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(Avant-Garde Jazz, Post-Bop) [CD] Karl Berger - Conversations - 1994, FLAC (image+.cue), lossless

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Karl Berger - Conversations
Жанр: Avant-Garde Jazz, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 1994
Издатель (лейбл): In & Out Records
Номер по каталогу: IOR 77027-2
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Продолжительность: 01:11:54
Источник: jankseniev
Наличие сканов в содержимом раздачи: да
Треклист:
01. At Last (Berger) - 2:04
02. Presently (Berger) - 5:42
03. Loverman (Ramirez) - 9:24
04. Bemsha Swing (Monk) - 5:28
05. Why Is It That It's Not (Berger-List) - 2:30
06. North (Berger-Ulmer) - 9:48
07. Out There Alone (Berger) - 5:07
08. St. Thomas (Rollins) - 7:30
09. Still (Berger) - 7:43
10. Another (Berger-Feldman) - 7:34
11. South (Berger-Ulmer) - 4:22
12. Freedom - Getting There (Berger-Sertso) - 4:40

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 25. December 2019, 13:10
Karl Berger / Conversations
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Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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     Extraction speed 2.2 X
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     Test CRC D76BCA41
     Copy CRC D76BCA41
     Copy OK
No errors occurred
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==== Log checksum C71BFA37EE32095F2E847243AD9520E9017385E33638C2C61E29A459AEF55FB9 ====

Код:

REM GENRE Jazz
REM DATE 1994
REM DISCID 9F10DA0C
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Karl Berger"
TITLE "Conversations"
FILE "Karl Berger - Conversations.wav" WAVE
  TRACK 01 AUDIO
    TITLE "At Last"
    PERFORMER "Karl Berger"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Presently"
    PERFORMER "Karl Berger"
    INDEX 00 01:59:72
    INDEX 01 02:03:40
  TRACK 03 AUDIO
    TITLE "Loverman"
    PERFORMER "Karl Berger"
    INDEX 00 07:41:71
    INDEX 01 07:45:40
  TRACK 04 AUDIO
    TITLE "Bemsha Swing"
    PERFORMER "Karl Berger"
    INDEX 00 17:06:05
    INDEX 01 17:09:50
  TRACK 05 AUDIO
    TITLE "Why Is It That It's Not"
    PERFORMER "Karl Berger"
    INDEX 00 22:34:20
    INDEX 01 22:37:65
  TRACK 06 AUDIO
    TITLE "North"
    PERFORMER "Karl Berger"
    INDEX 00 25:04:58
    INDEX 01 25:08:27
  TRACK 07 AUDIO
    TITLE "Out There Alone"
    PERFORMER "Karl Berger"
    INDEX 00 34:52:34
    INDEX 01 34:56:62
  TRACK 08 AUDIO
    TITLE "St. Thomas"
    PERFORMER "Karl Berger"
    INDEX 00 40:00:31
    INDEX 01 40:04:00
  TRACK 09 AUDIO
    TITLE "Still"
    PERFORMER "Karl Berger"
    INDEX 00 47:29:44
    INDEX 01 47:34:14
  TRACK 10 AUDIO
    TITLE "Another"
    PERFORMER "Karl Berger"
    INDEX 00 55:14:00
    INDEX 01 55:17:43
  TRACK 11 AUDIO
    TITLE "South"
    PERFORMER "Karl Berger"
    INDEX 00 62:49:37
    INDEX 01 62:52:05
  TRACK 12 AUDIO
    TITLE "Freedom - Getting There"
    PERFORMER "Karl Berger"
    INDEX 00 67:09:38
    INDEX 01 67:14:08

Код:

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Lest anyone forget what a wondrous vibraphonist and pianist Berger is, this recording is a welcome reminder. The musical conversations are a series of duets with various longtime friends, including alto saxophonist/flutist Carlos Ward, bassist Dave Holland, guitarist James "Blood" Ulmer, vocalist Ingrid Sertso, trombonist Ray Anderson and violinist Mark Feldman. The music is completely tonal, lively within subtle constructions, and thoroughly enjoyable. With Ward, Berger conjures up a more spiritual side on the lustrous alto sax/piano Berger original duet "At Last," while Ward's pitch perfect flute is an organ of sheer beauty alongside Berger's vibes on the 6/8 paced "Out There Alone." If you've heard Holland and Berger's trio sessions with Ed Blackwell (Transit and Crystal Fire on Black Saint) you know these two are in tune with each other's every move, evidenced on the beautifully conceived vibes/bass unison & counterpoint of "Presently" or the lengthy piano/bass lament "Still." The distinctly unusual combination of Berger's piano extrapolations and Ulmer's electric guitar crops up on "North" with Ulmer choppy and Berger agreeable, or the more bouncy "South." Anderson leaps into a couple of standards, with Berger's piano on the extraordinarily spontaneous, well paced "Bemsha Swing," and a less calypso/more swinging with vibes take of "St. Thomas." Feldman's features have him hunting, pecking, and effectively searching for fresh harmonic vistas, weaving in and out of the languid piano and melody of "Lover Man," or the free and fanciful vibes/violin tandem in the palpable swing of the improvised piece "Another." In oblique or inquisitive words and scat, Sertso joins Berger's similarly stanced vibes on "Why Is It That It's Not?," whereas in a light, airy mood they give perpective on "Freedom Getting There," Berger's lithe piano providing all the answers. While close to Berger's best, it certainly is his most universally accessible recording. Easily recommended to the max, but definitely check out the Berger-Holland-Blackwell trio CD's as perfect companions pieces, and equally perfect, fully realized musical statements.

Karl Berger - piano (#1,3-4,6,9,11,12), vibes (#2,5,7,8,10)
Carlos Ward - alto saxophone (#1), flute (#7)
Dave Holland - bass (#2,9)
Mark Feldman - violin (#3,10)
Ray Anderson - trombone (#4,8)
Ingrid Sertso - vocals (#5,12)
James "Blood" Ulmer - guitar (#6,11)
Recorded at Tedesco Studio, New Jersey on March 11-14, 1994.

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