) Charlie Parker Septet: Miles Davis (tp), Charlie Parker (as), Lucky Thompson (ts), Dodo Marmarosa (p),
Arvin Garrison (g), Vic McMillan (b), Roy Porter (dm). Hollywood, 28/03/1946.
(15-20) Lucky Thompson Quartet: Lucky Thompson (ts), Dodo Marmarosa (p), Red Callender (b),
Jackie Mills (dm). Hollywood, 13/09/1946.
The originality of "Lucky" Thompson's music only really becomes apparent after examining what he produced in the mid-50s which leads us back to the richness of his earlier work. For, although he was already well-known in the 40s and all the personal aspects of his playing were already in place, he was just one among many young players drawing on Hawkin's style. Nicknamed "Lucky" he cannot be said to be one of the most "unlucky" of saxophonists yet he never got the recognition he deserved, in spite of being admired by many of the greats (Miles Davis, Dizzy Gillespie, Milt Jackson etc.)
To have a better understanding of his development and the apparent clarity of his early style we have to look at his more mature years in the mid-50s. Born in Detroit in 1924 (as were Teddy Edwards, Warden Gray, Yusef Lateef and Sonny Stitt) he started out singing with a vocal group but, by 1943 (right in the middle of the recording ban) he had been hired as a saxophonist by
Lionel Hampton, a stint that lasted six months and helped his career to take off. He hung around the clubs on 52nd Street where he met Hot Lips Page who invited him to record and Erroll Garner and Stuff Smith who accompanied him on his first record in December 1944. Then he played in Bill Eckstine's big band before joining Count Basie in November 1944, replacing Illinois Jacquet who had been filling in after Lester Young had left. He stayed with the band until 1945, just long enough to make a name for himself for, very early on, Thompson stood out as a saxophonist. His tone was still similar to that of Hawkins but tempered by less use of staccato, his phrasing lighter and generally in a higher pitch. During the sessions with Hot Lips Page, especially on those in November 1944, the richness of his style is evident in the obbligatos with which he backs the trumpeter. Within the context of the blues, Thompson uses his particularly sweet tone, a sweetness, however, that differs from that of Lester Young) to weave elegant patterns, together with his flowing phrasing and eloquent vibrato, plus a literally stupefying use of silences. The small band formula seems to have suited him: Hot Lips Page appreciated the contrast between the soft tones of the sax and his own harsh voice [Gee Baby Ain't I Good To You). The trumpeter had impeccable taste and many critics (including Michel Boujut) have pointed out that he was much more in the orthodox Armstrong line, his good judgement revealing itself in his choice of partners. Between the two sessions in March and November 1944 on which Thompson played, Page had called on Don Byas, Ike Quebec and Ben Webster. As we have said, Thompson was close to Coleman Hawkins "a la Don Byas" (Histoires du Saxophone, Ed. Climat, republished 1995). Hawkins disciples (as were many tenors in the early 40s), both men were also influenced by Lester Young—perhaps via Basie? Both were in on the birth of bebop (each working at one
point with Gillespie) and both were still attached to their roots although among the first modern saxophonists. During the famous 1946 Dial session, alongside Charlie Parker, Thompson had to work hard to keep up with Bird's inventive harmonies but, after all, not even Warden Gray or Dexter Gordon could reach such a creative level and Thompson certainly does not disgrace himself. In 1947 Thompson was elected "Esquire New Star" by the Esquire magazine in recognition of his talent and hard work in the Los Angeles area between 1946 and 1947. He recorded with numerous singers who liked the "vocal" aspect of his playing, often in a bluesy register, almost an early form of rhythm and blues (e.g. the small group that Thompson got together in December 1945 to accompany Dinah Washington on record, with Milt Jackson on vibes and Charles Mingus on bass).
Two 1946 sessions alongside pianist Dodo Marmarosa, the first recorded under the latter's name, reveal all the skills of the saxophonist. These recordings are not very well known but they immediately situate Thompson in the modern era (mainstream jazz musician, flying the Hag of bebop). This is not really surprising because of the Parker-Gillespie episode which was probably due mainly to the recommendation of Milt Jackson. Jackson and Thompson had close ties as they both came from Detroit but they also had a great musical relationship as is evident on the records they made in the 50s where their modem approach still retains traces of the blues. This is probably why the contribution each made to the development of modern jazz, already perceptible in the 40s, has never really been acknowledged (other than by their peers such as Gillespie, John Lewis and a few others).
