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Steve Grossman - Some Shapes to Come
Жанр: Hard Bop, Fusion
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 1974 (1994)
Издатель (лейбл): One Way Records
Номер по каталогу: OW 30329
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:42:50
Источник: punkblues
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. WBAI (Grossman) - 2:01
02. Haresah (Grossman) - 7:13
03. Zulu Stomp (Alias) - 6:20
04. Extemporaneous Combustion (Grossman-Hammer-Perla-Alias) - 6:11
05. Alodian Mode (Grossman-Hammer-Perla-Alias) - 6:56
06. Pressure Point (Grossman) - 4:52
07. The Sixth Sense (Grossman-Hammer-Perla-Alias) - 9:17
Состав:
Steve Grossman - tenor saxophone, soprano saxophone
Jan Hammer - electric piano, Moog synthesizer
Gene Perla - electric bass, acoustic bass
Don Alias - drums, congas, bongos, bell
Recorded at Secret Sound Studio, New York on September 4-6, 1973.
Код:
X Lossless Decoder version 20181019 (151.1)
XLD extraction logfile from 2019-06-18 21:16:13 -0400
Steve Grossman / Some Shapes to Come
Used drive : ATAPI iHAS124   F (revision CL9N)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 20
Gap status              : Analyzed, Appended (except HTOA)
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:32 | 02:01:30 |        32    |     9136
        2  | 02:01:62 | 07:13:23 |      9137    |    41634
        3  | 09:15:10 | 06:19:62 |     41635    |    70121
        4  | 15:34:72 | 06:10:55 |     70122    |    97926
        5  | 21:45:52 | 06:56:10 |     97927    |   129136
        6  | 28:41:62 | 04:52:33 |    129137    |   151069
        7  | 33:34:20 | 09:16:55 |    151070    |   192824
AccurateRip Summary (DiscID: 000a8ead-00416ef6-4c0a0b07)
    Track 01 : OK (v1+v2, confidence 7/7)
    Track 02 : OK (v1+v2, confidence 7/7)
    Track 03 : OK (v1+v2, confidence 7/7)
    Track 04 : OK (v1+v2, confidence 7/7)
    Track 05 : OK (v1+v2, confidence 7/7)
    Track 06 : OK (v1+v2, confidence 7/7)
    Track 07 : OK (v1+v2, confidence 7/7)
        ->All tracks accurately ripped.
All Tracks
    Album gain               : -1.67 dB
    Peak                     : 0.836121
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 01
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/01 WBAI.flac
    Pre-gap length : 00:02:32
    Track gain               : -0.14 dB
    Peak                     : 0.640839
    CRC32 hash (test run)    : 7EF96740
    CRC32 hash               : 7EF96740
    CRC32 hash (skip zero)   : 5AFE48A7
    AccurateRip v1 signature : BE5BBAF2
    AccurateRip v2 signature : A1C55542
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 02
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/02 Haresah.flac
    Pre-gap length : 00:04:60
    Track gain               : -0.82 dB
    Peak                     : 0.719147
    CRC32 hash (test run)    : 19018CB7
    CRC32 hash               : 19018CB7
    CRC32 hash (skip zero)   : 42BF9126
    AccurateRip v1 signature : 8A11DE07
    AccurateRip v2 signature : F62CDD06
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 03
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/03 Zulu Stomp.flac
    Pre-gap length : 00:03:45
    Track gain               : -1.42 dB
    Peak                     : 0.836121
    CRC32 hash (test run)    : EC9E93E4
    CRC32 hash               : EC9E93E4
    CRC32 hash (skip zero)   : 399EB124
    AccurateRip v1 signature : 1FC3CA66
    AccurateRip v2 signature : FA7320A7
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 04
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/04 Extemporaneous Combustion.flac
