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Kaleigh Wilder

Placemaking




• Жанр: Free Improvisation
• Носитель: WEB
• Год издания: 2021
• Страна: USA
• Аудиокодек: FLAC (*.flac)
• Тип рипа: tracks
• Продолжительность: 00:43:31
• Источник:
• Наличие сканов: front
Tracklist:

01 - Invocation Of The Ancestors (00:06:14)
02 - Dyad (00:08:10)
03 - I. (00:04:03)
04 - Guilty On All Three (00:02:15)
05 - These Tears I Cry (00:05:36)
06 - Contemplation (00:07:36)
07 - Sankofa (00:03:27)
08 - These Tears I Cry (Alternate Take) (00:06:06)

• Лог Dynamic Range Meter •
Код:
foobar2000 1.5.2 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2021-12-13 09:39:04
--------------------------------------------------------------------------------
Анализ:   Kaleigh Wilder & Everett Reid / Placemaking (1)
          Kaleigh Wilder / Placemaking (2-8)
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR12      -0.93 дБ   -16.62 дБ      4:04 03-I.
DR13      -1.02 дБ   -19.27 дБ      6:14 01-Invocation of the Ancestors
DR13      -1.01 дБ   -18.64 дБ      8:11 02-Dyad
DR12      -1.03 дБ   -14.83 дБ      2:16 04-GUILTY ON ALL THREE
DR14      -1.03 дБ   -19.70 дБ      5:37 05-These Tears I Cry
DR12      -1.22 дБ   -20.15 дБ      7:37 06-Contemplation
DR14      -1.01 дБ   -18.48 дБ      3:27 07-Sankofa
DR11      -1.01 дБ   -16.26 дБ      6:07 08-These Tears I Cry (Alternate Take)
--------------------------------------------------------------------------------
Количество треков: 8
Реальные значения DR: DR13
Частота:   44100 Гц
Каналов:   2
Разрядность:   16
Битрейт:   841 кбит/с
Кодек:   FLAC
================================================================================

• Лог auCDtect Task Manager •
Код:
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 08 - These Tears I Cry (Alternate Take).flac
  Size: 38598453 Hash: BF5E22B7C5B5743D7B42F0E692454A5D Accuracy: -m40
  Conclusion: CDDA 99%
  Signature: 0B72CA34DCB7B7B340E4E5BE074D0733019A10D8
FILE: 07 - Sankofa.flac
  Size: 20398282 Hash: EC989FD63579C0A01A1466442BA75DBD Accuracy: -m40
  Conclusion: CDDA 100%
  Signature: AC9C6F52D2664E924461AA31393F158A7842B624
FILE: 06 - Contemplation.flac
  Size: 32209574 Hash: EC205F9130741A0BE6BA78B298B8FD86 Accuracy: -m40
  Conclusion: CDDA 100%
  Signature: 6673BCD062CDDE1FFEAB78E4E2E5FFADA16AAA22
FILE: 05 - These Tears I Cry.flac
  Size: 33562742 Hash: 2BEB3A2C6A13A6D24F411C047C087DD0 Accuracy: -m40
  Conclusion: CDDA 100%
  Signature: BC907673CAF6079DB2F28D4E6F3C63C96FD27B46
FILE: 04 - GUILTY ON ALL THREE.flac
  Size: 14241230 Hash: AEA28EAEAA9982EFC8CCEF34EA26BB02 Accuracy: -m40
  Conclusion: CDDA 99%
  Signature: 6B183DCCFDAD3E449CC4735B1629FD265F934599
FILE: 03 - I.flac
  Size: 21699519 Hash: 00FBFDACA8E426F4315D4BAEE75CED8B Accuracy: -m40
  Conclusion: CDDA 100%
  Signature: BA7AF55E4F2ADB1812B2043DA955C3A9EADCE902
FILE: 02 - Dyad.flac
  Size: 40976600 Hash: A038966C1423877F7E606DCDE2112B4B Accuracy: -m40
  Conclusion: CDDA 100%
  Signature: 92B952619FBAB4103C4A7EBD8F5A3A0166799FCA
FILE: 01 - Invocation of the Ancestors.flac
  Size: 35505782 Hash: 0CB3C73F4FED113585A0323797F15964 Accuracy: -m40
  Conclusion: CDDA 100%
  Signature: 327116C890F43BE250A3149F014BB59852F71A8A

• i •
Kaleigh Wilder (b. 1994) is a baritone saxophone improviser and sound sculptor based in Detroit, MI. Originally from Northwest Indiana, she moved to Michigan for graduate school where she then found refuge in Detroit’s music community. It is hard to place her music into a cut and dried genre, so Wilder likes to play from what she knows in her body—what her hands, ears, and inner child remember. Using timbral extremes that shift between raw and polished, abrasive and sensitive, discomfort and catharsis, Wilder channels her lived experiences into sound to communicate viscerally. She hopes to amplify in the listener their own understanding of music and Self.
Wilder had an affinity for music at a very young age. Her early musical explorations started through song and improvisation, but eventually Wilder began playing alto saxophone at 10 years old. She quickly realized saxophone was her authentic voice and the instrument in which she would pursue her career.
Wilder’s trajectory was mostly classical, but she played jazz throughout middle and high school. When she started at Ball State University in 2013, she planned on pursuing master and doctoral degrees in music to be eligible to teach saxophone at the college level. She was involved in both classical and jazz ensembles to diversify her education and eventually her employability. But when Wilder was a senior, her path of mostly classical training shifted.
Wilder ultimately attended the University of Michigan for graduate school where she received her masters degree in improvisation, which was within the Jazz & Contemporary Improvisation Department. It was during these two short years that Wilder returned to her childhood roots of improvisation and reimagined her voice to perform fully on baritone saxophone. While she seldom performed classical music during this time, she channeled all of her classical training on saxophone to let her voice flow effortlessly. She also had a once in a lifetime opportunity to travel to Ghana to do ethnographic fieldwork at the Dagara Music Center and with the AFRIMUDA Foundation. During her one month in Ghana, Wilder studied gyil, djembe, Ewe drums, and dance. The embodiment of Ghanaian music and dance still impacts her work today.
Following graduate school, Wilder moved to Detroit, MI where she performs as a freelance musician. She leads a baritone saxophone and drum duo that play her original compositions, their co-compositions, as well as free improvisations. They embody a melodic, rhythmic, and spacious sound, which they continuously discover and rediscover. Their process involves deeply engaged listening, discussion, and ample free play in order to create their music. She is also a member of Gnostikos, a quartet whose music ranges from strictly notated material to free improvisation, and utilizes techniques such as graphic notation, divination, and systems composition.
Wilder has shared the stage with notable musicians Marion Hayden, Ingrid Jensen, Ellen Rowe, and Allison Miller. She has performed throughout the United States and in Poland, Czech Republic, Switzerland, France, Costa Rica and Ghana at notable venues and festivals such as the Montreux Jazz Festival (Switzerland), Vertigo Jazz Club (Poland), the Karol Lipiński Academy of Music (Poland), Kerrytown Concert House (US), and Detroit Symphony Orchestra Hall (US).

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