(Black/Progressive Black Metal) Farsot - 3 CD's (2004, 2007, 2011), FLAC (image+.cue), lossless

#777Трэклист:
01. Intro (01:25)
02. Der Hass Lädt Zum Morden Ein (05:15)
03. Der Flamme Tod (05:38)
04. Stillstand (05:37)
05. In Die Sphären Der Realität (06:04)
06. Outro (04:24)
07. I Break (Katatonia cover) * (04:50)

#777Трэклист:
01. Thematik: Hass (05:27)
02. Hass - Angst (01:11)
03. Thematik: Angst (06:20)
04. Angst - Tod (00:41)
05. Thematik: Tod (07:17)
06. Tod - Trauer (00:56)
07. Thematik: Trauer (20:41)

#777Трэклист:
01. Like Flakes of Rust (07:51)
02. Empyrean (10:00)
03. Perdition (06:22)
04. 7 (03:48)
05. Adamantine Chains (08:09)
06. The Vermilion Trail (05:57)
07. Withdrawal (08:37)
08. Somnolent (04:39)

v.03/170 - Bass, Keyboards
R 215k - Drums
Pi: 1T 5r - Guitars
3818.w - Guitars
10.XIXt - Vocals

With a single demo entitled "042103Freitod", FARSOT fathomed the boundaries of raw and cold Black Metal in 2004, and with their debut album "IIII" released via Lupus Lounge they enrich the genre with their very own crushing visions of the dark depths of the human psyche. In tracks changing between unpredictability and catchiness, this young band from Germany eschews crude sensationalism in order to penetrate subtly and insistently those dreaded corners of the soul that lurk within us all.
Firmly rooted in dark Black Metal, FARSOT succeed in orchestrating musical contrasts in such an unexpected way, thus captivating the listener, that when hearing the final track of the album, you won't be asking yourself in what way gentle female choirs and Burzumesque darkness augment each other...
042103freitod
With their self-released debut album "042103freitod" (2004), FARSOT achieved some success right from the start – soon, they were considered one of the most promising newcomers in Germany's black metal scene. With their interplay between raw, mid-tempo black metal, sophisticated atmospheric guitars, highly emotional screaming and excellent growling, FARSOT were creating a thoroughly dismal mood already on their first sign of life, inviting the listener to wallow in deep melancholy and Todessehnsucht (yearning for death). With "042103freitod", FARSOT laid the foundation of their career that was furthered with the release of their first album for this label, "IIII".
Their debut recording has been sold out for a long time and is now re-released with enhanced artwork in an extraordinary Digipak.
IIII
With a single demo entitled "042103Freitod", Farsot fathomed the boundaries of raw and cold Black Metal in 2004, and with their debut album "IIII", soon to be released via Lupus Lounge, they will enrich the genre with their very own crushing visions of the dark depths of the human psyche. In tracks changing between unpredictability and catchiness, this young band from Germany eschews crude sensationalism in order to penetrate subtly and insistently those dreaded corners of the soul that lurk within us all. Firmly rooted in dark Black Metal, Farsot succeed in orchestrating musical contrasts in such an unexpected way, thus captivating the listener, that when hearing the final track of the album, you won't be asking yourself in what way gentle female choirs and Burzumesque darkness augment each other ... "IIII" will be released on October the 29th as the first of five albums to be published by Lupus Lounge.
Insects
Four years ago, with their cryptically entitled debut album "IIII," Farsot were able to give a fresh impetus to the genre of Black Metal, musically and conceptionally. The news spread quickly of this inaccessible yet at the same time fascinating album; it become something of an insider's tip in the scene, and it wasn't long before Farsot were considered the great hope of German Black Metal.
Hence, the expectations for their highly anticipated sophomore "Insects" were high, yet Farsot haven't been working on this album for four years in vain. The record contains a unique new definition of dark music, emphasising trance-like instrumentals as much as clear, conjuring vocals and many groovy passages. It shouldn't go unmentioned that for the first time in their history, the band has been using English lyrics exclusively. "Insects" is less focussed on pure aggression and catchiness, but more on emotional depth in all its facets – and in all its gravity, for at the centre of the album is man, the unknown creature, his abysses, and the Kafkaesque complexity of inter-human action. Once more, this album shows Farsot's way out of the confines of generic metaphors, as it plays with natural loathing and repulsion as much as with the fascination that humans feel when confronted with the crawling, creeping, wriggling, and coiling of lesser creatures, worms, beetles, and insects.