Wes Montgomery - Impressions - The Verve Jazz Sides
#777
Жанр:Hard Bop
Дата записи: Jan 1, 1965-Sep 16, 1966
Дата выпуска: 1995
Производитель диска, страна: PolyGram Records
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 1:16:45 + 1:15:25
Источник: коллекция Л.Рендера
Риппер: Мой рип
Трэклист:
Wes Montgomery plays guitar on all tracks, accompanied by: Disc One
1. West Coast Blues (John Leslie "Wes" Montgomery) (3:13)
2. Caravan (Edward Kennedy "Duke" Ellington-Juan Tizol) (2:37)
Johnny Pate's orchestra: Ernie Royal, Clark Terry, Snooky Young (t); jimmy Cleveland, Urbie Green, Quentin Jackson, Chauncey Welsch (tb); Don Butterfield or Harvey Phillips (tu); Jerome Richardson (ft, ss, ts); Bobby Scott (p); Bob Cranshaw (b); Grady Tate (d); Pate (arr, cond).
Track 2: Add Willie Hobo (perc).
Recorded November 18, 1964 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
Original LP issue:
Movin' Wes Verve V6-8610; available on CD: 810 045-2
3. Twisted Blues (Wes Montgomery) (4:13)
4. Golden Earrings (Victor Young-Ray Evans-Jay Livingston) (5:13)
5. Naptown Blues (Wes Montgomery) (3:06)
Oliver Nelson's orchestra: Donald Byrd, Danny Moore, Joe Newman, Ernie Royal (t); Wavne Andre, Jimmy Cleveland, Quentin Jackson, Tony Studd (tb); Bob Ashton (fl, cl, wdwd); Jerry Dodgion (as, pel, fl, cl); Phil Woods (as, cl); Romeo Penque (ts, pel, fl, oboe, engh); Danny Bank (bs, alto fl, fl, bcl); Herbie Hancock or Roger Kellaway (p); George Duvivier (b); Sol Gubin or Grady Tate (d); Nelson (arr, cond).
Recorded December 7. 1965 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
Original LP issue:
Goin' Out Of My head Verve V6-8642; available on CD: 825676-2
6. Sun Down (Wes Montgomery) (6:01)
Don Sebesky's orchestra: James Buffington (frh); Mel Davis, Bernie Glow, Jimmy Nottingham (t); Wayne Andre, John Messner, Bill Watrous (tb); Don Butterfield (tu); Stan Webb (as, cl, bs); Ray Beckenstein (as); Walter Kane (bs, cl); Jack Jennings (vb); Herbie Hancock (p); Al Casamenti, Bucky Pizzarelli (g); Richard Davis (b); Ray Barretto (cga); Grady Tate (d); Sebesky (arr, cond).
Recorded September 16, 1966 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
Original LP issue:
California Dreaming Verve V6-8672
7. Milestones (Miles Dewey Davis III) (4:09)
8. 'Round Midnight Master (Thelonious Sphere Monk-Charles Melvin "Cootie" Williams-Bernard Hanighen)Number - 101165 (7:19)
Jimmy Smith (org) with Oliver Nelson's orchestra: Jimmy Maxwell, joe Newman, Ernie Royal, Clark Terry (t); Jimmy Cleveland, Quentin Jackson, Melba Ltston (tb); Dick Hixson (btb); Jerome Richardson (el, fl); Jerry Dodgion (as, fl, cl); Phil Woods (as, cl); Bob Ashton (ts, fl, cl); Danny Bank (bs, fl, bcl); Richard Davis (b); Grady Tate (d); Nelson (arr, cond).
Track 8: Delete all (fl).
Recorded September 21 and 23, 1966 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
Track 7 original LP issue:
Further Adventures of Jimmy and Wes Verve V6-8766; available onCD:519802-2
Track 8 original LP issue:
Just Walkin' Verve V6-8804; available on CD: Further Adventures of Jimmy and Wes 519 802-2
9. Mellow Mood (James Oscar "Jimmy" Smith) (8:41)
10. James and Wes (Jimmy Smith) (8:11)
11. O. G. D. (aka "Road Song") (Wes Montgomery) (6:05)
Jimmy Smith (org) with Ray Barretto (cga) and Grady Tate (d).
Track 10: Delete Barretto.