    Pre-gap length : 00:02:00
    Track gain               : -1.87 dB
    Peak                     : 0.810120
    CRC32 hash (test run)    : 3A39DFB4
    CRC32 hash               : 3A39DFB4
    CRC32 hash (skip zero)   : 3411A4E0
    AccurateRip v1 signature : D76DF42B
    AccurateRip v2 signature : 27167DAA
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 05
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/05 Alodian Mode.flac
    Pre-gap length : 00:02:30
    Track gain               : -1.49 dB
    Peak                     : 0.717102
    CRC32 hash (test run)    : BA3F0D06
    CRC32 hash               : BA3F0D06
    CRC32 hash (skip zero)   : 46A2EE70
    AccurateRip v1 signature : 705654FD
    AccurateRip v2 signature : 6B59FEDE
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 06
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/06 Pressure Point.flac
    Pre-gap length : 00:04:07
    Track gain               : -2.32 dB
    Peak                     : 0.731537
    CRC32 hash (test run)    : 517111D7
    CRC32 hash               : 517111D7
    CRC32 hash (skip zero)   : F50B7461
    AccurateRip v1 signature : 78329B00
    AccurateRip v2 signature : AE059EC7
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
Track 07
    Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/07 The Sixth Sence.flac
    Pre-gap length : 00:04:18
    Track gain               : -2.23 dB
    Peak                     : 0.733856
    CRC32 hash (test run)    : EED7964B
    CRC32 hash               : EED7964B
    CRC32 hash (skip zero)   : E89BA399
    AccurateRip v1 signature : 0355260D
    AccurateRip v2 signature : BB891C6A
        ->Accurately ripped (v1+v2, confidence 3+4/7)
    Statistics
        Read error                           : 0
        Jitter error (maybe fixed)           : 0
        Retry sector count                   : 0
        Damaged sector count                 : 0
No errors occurred
End of status report
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Код:
TITLE "Some Shapes to Come"
PERFORMER "Steve Grossman"
REM GENRE "Jazz"
REM DATE "1974"
REM DISCID 4C0A0B07
REM REPLAYGAIN_ALBUM_GAIN -1.67 dB
REM REPLAYGAIN_ALBUM_PEAK 0.836121
FILE "01 - WBAI.flac" WAVE
  TRACK 01 AUDIO
    TITLE "WBAI"
    REM REPLAYGAIN_TRACK_GAIN -0.14 dB
    REM REPLAYGAIN_TRACK_PEAK 0.640839
    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Haresah"
    REM REPLAYGAIN_TRACK_GAIN -0.82 dB
    REM REPLAYGAIN_TRACK_PEAK 0.719147
    INDEX 00 01:56:45
FILE "02 - Haresah.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Zulu Stomp"
    REM REPLAYGAIN_TRACK_GAIN -1.42 dB
    REM REPLAYGAIN_TRACK_PEAK 0.836121
    INDEX 00 07:09:53
FILE "03 - Zulu Stomp.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Extemporaneous Combustion"
    REM REPLAYGAIN_TRACK_GAIN -1.87 dB
    REM REPLAYGAIN_TRACK_PEAK 0.810120
    INDEX 00 06:17:62
FILE "04 - Extemporaneous Combustion.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Alodian Mode"
    REM REPLAYGAIN_TRACK_GAIN -1.49 dB
    REM REPLAYGAIN_TRACK_PEAK 0.717102
    INDEX 00 06:08:25
FILE "05 - Alodian Mode.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Pressure Point"
    REM REPLAYGAIN_TRACK_GAIN -2.32 dB
    REM REPLAYGAIN_TRACK_PEAK 0.731537
    INDEX 00 06:52:03
FILE "06 - Pressure Point.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "The Sixth Sence"
    REM REPLAYGAIN_TRACK_GAIN -2.23 dB
    REM REPLAYGAIN_TRACK_PEAK 0.733856
    INDEX 00 04:48:15
FILE "07 - The Sixth Sence.flac" WAVE
    INDEX 01 00:00:00
Код:
[CUETools log; Date: 20.06.2019 12:19:00; Version: 2.1.6]
Pregap length 00:00:32.
