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(Post-Bop, Contemporary Jazz) [CD] Tom Harrell - First Impressions: Debussy and Ravel Project - 2015, FLAC (tracks+.cue), lossless

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Tom Harrell - First Impressions: Debussy and Ravel Project
Жанр: Post-Bop, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2015
Издатель (лейбл): HighNote Records
Номер по каталогу: HCD 7276
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 63:31
Источник (релизер): Hiro23 (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Sainte (Ravel) - 5:07
02. Voices (Vocalise-etude en forme de Habanera) (Ravel) - 8:15
03. Perspectives (Harrell) - 11:49
04. Beau Soir (Debussy) - 7:29
05. Reverie (Debussy) - 5:57
06. Passepied (Debussy) - 11:29
07. Sarabande (Debussy) - 6:26
08. Musique du Cafe (Harrell) - 6:59

Код:

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 25. August 2016, 11:42
Tom Harrell / First Impressions
Used drive  : PIONEER DVD-RW  DVR-212   Adapter: 1  ID: 0
Read mode               : Secure
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Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
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Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : D:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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Track  4
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Track  5
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     Copy CRC 91423FBE
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Track  6
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     Accurately ripped (confidence 8)  [C697D608]  (AR v2)
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Track  7
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Track  8
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     Copy CRC 3B845097
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All tracks accurately ripped
No errors occurred
End of status report
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Submit result: yIg6xoM6uvTevABeQHzbxTcjDGw- has been confirmed
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==== Log checksum E156F6864CD2DA45BD45C453B511713619AAF0D81C129E6BF7877CD8828408A8 ====

Код:

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REM DATE 2015
REM DISCID 630EE308
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PERFORMER "Tom Harrell"
TITLE "First Impressions"
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    PERFORMER "Tom Harrell"
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    INDEX 01 00:00:00
FILE "02 - Voices.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Voices"
    PERFORMER "Tom Harrell"
    ISRC USHNR1527602
    INDEX 01 00:00:00
FILE "03 - Perspectives.wav" WAVE
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    PERFORMER "Tom Harrell"
    ISRC USHNR1527603
    INDEX 01 00:00:00
FILE "04 - Beau Soir.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Beau Soir"
    PERFORMER "Tom Harrell"
    ISRC USHNR1527604
    INDEX 01 00:00:00
FILE "05 - Reverie.wav" WAVE
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    TITLE "Reverie"
    PERFORMER "Tom Harrell"
    ISRC USHNR1527605
    INDEX 01 00:00:00
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    TITLE "Passepied"
    PERFORMER "Tom Harrell"
    ISRC USHNR1527606
    INDEX 00 05:56:17
FILE "06 - Passepied.wav" WAVE
    INDEX 01 00:00:00
FILE "07 - Sarabande.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Sarabande"
    PERFORMER "Tom Harrell"
    ISRC USHNR1527607
    INDEX 01 00:00:00
FILE "08 - Musique du Cafe.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Musique du Cafe"
    PERFORMER "Tom Harrell"
    ISRC USHNR1527608
    INDEX 01 00:00:00

Код:

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Tom Harrell is in a classical mood on his genre-blending First Impressions. This isn’t new for the brilliant trumpeter-composer. The six-part suite The Adventures of a Quixotic Character, off Harrell’s 2014 album Trip, had a classical feel to it, and this new album’s liner notes, by Robert Baird, trace Harrell’s blending of classical music and jazz in his earlier work. But the emphasis of that fusion is heightened on First Impressions, and the jazz/classical recipe is seasoned with tastes of other styles as well.
The eight tracks here include Harrell arrangements of four pieces by Debussy (“Beau Soir,” “Reverie,” “Passepied,” “Sarabande”), two by Ravel (“Sainte,” “Voices”) and two new compositions of his own, “Perspectives” and “Musique du Cafe.” They’re performed by his crack working quintet with Wayne Escoffery on soprano and tenors saxophones, Danny Grissett on piano, Ugonna Okegwo on bass and Johnathan Blake on drums, augmented by flute, guitar, violin and cello. Latin influences—bossa, baião, hints of tango and flamenco—insinuate themselves here and there amid all the classical impressionism, as does a touch of hip-hop rhythm beneath the leader’s solo on “Sainte.” The quintet’s straight-ahead prowess is deployed too—Blake’s transitional solo on “Perspectives” and Grissett’s and Escoffery’s deft turns atop the Okegwo-fueled “Reverie” are among the other highlights.
Harrell, of course, blows as beautifully as ever. More significant, the 69-year-old master makes clear that it isn’t just millennials who are currently embracing an eclectic approach to jazz composition. “I think all forms of music, even popular music, are close to jazz and classical music,” Harrell declares in Baird’s album notes. “There’s been a revolution in musical composition. Composers are utilizing pop elements, which would have been unheard of a short time ago, but now it’s really accepted.”

Tom Harrell - trumpet, flugelhorn
Wayne Escoffery - soprano saxophone, tenor saxophone
Charles Pillow - flute, bass flute
Danny Grissett - piano
Rale Micic - guitar
Meg Okura - violin
Rubin Kodheli - cello
Ugonna Okegwo - bass
Johnathan Blake - drums
Recorded at Avatar Studios, New York on April 8, 2013 except #7 recorded at Water Music Recording Studios, Hoboken, NJ on May 13, 2013.

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