Recorded September 28, 1966 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
Tracks 9 and 11 original LP issue:
Further Adventures of Jimmy and Wes Verve V6-8766; available on CD: 314 519 802-2
Track 10 original LP issue: Jimmy & Wes:
The Dynamic Duo Verve V6-8678; available on CD: 821 577-2
12. Wives and Lovers (Burt F. Bacharach-Hal David) (2:57)
Ron Carter (b) and Gtady Tate (d).
Recorded March 17, 1966 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey Original LP issue:
Just Walkin' Verve V6-8804; available on CD:
Tequila 831 671-2
13 Portrait of Jennie (J. Russel Robinson-Gordon Burdge) * (:45)
14. The Surrey with the Fringe on Top (Richard Rodgers-Oscar Hammerstein II) (5:18)
15. The Surrey with the Fringe on Top [reconstructed version] ** (6:12)
Wynton Kelly (p) with Paul Chambers (b) and Jimmy Cobb (d).
Recorded probably June 26, 1965 at the Half Note, New York City
Track 13 original LP issue:
The Small Group Recordings Verve VE2-2513 Track 14 original LP issue: Willow Weep for Me Verve V6-8765
Disc Two
1 Unit 7 (Samuel Jones) 6:44
2. Four on Six (Wes Montgomery) 6:43
3. What's New? (Robert Sherwood Haggart-Johnny Burke) 6:10
4. No Blues (Miles Davis) 12:52
5. If You Could See Me Now (Tadley Ewing Peake "Tadd" Dameron-Carl Sigman) 8:21
6. Willow Weep for Me (Ann Ronell) * 7:35
7. Impressions (John William Coltrane) 5:03
8. Oh, You Crazy Moon (James Van Heusen-Johnny Burke)
9. Four Оn Six [live version]9:30
10. Misty (Erroll Louis Garner-Johnny Burke) * 6:40
Wynton Kelly (p) with Paul Chambers (b) and Jimmy Cobb (d).
Tracks 1-3 recorded September 22, 1965 at Van Gelder Recording Studio. Englewood Cliffs, New Jersey
Tracks 4 and 5 recorded June 24, 1965 at the Half Note, New York City
Original LP issue:
Wynton Kelly Trio/Wes Montgomery Smokin' at the Half Note Verve V6-8633
Tracks 6, 8, and 10 recorded probably June 26. 1965 at the Half Note, New York City
Tracks 7 and 9 recorded between June 22 and 27, 1965 at the Half Note. New York City
Tracks 6 and 10 original LP issue:
The Small Group Recordings Verve VE2-25I3
Tracks 7 and 9 original LP issue:
Willow Weep for Me Verve V6-8765
Track 8 original CD issue:
Wynton Kelly Trio/Wes Montgomery The Complete Smokin at the Half Note Vol. 2 Verve (Japan) POCJ-1092
Об альбоме:http://allmusic.com/cg/amg.dll?p=amg&sql=10:jzfuxquhld0ehttp://rateyourmusic.com/release/comp/wes_montgomery/impressions__the_verve_jazz_sides/Рейтинги и премии:rateyourmusic - 4.38 from 8 ratings
Издания:CD Verve 314 521 690
Wes Montgomery was the founder and remains the fount of jazz guitar as a crossover phenomenon. He established his instrument as an expressive equal of any other in modern jazz, then came to make music that captures and holds the affection of casual listeners and aficionados alike. He accomplished this feat by playing, always, with genuine, lyrical warmth — as well as by drawing on compelling, far-reaching melodic variations and a natural blues sensibility. His swing was so embracing that lines by the Champs, John Lennon, and the Mamas and the Papas took their place in his repertoire with works by Coltrane, Ellington, Miles, and Monk.
Montgomery was unabashed about his adaptations; he was in accord with his producers' intentions that his music be accessible to and find favor among the broadest possible audiences, rather than address an in-group of self-proclaimed jazz fans only. The guitarist thought of himself first and foremost as a working professional with a family to support.
Yet given room to stretch out, Montgomery inevitably dug for and uncovered depths of invention and feeling. He'd begun by recording under his given names (John Leslie) with Lionel Hampton in the late Forties, playing in the still-new style of Charlie Christian, not having developed his own sound. Montgomery arrived at his "golden thumb" technique, across-the-bar phrasing, and dynamic uplift, in his native Indianapolis after six years of nightly residence at the Turf Bar, from 9 pm to 2 am, and the Missile Room, until 4:30. He then caught some sleep before logging an eight-hour shift at a radio manufacturing plant.