[CTDB TOCID: 1gd.PI1GGDR.Gt9YRjzEqu0BtxM-] found.
Track | CTDB Status
  1   | (1/1) Accurately ripped
  2   | (1/1) Accurately ripped
  3   | (1/1) Accurately ripped
  4   | (1/1) Accurately ripped
  5   | (1/1) Accurately ripped
  6   | (1/1) Accurately ripped
  7   | (1/1) Accurately ripped
[AccurateRip ID: 000a8ead-00416ef6-4c0a0b07] found.
Track   [  CRC   |   V2   ] Status
 01     [be5bbaf2|a1c55542] (3+4/7) Accurately ripped
 02     [8a11de07|f62cdd06] (3+4/7) Accurately ripped
 03     [1fc3ca66|fa7320a7] (3+4/7) Accurately ripped
 04     [d76df42b|27167daa] (3+4/7) Accurately ripped
 05     [705654fd|6b59fede] (3+4/7) Accurately ripped
 06     [78329b00|ae059ec7] (3+4/7) Accurately ripped
 07     [0355260d|bb891c6a] (3+4/7) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL]
 --   83,6 [E5850493] [D867310A]
 01   64,0 [7EF96740] [5AFE48A7]
 02   71,9 [19018CB7] [42BF9126]
 03   83,6 [EC9E93E4] [399EB124]
 04   81,0 [3A39DFB4] [3411A4E0]
 05   71,7 [BA3F0D06] [46A2EE70]
 06   73,1 [517111D7] [F50B7461]
 07   73,3 [EED7964B] [E89BA399]
By the time Steve Grossman released this debut, he and percussionist Don Alias had spent several years recording and touring with Miles Davis. Of course this time spent with the vanguard band of jazz fusion and music, in general, had a profound effect on the musicians and, thus, this album. Some Shapes to Come is an album you can stand up against almost any of the jazz fusion standouts of the '70s. No, it can't go toe to toe with that era's seminal landmark albums (Bitches Brew, Multiple, Black Market, Emergency!, etc), but in terms of artistry, musicianship, and ambition it is among the next tier of thoroughly excellent works. Grossman and Alias teamed with bassist Gene Perla (the three would later comprise the Stone Alliance power trio) and keyboardist Jan Hammer for seven tracks of Afro-Cuban tinged gutter funk and seething jazz. It comes from every angle and direction (only the swinging but fiery "Pressure Point" is straight-ahead, and must have been right up Perla's alley, as he was fresh off a stint with Elvin Jones' band). You'll hear touches of Mwandishi ("Alodian Mode) and even McCoy Tyner ("Haresah"), but no sound is aped. Perla may be the understated star of the album, with every track held together by his linchpin bass work, a thump and grind that are as good as the classic grease Dave Holland, Michael Henderson, and Stanley Clarke were churning out at the time. All you have to do is check "The Sixth Sense," the grimiest tune on the album. Here, the rhythm section offers a groove that, decades later, sounds far more current and hip than most of the recent, rehashed, revisionist rhetoric today's young musicians fall victim to. Hammer, who drops chords as heavy and thick as molasses throughout the album, is almost as responsible as Perla for the album's collective, steady groove. You can also see on his "Sixth Sense" solo why he fit in so well with the more rock-leaning Mahavishnu Orchestra, somehow manipulating his Rhodes to sound like a scorching electric guitar. But smell is the one "sense" that really identifies this album. It's the funk, baby. Everything grooves and bounces. "Zulu Stomp" is one of those jazz songs out of the James Brown breakbeat-ready school of fusion-funk and it also exhibits why Alias could arguably stake a claim as his era's greatest percussionist. It all created the perfect canvas for Steve Grossman to get busy. One could argue that through all his hell-bent solos (using the sax so rhythmically, it's almost like a percussion instrument), he didn't blow one wrong note. There are no lowlights on this album, no soft moments. Often overlooked, it is one of the '70s most unheralded jazz gems.
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