In Dodo Marmarosa, Thompson found himself confronted with the best. Although the pianist's name does not automatically come to mind when thinking of great bebop pianists, in our opinion he is one of the greats and it was not
by chance that he invited Thompson to accompany him on this session that, according to George Hoffer ("The Recorded Flights of Dodo", Down Seat, 29.12.66) was one of the pianist's best ever. Lucky and Dodo even mounted their own regular band, with an excellent rhythm section including Ray Brown on bass and Jackie Mills on drums. This group, with Red Calender replacing Ray Brown, cut six other sides, including four compositions by Thompson and two by Marmarosa, Dodo's Bounce and Dodo's Lament, the latter immediately announcing the somewhat enigmatic, even strange, tone. Thompson's big, warm, comfortable sound on that day was closer to Hawkins, perhaps in an attempt to balance the more cutting edge of his partner—or maybe it is simply a result of the microphone and recording equipment used. It is often difficult to tell.
However, the answer to this question and to many others we have raised most likely lies in his more mature recordings from the 50s, which not only throw light on his earlier work but also on the probable future of jazz (Thompson on soprano, but not only on soprano, might be seen as a precursor of Coltrane). It is Thompson's originality that makes him so difficult to define. Like Benny Golson, yet in a completely ditferent manner, he led the way with a new form of lyricism, a unique sound, reminding us that the ability to invent has always been the hallmark of a great musician (Stan Getz, Don Byas...) something that is not always captured on record but that we, the listeners, instinctively feel.
Adapted from the French by Joyce Waterhouse
Код:
REM GENRE Swing
REM DATE 2001
REM DISCID 1E0E9114
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Lucky Thompson"
TITLE "Lucky Start 1944-1946"
FILE "01 - My Gal is Gone.wav" WAVE
  TRACK 01 AUDIO
    TITLE "My Gal is Gone"
    PERFORMER "Lucky Thompson"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "You'd be Frantic too"
    PERFORMER "Lucky Thompson"
    INDEX 00 03:11:52
FILE "02 - You'd be Frantic too.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Gee Baby ain't I Good"
    PERFORMER "Lucky Thompson"
    INDEX 00 03:11:52
FILE "03 - Gee Baby ain't I Good.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "The Lady in Bed"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:37:72
FILE "04 - The Lady in Bed.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "It ain't Like That"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:56:05
FILE "05 - It ain't Like That.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Test Pilots"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:58:65
FILE "06 - Test Pilots.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Taps Miller"
    PERFORMER "Lucky Thompson"
    INDEX 00 03:25:32
FILE "07 - Taps Miller.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "High Tide"
    PERFORMER "Lucky Thompson"
    INDEX 00 05:07:52
FILE "08 - High Tide.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "How High the Moon"
    PERFORMER "Lucky Thompson"
    INDEX 00 05:40:65
FILE "09 - How High the Moon.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "I Surrender Dear"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:48:18
FILE "10 - I Surrender Dear.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "'Round About Midnight"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:15:53
FILE "11 - 'Round About Midnight.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Yardbird Suite"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:50:42
FILE "12 - Yardbird Suite.wav" WAVE
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "Ornithology"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:37:32
FILE "13 - Ornithology.wav" WAVE
    INDEX 01 00:00:00
  TRACK 14 AUDIO
    TITLE "A Night in Tunisia"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:56:05
FILE "14 - A Night in Tunisia.wav" WAVE
    INDEX 01 00:00:00
  TRACK 15 AUDIO
    TITLE "Dodo's Bounce"
    PERFORMER "Lucky Thompson"
    INDEX 00 03:02:50
FILE "15 - Dodo's Bounce.wav" WAVE
    INDEX 01 00:00:00
  TRACK 16 AUDIO
    TITLE "Dodo's Lament"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:38:20
FILE "16 - Dodo's Lament.wav" WAVE
    INDEX 01 00:00:00
  TRACK 17 AUDIO
    TITLE "Slam's Mishap"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:48:65
FILE "17 - Slam's Mishap.wav" WAVE
    INDEX 01 00:00:00
  TRACK 18 AUDIO