Emerging from his hometown to record with his brothers Buddy (on piano) and Monk (on bass) as The Mastersounds in the late Fifties, Wes's style was full-blown. And though the context in which he played changed, his sound remained the same until in 1968, at age forty-five, he suffered a fatal heart attack.
If Montgomery was personally unassuming, with few illusions (he told a down beat interviewer just before his death, "There is a jazz concept to what I'm doing, but I'm playing popular music and it should be regarded as such"), his standard of excellence — as well as his wide and lasting popularity — face all improvising guitarists who have come after him: George Benson and Pat Martino, for sure, but also John McLaughlin, Pat Metheny, John Scofield, and legions more. Impressions: The Verve Jazz Sides presents Montgomery's benchmarks and their implicit challenge; it can be enjoyed simply as a satisfying selection from his catalog too. From any perspective, the guitarist's performances on Impressions are choice; he's completely at ease with his material and well served by the supporting contexts (including the Wynton Kelly Trio with Paul Chambers and Jimmy Cobb, with whom in June 1965 he was Smokin' at the Half Note — all of the music issued here, in its entirety, for the first time in the US).
In fact, Impressions directs a fresh look at the erroneous notion that all of Montgomery's later studio work was marred by "sweetening". Johnny Pate's crisp settings of November '64 for West Coast Blues and Caravan, for instance, are models of economy, vigor, and contrast. His brightly voiced brass counter-riffs spur Montgomery on while staying out of his way and establishing themselves as indivisible from the full, fleet solos they enhance.
Oliver Nelson's larger-scale charts for Twisted Blues and Naptown Blues also offset Montgomery without interrupting him or blunting his drive. On the chestnut Golden Earrings (from a campy postwar spy movie starring Marlene Dietrich as a gypsy fortune teller), Nelson conjures an aura of mystery, with the pianist — Herbie Hancock, most likely — proposing a dissonant piano chord against which Montgomery outlines the main theme.
In the March '66 session Claus Ogerman arranges and conducts strings behind Wes, bassist Ron Carter, drummer Grady Tate, and congero Ray Barretto — but wisely leaves the core group alone to transform Wives and Lovers, the title song of a Hollywood farce originally purveyed by Jack Jones, into a credible jazz standard. Don Sebesky's date with Montgomery in that same year resulted in the guitarist's breakthrough album California Dreaming. Sebesky has an 18-piece ensemble at his command, but he, too, reserves one track for his core group: Sun Down is all Montgomery, bassist Richard Davis, Barretto, Tate, and Hancock (who solos tastefully) until the penultimate chorus and a coda.
Milestones and "'Round Midnight", with Nelson arranging and conducting again, are from Montgomery's first encounter with organist Jimmy Smith on September 21, 1966. The two instrumentalists were indeed a fine match, the latter's funky, spunky flash balanced by the former's subtler soulfulness. Nelson's touches — the clear head that becomes a fugue, parts of which recycle under the soloists as they comp for each other; selective use of low horns; and imaginative writing for brass and woodwinds — are indicative of his genius, which is underacknowledged today.
As Smith stretches the dramatic intervallic leaps of Monk's 'Round Midnight along an axis, Montgomery finds twists and turns in it that lead him to the realization of entirely new melodies. In quartet with Tate and Barretto, the organist and guitarist stick to more conventional territory — the blues a la "Frankie and Johnny", a minor treatment of a spiritual with Latin accents, a mid-tempo boogaloo — but there's no gainsaying their collaborative excitement, inspiration, and agreement on tone and effect.
Of course, making new melodies — frequently by reinterpreting and rhythmically energizing the chords that underlie the original ones — was Montgomery's stock in trade. He had a natural melodic gift and
affinity for the guitar, whose strings seem to sing gladly under the tender, confident caress of his thumb. He didn't take his gifts for granted; he continued to nurture them night after night in performance even after he left the low-pressure haunts of folks whose nightclubbing and workaday concerns he shared. With regard to his untimely demise it's ironic that his most widely disseminated recordings offer the world a sensibility that celebrates the moment by exposing its lushness, without undue or immature hurry.
Montgomery's dedication to his art and his empathy with working people are ultimately the qualities that suffuse his music and make it popular beyond either a coterie of connoisseurs or the commercial expectations of its Sixties origins — indeed, that render it timeless. Wes Montgomery was a guitarist who played pretty for the people — without cynicism or condescension but with honesty and understanding. Those impressions are confirmed, once and for all, by his Verve jazz sides.
