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(Modern Jazz, Contemporary Jazz) [CD] Charles Lloyd & The Marvels - I Long to See You - 2016, FLAC (tracks+.cue), lossless

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Charles Lloyd & The Marvels - I Long to See You
Жанр: Modern Jazz, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): EU
Год издания: 2016
Издатель (лейбл): Blue Note
Номер по каталогу: 0602547652577
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 67:49
Источник (релизер): jlgt
Наличие сканов в содержимом раздачи: да
Треклист:
01. Masters of War (Dylan) - 8:05
02. Of Course, Of Course (Lloyd) - 6:04
03. La Llorona (Trad., arr. Lloyd) - 6:02
04. Shenandoah (Trad., arr. Lloyd) - 6:23
05. Sombrero Sam (Lloyd) - 7:31
06. All My Trials (Trad., arr. Lloyd) - 5:02
07. Last Night, I Had the Strangest Dream (McCurdy) - 4:49
08. Abide with Me (Trad., arr. Lloyd) - 1:22
09. You Are So Beautiful (Preston-Fisher) - 6:05
10. Barche Lamsel (Lloyd) - 16:26
Состав:
Charles Lloyd - tenor saxophone, alto flute
Bill Frisell - guitar
Reuben Rogers - bass
Eric Harland - drums
Greg Leisz - steel guitar
Willie Nelson - vocals, guitar (#7)
Norah Jones - vocals (#9)
Recorded at Santa Barbara Sound Design on April 27-28, 2015, except #5 recorded at the Lobero Theatre on April 28, 2015.

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 4. March 2016, 21:44
Charles Lloyd & The Marvels / I Long to See You
Used drive  : PLEXTOR DVDR   PX-L890SA   Adapter: 5  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  8:05.18 |         0    |    36392
        2  |  8:05.18 |  6:03.58 |     36393    |    63675
        3  | 14:09.01 |  6:02.04 |     63676    |    90829
        4  | 20:11.05 |  6:23.09 |     90830    |   119563
        5  | 26:34.14 |  7:31.34 |    119564    |   153422
        6  | 34:05.48 |  5:02.35 |    153423    |   176107
        7  | 39:08.08 |  4:48.46 |    176108    |   197753
        8  | 43:56.54 |  1:22.25 |    197754    |   203928
        9  | 45:19.04 |  6:05.07 |    203929    |   231310
       10  | 51:24.11 | 16:25.42 |    231311    |   305227
Track  1
     Filename E:\01 - Masters of War.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 4.4 X
     Track quality 100.0 %
     Test CRC 85EC63E5
     Copy CRC 85EC63E5
     Accurately ripped (confidence 3)  [D41130EE]  (AR v2)
     Copy OK
Track  2
     Filename E:\02 - Of Course, Of Course.wav
     Pre-gap length  0:00:02.25
     Peak level 100.0 %
     Extraction speed 4.9 X
     Track quality 100.0 %
     Test CRC 54A13D91
     Copy CRC 54A13D91
     Accurately ripped (confidence 3)  [975C116F]  (AR v2)
     Copy OK
Track  3
     Filename E:\03 - La Llorona.wav
     Pre-gap length  0:00:01.50
     Peak level 100.0 %
     Extraction speed 5.4 X
     Track quality 100.0 %
     Test CRC C9A79798
     Copy CRC C9A79798
     Accurately ripped (confidence 3)  [1F091F27]  (AR v2)
     Copy OK
Track  4
     Filename E:\04 - Shenandoah.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Extraction speed 5.0 X
     Track quality 99.9 %
     Test CRC 64C18A4C
     Copy CRC 64C18A4C
     Accurately ripped (confidence 3)  [29C4E31D]  (AR v2)
     Copy OK
Track  5
     Filename E:\05 - Sombrero Sam.wav
     Pre-gap length  0:00:01.65
     Peak level 100.0 %
     Extraction speed 6.3 X
     Track quality 100.0 %
     Test CRC 1616A686
     Copy CRC 1616A686
     Accurately ripped (confidence 3)  [42B85457]  (AR v2)
     Copy OK
Track  6
     Filename E:\06 - All My Trials.wav
     Pre-gap length  0:00:02.10
     Peak level 99.2 %
     Extraction speed 5.4 X
     Track quality 99.9 %
     Test CRC 0EB84DE2
     Copy CRC 0EB84DE2
     Accurately ripped (confidence 3)  [8687B38A]  (AR v2)
     Copy OK
Track  7
     Filename E:\07 - Last Night, I Had the Strangest Dream (feat. Willie Nelson).wav
     Pre-gap length  0:00:01.65
     Peak level 100.0 %
     Extraction speed 6.8 X
     Track quality 100.0 %
     Test CRC 272A8DDF
     Copy CRC 272A8DDF
     Accurately ripped (confidence 3)  [59CD45D6]  (AR v2)
     Copy OK
Track  8
     Filename E:\08 - Abide With Me.wav
     Pre-gap length  0:00:00.20
     Peak level 69.1 %
     Extraction speed 3.3 X
     Track quality 99.8 %
     Test CRC 6E32728B
     Copy CRC 6E32728B
     Accurately ripped (confidence 3)  [9CFAFE95]  (AR v2)
     Copy OK
Track  9
     Filename E:\09 - You Are So Beautiful (feat. Norah Jones).wav
     Peak level 83.7 %
     Extraction speed 7.3 X
     Track quality 100.0 %
     Test CRC B4476DFE
     Copy CRC B4476DFE
     Accurately ripped (confidence 3)  [AB93EB4D]  (AR v2)
     Copy OK
Track 10
     Filename E:\10 - Barche Lamsel.wav
     Pre-gap length  0:00:02.25
     Peak level 100.0 %
     Extraction speed 8.3 X
     Track quality 100.0 %
     Test CRC 9F2A3677
     Copy CRC 9F2A3677
     Accurately ripped (confidence 3)  [FDFA4712]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 51D4BC8365F8F52EE08243935CBCC0CA0F1EEB8B25ABC8C0C645CE0293728C48 ====

