(Goth Punk, Female) One-eyed Doll - Дискография (4 albums, 4 singles, 1 live, rares), MP3, 128-320 kbps

Review
"Singing, songwriting, guitar-weilding punk doll Kimberly Freeman is the creator of this super-charged anime-style rock due, screeching out nursery rhymes and cooing evil phrases throughout an energizing, forceful album of precocious ditties like, "Scapegoat" and the creepy, "Meth Monster". Her belted-out ferocity and fabulous looks remind me of Dominique of Stolen Babies, but the music's less self-conscious , more ballsy Pixies meets Siouxsie meets Hole. Austin's One-Eyed Doll is captivating, wild and never predictable, the way indie rock should be."
-Celine
SENTIMENTALIST MAGAZINE (NY)

REVIEW
"One-Eyed Doll’s second album is a definite must-hear. Kimberly Freeman is proving herself to be a maelstrom of musicality. With her spot-on guitar work and wonderful high-pitched vocals, it’s as if she knows something that the rest of us will hopefully soon figure out. Drumming thespian Paul “P.J.” (or #3) Evans reveals his mettle by accompanying Kimberly’s frenetic playing style. The simple yet heavy riffs will stick in your head until you find yourself humming some part of a song while you’re stuck in traffic… or stuck in a grocery store line… or stuck at work… Suffice it to say, Kimberly pulls some real sticky music out of her... head. The album starts out very light with “We’re One-Eyed Doll,” a catchy, yet silly song introducing the band (both members). “Be my Friend” is a fun, albeit macabre song about the social plights of being a serial killer. On “Brief Candle,” Kimberly’s songwriting and vocal abilities shine. The album rides a veritable sine wave of moods - from light and humorous to dark and brooding, sometimes within the same song. This CD gives us a glimpse into Kimberly’s chaotic mind. Don’t be afraid, it’s an interesting place. Overall, this is an excellent sophomore album from a band that is certain to go places. The title track illustrates that real monsters aren’t the ones dreamt up by Hollywood or fiction writers, but oftentimes they are the ones in whom we put the most trust. “Pao!” is definitely the quirkiest song on the album. Highly energetic and sung in Mandarin Chinese, it’s as if an over- caffeinated, punk rock- loving Chinese girl broke into the studio and recorded the song while holding the producer at gunpoint... And then pulled the trigger…The song “Fight” has Kimberly asking: “Am I crazy?.. Am I de--ranged?” Yes, she’s definitely crazy… like a fox... Okay, she’s probably more like a bipolar otter… While this album isn’t available in stores as of yet, it can easily be bought at the One-Eyed Doll website (oneeyeddoll.com), or better still, at one of their many kick-ass local live shows."
- Karsten Krooss, EDGE MAGAZINE

Kimberly Freeman Productions and Nebulost Studios are proud to present One-Eyed Doll's new album "Break." Break is the third album from the Austin based power trio led by super heroine Kimberly Freeman. The album features 12 songs that showcase Kimberly's stunning voice and innovative rock guitar style backed by an unbreakable rhythm section including Jason Rufuss Sewell (aka Junior) on Drums. Freeman's songwriting is unrelenting touching on subjects as harrowing as child abuse (Cinder Block,) social injustice (New Orleans,) and love that ends in murder (Murder Ballad.) This intensity is balanced with light-hearted songs like "Beautiful Freak" a love song to her unique fans and "Bumble Bee" about a young girl's first encounter with the seemingly friendly insect. Break is a must-hear album for any music lover. It's a timeless work of art sure to win over even the most cynical of listeners. A modern masterpiece.

Review
"Only the heaviest, deepest, darkest swamp juice blues fairy tale murder mystery ever to be written. How does One-Eyed Doll consistently amaze?! Best one yet."
- Alex Kane (Guitarist of Antiproduct, Venrez; Currently on tour with Alice Cooper)
NOTE FROM KIMBERLY:
Junior and I recorded this album with Sylvia Massy's amazing vintage equipment in Weed, California at RadioStar Studios. With our friend and engineer Zak Stirling and the blessing of the great Sylvia Massy, we were in great company.
We played the guitar and drum parts together old school in an abandoned church to capture our natural live groove. There were weird organs and all sorts of fun stuff for us to play with in there, and we took full advantage!! These songs resonate with darkness, dirt and the spirits who live in that old church turned studio.. I can literally smell the place when I listen to these songs.
This album is really gnarly and raw, a little bluesy and VERY dark.. It's serious and brooding.. kind of calls back to our Sabbath, Zeppelin, Pink Floyd influences. We couldn't help but revisit a couple of our classics in this style. You will hear three familiar tunes that we have always wanted to record in this way, and the rest is completely new stuff - some that I've been holding onto for years for the opportunity to record vinyl, and some new that I wrote just for this project. It's all INCREDIBLE sounding, so real you can taste it. Hope you all enjoy experiencing this music as much as we love creating it.
xoxoxo,
kimberly

01.See Jane Run
02.New Orleans
03.American Dream
04.Commited
05.The Loveland
06.Overdose
07.Tara
08.Ghetto Love
09.Redneck Love Song
10.Envy
11.Sucker Fish
12.Rapunzel (bonus)

#77701.Flowers Still Grow 01:56
02.Float Away 02:53
03.Cement 03:50
04.Momma Don't You Cry 02:03
05.Flower Face 05:31
06.The Mom Song 02:25
07.Suicidal Again 03:32
08.Yellow Angels 02:14
09.New Orleans 02:19
The live acoustic sessions on this collection are lightly mastered, but far from produced. Raw, unplugged and often acappella, Kimberly's voice is accompanied by crickets, buzzing neon lights, water and the sounds of a sleeping city at 4am.
Venues showcased in this album include the after-hours security hallway of an old airfield, a few park benches, the fountain at St. Edward's University, The Oaks Trailer Park and a cement pipe in a closed construction site in Kimberly Freeman's own South Austin, Texas neighborhood.
This is a refreshing glimpse into the quieter, sadder side of the explosive singer, songwriter and guitarist behind One-Eyed Doll.