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 23. May 2009, 21:41
Wes Montgomery / Impressions: The Verve Jazz Sides (Disc 1)
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:15.55 | 0 | 14679
2 | 3:15.55 | 2:39.40 | 14680 | 26644
3 | 5:55.20 | 4:15.70 | 26645 | 45839
4 | 10:11.15 | 5:16.27 | 45840 | 69566
5 | 15:27.42 | 3:08.40 | 69567 | 83706
6 | 18:36.07 | 6:03.60 | 83707 | 110991
7 | 24:39.67 | 4:11.35 | 110992 | 129851
8 | 28:51.27 | 7:21.60 | 129852 | 162986
9 | 36:13.12 | 8:43.48 | 162987 | 202259
10 | 44:56.60 | 8:13.60 | 202260 | 239294
11 | 53:10.45 | 6:08.05 | 239295 | 266899
12 | 59:18.50 | 3:00.25 | 266900 | 280424
13 | 62:19.00 | 2:47.35 | 280425 | 292984
14 | 65:06.35 | 5:25.20 | 292985 | 317379
15 | 70:31.55 | 6:13.57 | 317380 | 345411
Track 1
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\01 - West Coast Blues.wav
Pre-gap length 0:00:02.00
Peak level 87.8 %
Track quality 100.0 %
Test CRC 51895329
Copy CRC 51895329
Accurately ripped (confidence 2) [3E7FDA1A]
Copy OK
Track 2
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\02 - Caravan.wav
Pre-gap length 0:00:02.84
Peak level 99.4 %
Track quality 100.0 %
Test CRC 3080BF1A
Copy CRC 3080BF1A
Accurately ripped (confidence 2) [9E569E43]
Copy OK
Track 3
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\03 - Twisted Blues.wav
Pre-gap length 0:00:02.84
Peak level 89.1 %
Track quality 100.0 %
Test CRC A30E1DAB
Copy CRC A30E1DAB
Accurately ripped (confidence 2) [99B2CB11]
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Track 4
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\04 - Golden Earrings.wav
Pre-gap length 0:00:12.25
Peak level 90.4 %
Track quality 100.0 %
Test CRC 1B8FFB41
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Accurately ripped (confidence 2) [4A847404]
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Track 5
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\05 - Naptown Blues.wav
Pre-gap length 0:00:02.86
Peak level 98.2 %
Track quality 100.0 %
Test CRC E662AA89
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Accurately ripped (confidence 2) [C4DF552A]
Copy OK
Track 6
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\06 - Sun Down.wav
Pre-gap length 0:00:02.82
Peak level 100.0 %
Track quality 100.0 %
Test CRC CD1F624C
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Accurately ripped (confidence 2) [CB809506]
Copy OK
Track 7
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\07 - Milestones.wav
Pre-gap length 0:00:02.86
Peak level 94.7 %
Track quality 100.0 %
Test CRC 369B016B
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Accurately ripped (confidence 2) [07FD91EE]
Copy OK
Track 8
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\08 - 'Round Midnight.wav
Pre-gap length 0:00:02.84
Peak level 90.8 %
Track quality 100.0 %
Test CRC 98A5251D
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Accurately ripped (confidence 2) [4068006C]
Copy OK
Track 9
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\09 - Mellow Mood.wav
Pre-gap length 0:01:47.42
Peak level 97.9 %
Track quality 99.9 %
Test CRC BB855566
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Accurately ripped (confidence 2) [6DC40512]
Copy OK
Track 10
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\10 - James and Wes.wav
Pre-gap length 0:00:02.88
Peak level 98.5 %
Track quality 99.9 %
Test CRC BE969190
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Accurately ripped (confidence 2) [F3B81D79]
Copy OK
Track 11
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\11 - O. G. D. (aka 'Road Song').wav
Pre-gap length 0:00:02.89
Peak level 81.6 %
Track quality 100.0 %
Test CRC EEDF90DF
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Accurately ripped (confidence 2) [4EE39293]
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Track 12
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\12 - Wives and Lovers.wav
Pre-gap length 0:00:02.85
Peak level 87.7 %
Track quality 99.9 %
Test CRC 53CD25EF
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Accurately ripped (confidence 2) [EB8D8C2C]
Copy OK
Track 13
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\13 - Portrait of Jennie.wav
Pre-gap length 0:00:07.40
Peak level 80.9 %
Track quality 100.0 %
Test CRC 88DB0CFD
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Accurately ripped (confidence 2) [B31FD48A]
Copy OK
Track 14
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\14 - The Surrey with the Fringe on Top.wav