Код:

REM GENRE Jazz
REM DATE 2016
REM DISCID 860FE50A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Charles Lloyd & The Marvels"
TITLE "I Long to See You"
FILE "01 - Masters of War.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Masters of War"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Of Course, Of Course"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 08:02:68
FILE "02 - Of Course, Of Course.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "La Llorona"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 06:02:08
FILE "03 - La Llorona.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Shenandoah"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 06:00:04
FILE "04 - Shenandoah.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Sombrero Sam"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 06:21:19
FILE "05 - Sombrero Sam.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "All My Trials"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 07:29:24
FILE "06 - All My Trials.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Last Night, I Had the Strangest Dream (feat. Willie Nelson)"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 05:00:45
FILE "07 - Last Night, I Had the Strangest Dream (feat. Willie Nelson).wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Abide with Me"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 04:48:26
FILE "08 - Abide with Me.wav" WAVE
    INDEX 01 00:00:00
FILE "09 - You Are So Beautiful (feat. Norah Jones).wav" WAVE
  TRACK 09 AUDIO
    TITLE "You Are So Beautiful (feat. Norah Jones)"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Barche Lamsel"
    PERFORMER "Charles Lloyd & The Marvels"
    INDEX 00 06:02:57
FILE "10 - Barche Lamsel.wav" WAVE
    INDEX 01 00:00:00

Код:

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Saxophonist Charles Lloyd has been working with guitarists periodically since the 1950s: Calvin Newborn, Gabor Szabo, John Abercrombie, and others have played in his bands. On I Long to See You, he (with his stellar rhythm section -- bassist Reuben Rogers and drummer Eric Harland) renews that relationship with two gifted players: Bill Frisell and Greg Leisz (the latter on lap and pedal steel). This program yields folk and spiritual songs, re-recordings of Lloyd's own tunes, a pop nugget, and a new original. In what feels like the input from the label, there are two guest vocal appearances to boot: Willie Nelson beautifully delivers Ed McCurdy's antiwar classic "Last Night I Had the Strangest Dream," and Norah Jones offers a slow, dreamy reading of "You Are So Beautiful." I Long to See You feels more like a collaboration between Lloyd and Frisell than a leader date, which is sometimes problematic: these men can be overly deferential to one another. The album starts promisingly with a brooding read of Bob Dylan's "Masters of War" that threatens to explode at any moment. Frisell and Leisz (who have worked together a lot) take it through deep winding blues, building tension before Lloyd enters and carries it toward the outside before returning to blues, while Harland's circular drumming becomes somberly hypnotic. Lloyd plays flute on "Of Course, of Course" (originally recorded for an album of the same name for Columbia in 1964). Like its predecessor, it's tough, swinging post-bop with colorful slide guitar work and rim-shot syncopations. "La Llorona," from Lloyd's ECM years, is a standout: it captures his open, mournful, Spanish-tinged wail, fleshed out by elegant, timbral guitars, a sad bassline, and Harland's magical timekeeping. "Shenandoah" (which Frisell has recorded before), "All My Trials," and "Abide with Me" are all melodically attractive, but they lack the undercurrent of passion Lloyd has imbued traditional material with in the past. He and Frisell appear so seduced by their melodies, they treat them as fragile objects, not songs whose meanings need to be further explored. Frisell's speculative solo intro on "Sombrero Sam" is overly long; Lloyd's rhythmic sweeping flute doesn't enter until five minutes in, and slips out too quickly. The lone new tune, "Barche Lamsel," more than compensates. Over 16 minutes in length, it's easily the most exploratory thing here. It commences slowly but starts cooking five minutes in. Lloyd and the rhythm section are at their modal improvisational best, moving through folk, funk, blues, Eastern modes, and post-bop. Frisell and Leisz lend fine solos as well as layered textural and atmospheric support. The tune is a journey that ends in a question mark. I Long to See You is well worth investigating even if, at times, it is overly tentative.

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