    TITLE "Shuffle That Riff"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:27:72
FILE "18 - Shuffle That Riff.wav" WAVE
    INDEX 01 00:00:00
  TRACK 19 AUDIO
    TITLE "Smooth Sailing"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:30:25
FILE "19 - Smooth Sailing.wav" WAVE
    INDEX 01 00:00:00
  TRACK 20 AUDIO
    TITLE "Commercial Eyes"
    PERFORMER "Lucky Thompson"
    INDEX 00 02:37:65
FILE "20 - Commercial Eyes.wav" WAVE
    INDEX 01 00:00:00
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 8. March 2010, 16:23
Lucky Thompson / Lucky Start 1944-1946
Used drive  : HL-DT-STDVD-RAM GH22NP20   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:14.20 |         0    |    14569
        2  |  3:14.20 |  3:14.20 |     14570    |    29139
        3  |  6:28.40 |  2:40.40 |     29140    |    41179
        4  |  9:09.05 |  2:58.47 |     41180    |    54576
        5  | 12:07.52 |  3:01.33 |     54577    |    68184
        6  | 15:09.10 |  3:28.00 |     68185    |    83784
        7  | 18:37.10 |  5:10.20 |     83785    |   107054
        8  | 23:47.30 |  5:43.32 |    107055    |   132811
        9  | 29:30.62 |  2:50.60 |    132812    |   145621
       10  | 32:21.47 |  2:18.20 |    145622    |   155991
       11  | 34:39.67 |  2:53.10 |    155992    |   168976
       12  | 37:33.02 |  2:40.00 |    168977    |   180976
       13  | 40:13.02 |  2:58.48 |    180977    |   194374
       14  | 43:11.50 |  3:05.17 |    194375    |   208266
       15  | 46:16.67 |  2:40.63 |    208267    |   220329
       16  | 48:57.55 |  2:51.30 |    220330    |   233184
       17  | 51:49.10 |  2:30.40 |    233185    |   244474
       18  | 54:19.50 |  2:32.67 |    244475    |   255941
       19  | 56:52.42 |  2:40.33 |    255942    |   267974
       20  | 59:33.00 |  2:36.60 |    267975    |   279734
Track  1
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Track  2
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Track  3
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Track  4
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\04 - The Lady in Bed.wav
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Track  5
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\05 - It ain't Like That.wav
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Track  6
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\06 - Test Pilots.wav
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Track  7
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\07 - Taps Miller.wav
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Track  8
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\08 - High Tide.wav
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Track  9
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Track 10
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\10 - I Surrender Dear.wav
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Track 11
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\11 - 'Round About Midnight.wav
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Track 12
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Track 13
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\13 - Ornithology.wav
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Track 14
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Track 15
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\15 - Dodo's Bounce.wav
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Track 16
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\16 - Dodo's Lament.wav
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Track 17
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\17 - Slam's Mishap.wav
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Track 18
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Track 19
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     Peak level 81.3 %
     Track quality 100.0 %
     Test CRC ADCD3705
     Copy CRC ADCD3705
     Accurately ripped (confidence 1)  [A4D0F82C]
     Copy OK
Track 20
     Filename D:\music\Musicgate's rips\Lucky Thompson - Lucky Start 1944-1946 (Jazz Archives 181, 2001)\20 - Commercial Eyes.wav
     Pre-gap length  0:00:02.57
     Peak level 79.4 %
     Track quality 100.0 %
     Test CRC 6E9ABCDC
     Copy CRC 6E9ABCDC
     Accurately ripped (confidence 1)  [57114A0F]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов)
За своими раздачами не слежу, и старые топики не читаю - если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш.
Заботьтесь о своем рейтинге - конвертируйте в мп3 и выкладывайте в соответствующем разделе
Правила, инструкции, FAQ!!!
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