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Kyle Eastwood

The View From HereЖанр: Contemporary Jazz, Post-Bop, Funk
Год издания: 2013
Издатель (лейбл): Jazz Village
Номер по каталогу: 570020
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 72:01
Источник (релизер): WEB
Наличие сканов в содержимом раздачи: нет
Треклист:
1. From Rio To Havana
2. For M.E.
3. The View From Here
4. Sirocco
5. Luxor
6. Une nuit au Sénégal
7. The Way Home
8. The Promise
9. Mistral
10. Summer Gone
11. Route de La Buissonne
12. Lucky Six
Код:
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DON'T MODIFY THIS FILE
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Copyright (c) 2008-2010 y-soft. All rights reserved
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ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 12 - Lucky Six.flac
  Size: 41172188 Hash: 94CAB69CA297D1AA79EEBD0FF27A13B1 Accuracy: -m0
  Conclusion: MPEG 95%
  Signature: EC4A640CB8D059645F5572B98CD5F575D70476B2
FILE: 11 - Route de La Buissonne.flac
  Size: 32915463 Hash: 50060183922CCA64B1512328451BDBCD Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: D2A890273E64BF015ABB9FE801B3A68A817A2AAF
FILE: 10 - Summer Gone.flac
  Size: 28764177 Hash: 843BCCD0B362C4E6CBC76566260BAFFD Accuracy: -m0
  Conclusion: CDDA 99%
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FILE: 09 - Mistral.flac
  Size: 27954478 Hash: A5D62AA1E2737CB0716CE23ED8640F34 Accuracy: -m0
  Conclusion: CDDA 100%
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FILE: 08 - The Promise.flac
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  Conclusion: CDDA 100%
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FILE: 07 - The Way Home.flac
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  Conclusion: CDDA 100%
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FILE: 06 - Une nuit au Senegal.flac
  Size: 38695372 Hash: 5DA75A7AF370AA9415E9EFFF2EBE2BE7 Accuracy: -m0
  Conclusion: CDDA 58%
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FILE: 05 - Luxor.flac
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  Conclusion: ???
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FILE: 04 - Sirocco.flac
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  Conclusion: CDDA 87%
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FILE: 03 - The View From Here.flac
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FILE: 02 - For M.E..flac
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FILE: 01 - From Rio To Havana.flac
  Size: 40366522 Hash: 9BE479F43EF7DEE08E7AA9F168859D26 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 3F16CF8710C132FD6485CAF1B99062B260D88816
For his new album, the American bassist and composer embraces a musical heritage which goes back to the soundtrack of his youth, when he not only listened to Duke Ellington, Count Basie and Miles Davis, but went backstage at concerts with his father to meet many of these great artists… Jazz is his passion, a passion which flourished in the company of such masters as Ray Brown, Lennie Niehaus and Bunny Brunel. He went on to produce a wonderful series of albums for the Candid label. Now that he has joined JazzVillage, he has affirmed his love for all things French by bringing his loyal band of eager young Brits to record at La Buissonne, one of France's best modern studios. Dynamic, bursting with powerful grooves and innovative melodies, The View From Here reveals the eclectic music of a musician of his time, a band leader, a virtuoso and an exceptional composer: Kyle Eastwood.
Roots music if inferred from context or if you subscribe to the Wynton Marsalis school of pretentious jazz history is a closer look at the art form that we refer to in the United States as jazz and the origins that surround not only the arrival but in some cases regional development into distinct pockets of sonic culture. Most aficionados with a mere passing interest in the music understand the origins. What makes Kyle Eastwood and his new release The View From Here work is that the roots concept is internalized and we get a peak at what makes an artist such as Kyle Eastwood tick. John Abercrombie was very successful in turning inward to discover his own jazz history and the significance and impact in relationship to his artistic voice. The Kyle Eastwood release on Jazz Village may arguably be his finest work to date with a high degree of success a literal given.
Eastwood draws from roots that include Duke Ellington, Count Basie and Miles Davis which may play a major role in his success in films and the thanks to the Miles Davis influence, the uncanny ability to change dynamics and harmonic direction on the fly while having his more than eager young band from London following every step of the way.
Eastwood is living his passion which has included working in the company of such prolific talents as Ray Brown, Lennie Niehaus, and Buell Neidlinger. This particular release was recorded at one of the finest studios in France, La Buissonne. By no means is this a cover album as was Abercrombie's fine release. The View From Here is an artistic self portrait of Eastwood and the powerful grooves and evocative melodies they would seem as though he were channeling his inspiration from past masters while utilizing his own dynamic spin to communicate through the slightly eclectic set list that Eastwood has constructed.
In terms of criticism this release rolls a doughnut, it is flawless and easily separates Eastwood from a crowded field of bassists that seem more concerned with the academia behind the performance than the performance itself.
Kyle Eastwood is a virtuoso talent that has come into his own while maintaining the tortoise and the hare approach of slow and steady wins the race. There are a great many promising young bass players that should take note that Eastwood has now raised the bar some have insisted on limboing under for years.
Kyle Eastwood - double bass, electric bass
Andrew McCormack - piano, electric piano
Graeme Blevins - tenor and soprano saxophones
Graeme Flowers - trumpet, flugelhorn
Martyn Kaine - drums
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