Pre-gap length 0:00:38.85
Peak level 87.3 %
Track quality 100.0 %
Test CRC 676ABDAF
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Accurately ripped (confidence 2) [CAC4C407]
Copy OK
Track 15
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD1\15 - The Surrey with the Fringe on Top (reprise).wav
Pre-gap length 0:00:06.86
Peak level 83.7 %
Track quality 100.0 %
Test CRC B31AB752
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Accurately ripped (confidence 2) [01B93876]
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All tracks accurately ripped
No errors occurred
End of status report
Код:
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 23. May 2009, 23:04
Wes Montgomery / Impressions: The Verve Jazz Sides (Disc 2)
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:46.52 | 0 | 30501
2 | 6:46.52 | 6:46.13 | 30502 | 60964
3 | 13:32.65 | 6:13.02 | 60965 | 88941
4 | 19:45.67 | 12:54.38 | 88942 | 147029
5 | 32:40.30 | 8:23.42 | 147030 | 184796
6 | 41:03.72 | 7:38.13 | 184797 | 219159
7 | 48:42.10 | 5:06.00 | 219160 | 242109
8 | 53:48.10 | 5:23.05 | 242110 | 266339
9 | 59:11.15 | 9:33.05 | 266340 | 309319
10 | 68:44.20 | 6:41.07 | 309320 | 339401
Track 1
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\01 - Unit 7.wav
Pre-gap length 0:00:02.00
Peak level 79.4 %
Track quality 100.0 %
Test CRC 3AB3832A
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Cannot be verified as accurate (confidence 6) [0E9E59CC], AccurateRip returned [60A7FFC2]
Copy OK
Track 2
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\02 - Four on Six.wav
Pre-gap length 0:00:47.20
Peak level 89.1 %
Track quality 100.0 %
Test CRC 3FCB5B3A
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Accurately ripped (confidence 2) [05046375]
Copy OK
Track 3
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\03 - What's New .wav
Pre-gap length 0:00:02.89
Peak level 90.7 %
Track quality 100.0 %
Test CRC DF8A9D07
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Cannot be verified as accurate (confidence 6) [9EFE0C4F], AccurateRip returned [28A26F4B]
Copy OK
Track 4
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\04 - No Blues.wav
Pre-gap length 0:03:04.46
Peak level 75.1 %
Track quality 100.0 %
Test CRC 0311ED8F
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Accurately ripped (confidence 2) [11D37298]
Copy OK
Track 5
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\05 - If You Could See Me Now.wav
Pre-gap length 0:00:02.80
Peak level 83.3 %
Track quality 100.0 %
Test CRC B41EAF32
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Accurately ripped (confidence 2) [86FA9DA5]
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Track 6
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\06 - Willow Weep for Me.wav
Pre-gap length 0:00:02.84
Peak level 67.7 %
Track quality 100.0 %
Test CRC 71A6FB6F
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Cannot be verified as accurate (confidence 6) [22E80058], AccurateRip returned [9A49A2C6]
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Track 7
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\07 - Impressions.wav
Pre-gap length 0:00:53.76
Peak level 69.3 %
Track quality 100.0 %
Test CRC 7E4FFDD8
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Accurately ripped (confidence 2) [9D4EF4CB]
Copy OK
Track 8
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\08 - Oh, You Crazy Moon.wav
Pre-gap length 0:00:02.80
Peak level 93.8 %
Track quality 99.9 %
Test CRC D2E2DF6E
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Accurately ripped (confidence 2) [AA5ACF37]
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Track 9
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\09 - Four on Six (live version).wav
Pre-gap length 0:00:02.28
Peak level 87.6 %
Track quality 100.0 %
Test CRC 784FCA63
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Accurately ripped (confidence 2) [6CDBD319]
Copy OK
Track 10
Filename D:\music\rip\Wes Montgomery - Impressions - The Verve Jazz Sides (1966) {1995, PolyGram}\CD2\10 - Misty.wav
Pre-gap length 0:00:02.80
Peak level 97.7 %
Track quality 100.0 %
Test CRC F092BF25
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Accurately ripped (confidence 2) [66C32268]
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7 track(s) accurately ripped
3 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
No errors occurred
End of status report
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